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  1. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Autor*in: Mann, Jenny C
    Erschienen: 2012; ©2012.
    Verlag:  Cornell University Press, Ithaca

    Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: A Tale of Robin Hood -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- 2. The Trespasser: Displacing Virgilian Figures in Spenser's Faerie Queene... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: A Tale of Robin Hood -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- 2. The Trespasser: Displacing Virgilian Figures in Spenser's Faerie Queene -- 3. The Insertour: Putting the Parenthesis in Sidney's Arcadia -- 4. The Changeling: Mingling Heroes and Hobgoblins in Shakespeare's A Midsummer Night's Dream -- 5. The Figure of Exchange: Gender Exchange in Shakespeare's Sonnet 20 and Jonson's Epicene -- 6. The Mingle-Mangle: The Hodgepodge of Fancy and Philosophy in Cavendish's Blazing World -- Conclusion: "Words Made Visible" and the Turn against Rhetoric -- Appendix of English Rhetorical Manuals -- Bibliography -- Index.

     
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  2. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Autor*in: Mann, Jenny C.
    Erschienen: [2012]; © 2012
    Verlag:  Cornell University Press, Ithaca, N.Y.

    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... mehr

    Zugang:

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start.Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801464102
    Weitere Identifier:
    Schlagworte: Eloquence in literature; English literature; Figures of speech in literature; National characteristics, English, in literature; Englisch; Rhetorik
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  3. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Autor*in: Mann, Jenny C.
    Erschienen: [2012]; ©2012
    Verlag:  Cornell University Press, Ithaca, N.Y.

    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... mehr

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    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start.Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801464102
    Weitere Identifier:
    Schlagworte: Figures of speech in literature; National characteristics, English, in literature; English literature; Eloquence in literature; National characteristics, English, in literature; English literature; Eloquence in literature; Figures of speech in literature; Eloquence in literature.; English literature.; Figures of speech in literature.; National characteristics, English, in literature.
    Umfang: 1 online resource
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- List of Illustrations -- -- Acknowledgments -- -- Introduction: A Tale of Robin Hood -- -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- -- 2. The Trespasser: Displacing Virgilian Figures in Spenser’s Faerie Queene -- -- 3. The Insertour: Putting the Parenthesis in Sidney’s Arcadia -- -- 4. The Changeling: Mingling Heroes and Hobgoblins in Shakespeare’s A Midsummer Night’s Dream -- -- 5. The Figure of Exchange: Gender Exchange in Shakespeare’s Sonnet 20 and Jonson’s Epicene -- -- 6. The Mingle-Mangle: The Hodgepodge of Fancy and Philosophy in Cavendish’s Blazing World -- -- Conclusion “Words Made Visible” and the Turn against Rhetoric -- -- Appendix of English Rhetorical Manuals -- -- Bibliography -- -- Index
  4. Outlaw rhetoric
    figuring vernacular eloquence in Shakespeare's England
    Autor*in: Mann, Jenny C.
    Erschienen: 2012
    Verlag:  Cornell University Press, Ithaca

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0801449650; 0801464102; 9780801449659; 9780801464102
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Englisch; English literature; Eloquence in literature; Figures of speech in literature; National characteristics, English, in literature; Rhetoric, Renaissance; English language; Rhetorik; Englisch
    Umfang: 1 Online-Ressource (xiii, 249 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction : a tale of Robin Hood -- Common rhetoric : planting figures of speech in the English shire -- The trespasser : displacing Virgilian figures in Spenser's Faerie queene -- The insertour : putting the parenthesis in Sidney's Arcadia -- The changeling : mingling heroes and hobgoblins in Shakespeare's A midsummer night's dream -- The figure of exchange : gender exchange in Shakespeare's Sonnet 20 and Jonson's Epicoene -- The mingle-mangle : the hodgepodge of fancy and philosophy in Cavendish's Blazing world -- Conclusion : "words made visible" and the turn against rhetoric -- Appendix of English rhetorical manuals
  5. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Autor*in: Mann, Jenny C.
    Erschienen: [2012]; © 2012
    Verlag:  Cornell University Press, Ithaca, N.Y.

    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start.Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801464102
    Weitere Identifier:
    Schlagworte: Eloquence in literature; English literature; Figures of speech in literature; National characteristics, English, in literature; Englisch; Rhetorik
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  6. Outlaw rhetoric
    figuring vernacular eloquence in Shakespeare's England
    Autor*in: Mann, Jenny C.
    Erschienen: 2012
    Verlag:  Cornell University Press, Ithaca, N.Y.

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801449659; 9780801464102
    Schlagworte: Englisch; English literature; Eloquence in literature; Figures of speech in literature; National characteristics, English, in literature; Rhetoric, Renaissance; English language; Englisch; Rhetorik
    Umfang: xiii, 249 p.
    Bemerkung(en):

    Includes bibliographical references and index
  7. Outlaw rhetoric
    figuring vernacular eloquence in Shakespeare's England
    Erschienen: 2012
    Verlag:  Cornell University Press, Ithaca

    "A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... mehr

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    "A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a 'common' vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start. Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is 'outlaw' to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare."--Publisher's description Introduction : a tale of Robin Hood -- Common rhetoric : planting figures of speech in the English shire -- The trespasser : displacing Virgilian figures in Spenser's Faerie queene -- The insertour : putting the parenthesis in Sidney's Arcadia -- The changeling : mingling heroes and hobgoblins in Shakespeare's A midsummer night's dream -- The figure of exchange : gender exchange in Shakespeare's Sonnet 20 and Jonson's Epicoene -- The mingle-mangle : the hodgepodge of fancy and philosophy in Cavendish's Blazing world -- Conclusion : "words made visible" and the turn against rhetoric -- Appendix of English rhetorical manuals.

     
    Export in Literaturverwaltung   RIS-Format
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  8. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Autor*in: Mann, Jenny C
    Erschienen: 2012; ©2012.
    Verlag:  Cornell University Press, Ithaca

    Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: A Tale of Robin Hood -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- 2. The Trespasser: Displacing Virgilian Figures in Spenser's Faerie Queene... mehr

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    Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: A Tale of Robin Hood -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- 2. The Trespasser: Displacing Virgilian Figures in Spenser's Faerie Queene -- 3. The Insertour: Putting the Parenthesis in Sidney's Arcadia -- 4. The Changeling: Mingling Heroes and Hobgoblins in Shakespeare's A Midsummer Night's Dream -- 5. The Figure of Exchange: Gender Exchange in Shakespeare's Sonnet 20 and Jonson's Epicene -- 6. The Mingle-Mangle: The Hodgepodge of Fancy and Philosophy in Cavendish's Blazing World -- Conclusion: "Words Made Visible" and the Turn against Rhetoric -- Appendix of English Rhetorical Manuals -- Bibliography -- Index.

     
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  9. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Autor*in: Mann, Jenny C.
    Erschienen: [2012]
    Verlag:  Cornell University Press, Ithaca, N.Y. ; Walter de Gruyter GmbH, Berlin

    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... mehr

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    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start.Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801464102
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    Umfang: 1 Online-Ressource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  10. Outlaw rhetoric
    figuring vernacular eloquence in Shakespeare's England
    Autor*in: Mann, Jenny C.
    Erschienen: 2012
    Verlag:  Cornell University Press, Ithaca ; EBSCO Industries, Inc., Birmingham, AL, USA

    "A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    "A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a 'common' vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start. Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is 'outlaw' to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare."--Publisher's description.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0801464102; 9780801464102
    Umfang: 1 Online-Ressource (xiii, 249 pages), Illustrations
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    Includes bibliographical references and index