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  1. Appraising Genji
    literary criticism and cultural anxiety in the age of the last samurai
    Erschienen: c2006
    Verlag:  State University of New York Press, Albany, NY

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780791466735; 9780791482117
    Schlagworte: Japanese literature; Rezeption
    Weitere Schlagworte: Murasaki Shikibu (b. 978?): Genji monogatari; Hagiwara, Hiromichi (1813-1863); Murasaki Shikibu (978-1016): Genji monogatari
    Umfang: xv, 212 p.
    Bemerkung(en):

    Includes bibliographical references (p. 195-206) and index

  2. Appraising Genji
    literary criticism and cultural anxiety in the age of the last samurai
    Erschienen: 2006
    Verlag:  State University of New York Press, Albany, NY ; EBSCO Industries, Inc., Birmingham, AL, USA

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 142377289X; 9781423772897; 0791466736; 9780791466735; 9780791482117; 0791482111
    Umfang: 1 Online-Ressource (xv, 212 pages), facsimiles
    Bemerkung(en):

    Includes bibliographical references (pages 195-206) and index

  3. Appraising Genji
    literary criticism and cultural anxiety in the age of the last samurai
    Erschienen: c2006
    Verlag:  State University of New York Press, Albany, NY

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0791466736; 9780791482117; 9780791466735
    Schlagworte: Japanese literature
    Weitere Schlagworte: Murasaki Shikibu (b. 978?): Genji monogatari
    Umfang: Online-Ressource (xv, 212 p), facsims
    Bemerkung(en):

    Includes bibliographical references (p. 195-206) and index

    Electronic reproduction; Available via World Wide Web

    ""Appraising Genji""; ""CONTENTS""; ""ILLUSTRATIONS""; ""ACKNOWLEDGMENTS""; ""CHRONOLOGY AND CONVENTIONS IN THIS BOOK""; ""INTRODUCTION""; ""1. HEIAN FANTASIES: NATIONALISM AND NOSTALGIA IN THE READING OF GENJI""; ""THE EDO PERIOD AND THE RISE OF NATIVISM""; ""2. HAGIWARA HIROMICHI: MASTERLESS SAMURAI AND ICONOCLASTIC SCHOLAR""; ""PROFOUND LOSS IN AN AGE OF ENLIGHTENMENT""; ""FROM POETRY TO POETICS""; ""OSAKA: ENCOUNTERS WITH HETERODOX LEARNING""; ""TAKIZAWA BAKIN AND THE EDO “NOVEL�""; ""MARKETING A NEW WAY TO READ GENJI""; ""3. FROM MORAL CONTENTION TO LITERARY PERSUASION""

    ""THE DESIGN OF THE MONOGATARI AND NORINAGA�SMONO NO AWARE THEORY""""THE MAIN POINT OF THE MONOGATARI""; ""COMMENTARIES ON GENJI""; ""TRANSCENDING THE LIMITATIONS OF TRADITIONALSTRUCTURE AND FORMAT""; ""GUIDING THE READER""; ""CONCLUSION""; ""4. EXPOSING THE SECRETS OF THE AUTHOR�S BRUSH""; ""HISTORICAL SOURCES FOR THE “PRINCIPLES OF COMPOSITION�""; ""“PRINCIPLES OF COMPOSITION� AND LITERARY STYLE""; ""CONCLUSION""; ""5. AMBIGUITY AND THE RESPONSIVE READER""; ""“PRINCIPLES OF COMPOSITION� AND THESTRUCTURE OF GENJI AS A WHOLE""

    ""GAPS IN THE NARRATIVE AND HIROMICHI�S THEORYOF AMBIGUITY""""TECHNIQUES AND TERMINOLOGY""; ""“PRINCIPLES OF COMPOSITION� UNIQUE TO THEHYO¯ SHAKU IN GENJI COMMENTARY""; ""“Major and Minor� or “Principal and Auxiliary�Characters (Shukaku)""; ""“Lead and Secondary Characters�""; ""“Corresponding� or “Contrasting� Characters""; ""“Opposing� Characters or “Character Foils�""; ""“Retroactive Parallel� and “Retroactive Correspondence�""; ""“Narrative Interlude�""; ""“Foreshadowing�""; ""“Comparative Description�""

    ""“Control of Narrative Pace�""""“Reversal�""; ""“Ellipsis�""; ""“Lingering Presence� or “Resonance�""; ""“Narrative Seed�""; ""“Retribution�""; ""“Allegory�""; ""“Context�""; ""TERMS FROM PREVIOUS GENJI COMMENTARIES""; ""“Close Correspondence�""; ""“Textual Parallelism or Intertextuality�""; ""“Planning� or “Discretion�""; ""“Authorial Intrusion�""; ""“Aesthetic After-effect� and “Aesthetic Satisfaction�""; ""CONCLUSION""; ""6. TRANSLATING GENJI INTO THE MODERN IDIOM""; ""TREE SPIRITS AND APPARITIONS""

    ""THE DISAPPEARANCE OF UKIFUNE""""THE PROBLEM OF EDO""; ""CULTURAL ANXIETY AND THE FIRST TRANSLATION OFGENJI INTO ENGLISH""; ""GENJI AND THE ESSENCE OF THE MODERN NOVEL""; ""CONCLUSION""; ""Notes""; ""Appendix I""; ""CHARACTER GLOSSARY OF PREMODERN NAMES,TITLES, AND TERMS IN CHINESE AND JAPANESE""; ""Appendix II""; ""LIST OF MAJOR COMMENTARIES ON GENJI""; ""BIBLIOGRAPHY""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""X""; ""Y""; ""Z""