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  1. The Mask of Comedy
    Aristophanes and the Intertextual Parabasis
    Autor*in: Hubbard, Thomas K.
    Erschienen: [2019]; © 2013
    Verlag:  Cornell University Press, Ithaca, NY

    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes'... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes' comedies, Thomas K. Hubbard here demonstrates that, far from being a digression or a relic of long-forgotten rituals, the parabasis provides a critical link between the identities of the poet, chorus, and protagonist, and between the play and its audience.The parabasis, according to Hubbard, offers an interesting theoretical problem: the seeming intrusion of autobiographical allusion and literary dogma into the poetic text. He argues that the parabasis is not in fact intrusive, but presents the poet's role and identity as a paradigm for the satirical concerns of the play. After a review of ancient theories of the comic and their modern counterparts, Hubbard examines the parabasis within the framework of Greek traditions of poetic self-awareness and self-citation.He shows that the function of the parabasis is primarily "intertextual," echoing not only other poets but also the comic poet himself. Hubbard maintains that the parabases of Aristophanes' plays, taken together, form an important autobiographical subtext, which allows readers to trace the poet's career as he wished it to be seen. The poet, in his various struggles with Athenian society, is himself revealed to be a comic hero on a par with many of his protagonists. Analyzing Aristophanes' plays sequentially through the lens of the parabasis, The Mask of Comedy gives us a new perspective on the significance of his entire dramatic corpus. It will be welcomed by classicists and by comparatists and literary theorists interested in the development of comedy

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801466915
    Weitere Identifier:
    Schriftenreihe: Cornell Studies in Classical Philology ; 51
    Schlagworte: LITERARY CRITICISM / Ancient & Classical; Drama; Drama; Greek drama (Comedy); Intertextuality; Literature and society; Social problems in literature; Griechisch; Chor; Komödie; Parabase
    Weitere Schlagworte: Aristophanes (v445-v385)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  2. The Mask of Comedy
    Aristophanes and the Intertextual Parabasis
    Autor*in: Hubbard, Thomas K
    Erschienen: [2019]
    Verlag:  Cornell University Press, Ithaca, NY

    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes'... mehr

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    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes' comedies, Thomas K. Hubbard here demonstrates that, far from being a digression or a relic of long-forgotten rituals, the parabasis provides a critical link between the identities of the poet, chorus, and protagonist, and between the play and its audience.The parabasis, according to Hubbard, offers an interesting theoretical problem: the seeming intrusion of autobiographical allusion and literary dogma into the poetic text. He argues that the parabasis is not in fact intrusive, but presents the poet's role and identity as a paradigm for the satirical concerns of the play. After a review of ancient theories of the comic and their modern counterparts, Hubbard examines the parabasis within the framework of Greek traditions of poetic self-awareness and self-citation.He shows that the function of the parabasis is primarily "intertextual," echoing not only other poets but also the comic poet himself. Hubbard maintains that the parabases of Aristophanes' plays, taken together, form an important autobiographical subtext, which allows readers to trace the poet's career as he wished it to be seen. The poet, in his various struggles with Athenian society, is himself revealed to be a comic hero on a par with many of his protagonists. Analyzing Aristophanes' plays sequentially through the lens of the parabasis, The Mask of Comedy gives us a new perspective on the significance of his entire dramatic corpus. It will be welcomed by classicists and by comparatists and literary theorists interested in the development of comedy Frontmatter -- Contents -- Preface -- Abbreviations -- CHAPTER 1. Comedy and Self-Knowledge -- CHAPTER 2. The Intertextual Parabasis -- CHAPTER 3. The Mask of Dicaeopolis -- CHAPTER 4. Aristophanes and the Poetry of Hate -- CHAPTER 5. Misunderstood Intellectuals and Misunderstood Poets -- CHAPTER 6. A Quarrel with the Jury -- CHAPTER 7. The Flight of the Dung Beetle -- CHAPTER 8. From Birds to Frogs -- CHAPTER 9. Comic Autobiography and the Mask of Aristophanes -- APPENDIX 1. Aristophanes and Callistratus -- APPENDIX 2. Ben Jonson and the Clouds Parabasis -- APPENDIX 3. The Identity of the Chorus in the Peace -- APPENDIX 4. Political Allusions and the Chronology of the Lysistrata and Thesmophoriazusae -- APPENDIX 5. The Death of the Parabasis -- Bibliography -- General Index -- Index of Passages Discussed

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801466915
    Weitere Identifier:
    Schriftenreihe: Cornell Studies in Classical Philology ; 51
    Schlagworte: Literature and society; Intertextuality; Social problems in literature; Drama; Drama; Greek drama (Comedy); LITERARY CRITICISM / Ancient & Classical
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    restricted access online access with authorization star
  3. The Mask of Comedy
    Aristophanes and the Intertextual Parabasis
    Autor*in: Hubbard, Thomas K
    Erschienen: [2019]
    Verlag:  Cornell University Press, Ithaca, NY

