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  1. Broken Harmony
    Shakespeare and the Politics of Music
    Autor*in: Ortiz, Joseph M.
    Erschienen: [2011]; © 2011
    Verlag:  Cornell University Press, Ithaca, N.Y.

    Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects.... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music's illegibility rather than come to terms with its actual effects. In Broken Harmony, Joseph M. Ortiz revises our understanding of music's relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged.Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare's plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter's Tale) and Milton's A Maske, Ortiz challenges the consensus that music's affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music's function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801460920
    Weitere Identifier:
    Schlagworte: Music in literature; Musik; Drama
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  2. Broken Harmony
    Shakespeare and the Politics of Music
    Autor*in: Ortiz, Joseph M.
    Erschienen: [2011]; ©2011
    Verlag:  Cornell University Press, Ithaca, N.Y.

    Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects.... mehr

    Standort:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signatur:
    Initiative E-Books.NRW
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Universitätsbibliothek Greifswald
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    HafenCity Universität Hamburg, Bibliothek
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    keine Fernleihe
    Standort:
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
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    ebook deGruyter
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    Standort:
    Hochschule Merseburg, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Universitätsbibliothek der Eberhard Karls Universität
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    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    keine Fernleihe

     

    Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music's illegibility rather than come to terms with its actual effects. In Broken Harmony, Joseph M. Ortiz revises our understanding of music's relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged.Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare's plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter's Tale) and Milton's A Maske, Ortiz challenges the consensus that music's affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music's function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801460920
    Weitere Identifier:
    Schlagworte: Music in literature; Music in literature; Music in literature.
    Umfang: 1 online resource
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- List of Illustrations -- -- Acknowledgments -- -- Introduction. Disciplining Music -- -- 1. Titus Andronicus and the Production of Musical Meaning -- -- 2. “Her speech is nothing”: Mad Speech and the Female Musician -- -- 3. Teaching Music: The Rule of Allegory -- -- 4. Impolitic Noise: Resisting Orpheus from Julius Caesar to The Tempest -- -- 5. Shakespeare’s Idolatry: Psalms and Hornpipes in The Winter’s Tale -- -- 6. The Reforming of Reformation: Milton’s A Maske -- -- Selected Bibliography -- -- Index
  3. Broken Harmony
    Shakespeare and the Politics of Music
    Autor*in: Ortiz, Joseph M.
    Erschienen: [2011]; © 2011
    Verlag:  Cornell University Press, Ithaca, N.Y.

    Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects.... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music's illegibility rather than come to terms with its actual effects. In Broken Harmony, Joseph M. Ortiz revises our understanding of music's relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged.Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare's plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter's Tale) and Milton's A Maske, Ortiz challenges the consensus that music's affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music's function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801460920
    Weitere Identifier:
    Schlagworte: Music in literature; Musik; Drama
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  4. Broken harmony
    Shakespeare and the politics of music
    Autor*in: Ortiz, Joseph M.
    Erschienen: 2011
    Verlag:  Cornell University Press, Ithaca

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801460920
    RVK Klassifikation: HI 3325 ; HI 3390 ; LR 57713
    Schlagworte: Musik; Wissen; Music in literature; Musik; Drama
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: xiv, 261 p.
    Bemerkung(en):

    Includes bibliographical references and index

    Titus Andronicus and the production of musical meaning -- "Her speech is nothing" : mad speech and the female musician -- Teaching music : the rule of allegory -- Impolitic noise : resisting Orpheus from Julius Caesar to The tempest -- Shakespeare's idolatry : psalms and hornpipes in The winter's tale -- The reforming of reformation : Milton's A maske
  5. Broken harmony
    Shakespeare and the politics of music
    Erschienen: 2011
    Verlag:  Cornell University Press, Ithaca

    The author takes on the important topic of music as a scripted event in Shakespeare's plays. To the philosophical and practical aspects of early modern music he adds a politics of music that gets to the heart of religious controversy in the period... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    The author takes on the important topic of music as a scripted event in Shakespeare's plays. To the philosophical and practical aspects of early modern music he adds a politics of music that gets to the heart of religious controversy in the period between Catholic and Protestant, high church and low church Titus Andronicus and the production of musical meaning -- "Her speech is nothing" : mad speech and the female musician -- Teaching music : the rule of allegory -- Impolitic noise : resisting Orpheus from Julius Caesar to The tempest -- Shakespeare's idolatry : psalms and hornpipes in The winter's tale -- The reforming of reformation : Milton's A maske

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  6. Broken Harmony
    Shakespeare and the Politics of Music
    Autor*in: Ortiz, Joseph M.
    Erschienen: [2011]
    Verlag:  Cornell University Press, Ithaca, N.Y. ; Walter de Gruyter GmbH, Berlin

    Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects.... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music's illegibility rather than come to terms with its actual effects. In Broken Harmony, Joseph M. Ortiz revises our understanding of music's relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged.Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare's plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter's Tale) and Milton's A Maske, Ortiz challenges the consensus that music's affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music's function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801460920
    Weitere Identifier:
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  7. Broken harmony
    Shakespeare and the politics of music
    Autor*in: Ortiz, Joseph M.
    Erschienen: 2016
    Verlag:  Cornell University Press, Ithaca ; Oxford University Press, Oxford

    The author takes on the important topic of music as a scripted event in Shakespeare's plays. To the philosophical and practical aspects of early modern music he adds a politics of music that gets to the heart of religious controversy in the period... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    The author takes on the important topic of music as a scripted event in Shakespeare's plays. To the philosophical and practical aspects of early modern music he adds a politics of music that gets to the heart of religious controversy in the period between Catholic and Protestant, high church and low church.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801460920
    Weitere Identifier:
    RVK Klassifikation: HI 3390 ; HI 3325
    Schlagworte: Music in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource, Illustrations (black and white)
    Bemerkung(en):

    Previously issued in print: 2011

    Includes bibliographical references and index
  8. Broken harmony
    Shakespeare and the politics of music
    Autor*in: Ortiz, Joseph M.
    Erschienen: 2011
    Verlag:  Cornell University Press, Ithaca ; [ProQuest], [Ann Arbor, Michigan]

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801460920
    RVK Klassifikation: HI 3390 ; HI 3325
    Umfang: xiv, 261 p., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  9. Broken harmony
    Shakespeare and the politics of music
    Autor*in: Ortiz, Joseph M.
    Erschienen: 2011
    Verlag:  Cornell University Press, Ithaca

    The author takes on the important topic of music as a scripted event in Shakespeare's plays. To the philosophical and practical aspects of early modern music he adds a politics of music that gets to the heart of religious controversy in the period... mehr

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

     

    The author takes on the important topic of music as a scripted event in Shakespeare's plays. To the philosophical and practical aspects of early modern music he adds a politics of music that gets to the heart of religious controversy in the period between Catholic and Protestant, high church and low church Titus Andronicus and the production of musical meaning -- "Her speech is nothing" : mad speech and the female musician -- Teaching music : the rule of allegory -- Impolitic noise : resisting Orpheus from Julius Caesar to The tempest -- Shakespeare's idolatry : psalms and hornpipes in The winter's tale -- The reforming of reformation : Milton's A maske

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)