    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes'... mehr

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    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes' comedies, Thomas K. Hubbard here demonstrates that, far from being a digression or a relic of long-forgotten rituals, the parabasis provides a critical link between the identities of the poet, chorus, and protagonist, and between the play and its audience.The parabasis, according to Hubbard, offers an interesting theoretical problem: the seeming intrusion of autobiographical allusion and literary dogma into the poetic text. He argues that the parabasis is not in fact intrusive, but presents the poet's role and identity as a paradigm for the satirical concerns of the play. After a review of ancient theories of the comic and their modern counterparts, Hubbard examines the parabasis within the framework of Greek traditions of poetic self-awareness and self-citation.He shows that the function of the parabasis is primarily "intertextual," echoing not only other poets but also the comic poet himself. Hubbard maintains that the parabases of Aristophanes' plays, taken together, form an important autobiographical subtext, which allows readers to trace the poet's career as he wished it to be seen. The poet, in his various struggles with Athenian society, is himself revealed to be a comic hero on a par with many of his protagonists. Analyzing Aristophanes' plays sequentially through the lens of the parabasis, The Mask of Comedy gives us a new perspective on the significance of his entire dramatic corpus. It will be welcomed by classicists and by comparatists and literary theorists interested in the development of comedy Frontmatter -- Contents -- Preface -- Abbreviations -- CHAPTER 1. Comedy and Self-Knowledge -- CHAPTER 2. The Intertextual Parabasis -- CHAPTER 3. The Mask of Dicaeopolis -- CHAPTER 4. Aristophanes and the Poetry of Hate -- CHAPTER 5. Misunderstood Intellectuals and Misunderstood Poets -- CHAPTER 6. A Quarrel with the Jury -- CHAPTER 7. The Flight of the Dung Beetle -- CHAPTER 8. From Birds to Frogs -- CHAPTER 9. Comic Autobiography and the Mask of Aristophanes -- APPENDIX 1. Aristophanes and Callistratus -- APPENDIX 2. Ben Jonson and the Clouds Parabasis -- APPENDIX 3. The Identity of the Chorus in the Peace -- APPENDIX 4. Political Allusions and the Chronology of the Lysistrata and Thesmophoriazusae -- APPENDIX 5. The Death of the Parabasis -- Bibliography -- General Index -- Index of Passages Discussed

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801466915
    Weitere Identifier:
    Schriftenreihe: Cornell Studies in Classical Philology ; 51
    Schlagworte: Literature and society; Intertextuality; Social problems in literature; Drama; Drama; Greek drama (Comedy); LITERARY CRITICISM / Ancient & Classical
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    restricted access online access with authorization star
  4. The Mask of Comedy
    Aristophanes and the Intertextual Parabasis
    Autor*in: Hubbard, Thomas K.
    Erschienen: [2019]; © 2013
    Verlag:  Cornell University Press, Ithaca, NY

    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes'... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes' comedies, Thomas K. Hubbard here demonstrates that, far from being a digression or a relic of long-forgotten rituals, the parabasis provides a critical link between the identities of the poet, chorus, and protagonist, and between the play and its audience.The parabasis, according to Hubbard, offers an interesting theoretical problem: the seeming intrusion of autobiographical allusion and literary dogma into the poetic text. He argues that the parabasis is not in fact intrusive, but presents the poet's role and identity as a paradigm for the satirical concerns of the play. After a review of ancient theories of the comic and their modern counterparts, Hubbard examines the parabasis within the framework of Greek traditions of poetic self-awareness and self-citation.He shows that the function of the parabasis is primarily "intertextual," echoing not only other poets but also the comic poet himself. Hubbard maintains that the parabases of Aristophanes' plays, taken together, form an important autobiographical subtext, which allows readers to trace the poet's career as he wished it to be seen. The poet, in his various struggles with Athenian society, is himself revealed to be a comic hero on a par with many of his protagonists. Analyzing Aristophanes' plays sequentially through the lens of the parabasis, The Mask of Comedy gives us a new perspective on the significance of his entire dramatic corpus. It will be welcomed by classicists and by comparatists and literary theorists interested in the development of comedy

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801466915
    Weitere Identifier:
    Schriftenreihe: Cornell Studies in Classical Philology ; 51
    Schlagworte: LITERARY CRITICISM / Ancient & Classical; Drama; Drama; Greek drama (Comedy); Intertextuality; Literature and society; Social problems in literature; Griechisch; Chor; Komödie; Parabase
    Weitere Schlagworte: Aristophanes (v445-v385)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  5. The Mask of Comedy
    Aristophanes and the Intertextual Parabasis
    Autor*in: Hubbard, Thomas K.
    Erschienen: [2013]
    Verlag:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

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    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801466915
    Weitere Identifier:
    Schriftenreihe: Cornell Studies in Classical Philology ; 51
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)