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  1. Staging masculinity
    male identity in contemporary American drama
    Erschienen: 2006
    Verlag:  McFarland & Company, Inc., Jefferson, NC [u.a.]

    The men in plays such as Arthur Miller's "Death of a Salesman" or Sam Shephard's "True West" are often presented as universal, little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The men in plays such as Arthur Miller's "Death of a Salesman" or Sam Shephard's "True West" are often presented as universal, little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights stage masculinity in their works. The men in plays such as Arthur Miller's "Death of a Salesman" or Sam Shephard's "True West" are often presented as universal; little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights, including Miller, Shepard, Eugene O'Neill, David Mamet, and August Wilson, stage masculinity in their works. It becomes apparent that male playwrights return often to the issues of troubled manhood, usually masked in other issues such as war, business or family. The plays indicate both the attractiveness of the model of traditional masculinity and the illusive nature of this image, which all too often fractures and fails the characters who pursue it. O'Neill's play "The Hairy Ape" and the character Yank receive much attention.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0786427361; 9780786427369
    Weitere Identifier:
    9780786427369
    RVK Klassifikation: HU 1784 ; HU 1778
    Auflage/Ausgabe: Repr
    Schlagworte: USA; Drama; Männlichkeit <Motiv>; Identität <Motiv>; Geschichte 1945-1999;
    Umfang: VI, 186 S.
    Bemerkung(en):

    First publ. in 1997 by McFarland

  2. Staging masculinity
    male identity in contemporary American drama
    Erschienen: 2006
    Verlag:  McFarland, Jefferson, NC [u.a.]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780786427369; 0786427361
    RVK Klassifikation: HU 1778
    Schlagworte: USA; Drama; Männlichkeit <Motiv>; Geschichte 1970-2000; ; Shepard, Sam; Mann <Motiv>; ; Rabe, David; Mann <Motiv>; ; Mamet, David; Mann <Motiv>;
    Umfang: VI, 186 S.
    Bemerkung(en):

    Literaturverz. S. 171 - 180

  3. Staging masculinity
    male identity in contemporary American drama
    Erschienen: 2006
    Verlag:  McFarland & Company, Inc., Jefferson, NC [u.a.]

    The men in plays such as Arthur Miller's "Death of a Salesman" or Sam Shephard's "True West" are often presented as universal, little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary... mehr

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The men in plays such as Arthur Miller's "Death of a Salesman" or Sam Shephard's "True West" are often presented as universal, little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights stage masculinity in their works The men in plays such as Arthur Miller's "Death of a Salesman" or Sam Shephard's "True West" are often presented as universal; little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights, including Miller, Shepard, Eugene O'Neill, David Mamet, and August Wilson, stage masculinity in their works. It becomes apparent that male playwrights return often to the issues of troubled manhood, usually masked in other issues such as war, business or family. The plays indicate both the attractiveness of the model of traditional masculinity and the illusive nature of this image, which all too often fractures and fails the characters who pursue it. O'Neill's play "The Hairy Ape" and the character Yank receive much attention

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0786427361; 9780786427369
    Weitere Identifier:
    9780786427369
    RVK Klassifikation: HU 1784 ; HU 1778 ; HU 1784 ; HU 1778
    Auflage/Ausgabe: Repr
    Schlagworte: USA; Drama; Männlichkeit <Motiv>; Identität <Motiv>; Geschichte 1945-1999
    Umfang: VI, 186 S.
    Bemerkung(en):

    First publ. in 1997 by McFarland

  4. Staging masculinity
    male identity in contemporary American drama
    Erschienen: 2006
    Verlag:  McFarland, Jefferson, N.C. [u.a.]

    Universität Gießen, Bibliothek Anglistik
    F QD 3002
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0786427361; 9780786427369
    RVK Klassifikation: HU 1784 ; HU 1778
    Schlagworte: Drama; Männlichkeit; Männlichkeit <Motiv>
    Weitere Schlagworte: Rabe, David (1940-); Mamet, David (1947-)
    Umfang: VI, 186 S.
    Bemerkung(en):

    Literaturverz. S. 171 - 180

  5. Staging masculinity
    male identity in contemporary American drama
    Erschienen: 2006
    Verlag:  McFarland, Jefferson, NC [u.a.]

    Universitätsbibliothek Augsburg
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  6. Staging masculinity
    male identity in contemporary American drama
    Erschienen: 2006
    Verlag:  McFarland & Company, Inc., Jefferson, NC [u.a.]

    The men in plays such as Arthur Miller's "Death of a Salesman" or Sam Shephard's "True West" are often presented as universal, little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 619460
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    A 9.4.1.-62
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    Universitätsbibliothek Mannheim
    500 HU 1778 M136
    keine Fernleihe

     

    The men in plays such as Arthur Miller's "Death of a Salesman" or Sam Shephard's "True West" are often presented as universal, little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights stage masculinity in their works. The men in plays such as Arthur Miller's "Death of a Salesman" or Sam Shephard's "True West" are often presented as universal; little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights, including Miller, Shepard, Eugene O'Neill, David Mamet, and August Wilson, stage masculinity in their works. It becomes apparent that male playwrights return often to the issues of troubled manhood, usually masked in other issues such as war, business or family. The plays indicate both the attractiveness of the model of traditional masculinity and the illusive nature of this image, which all too often fractures and fails the characters who pursue it. O'Neill's play "The Hairy Ape" and the character Yank receive much attention.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0786427361; 9780786427369
    Weitere Identifier:
    9780786427369
    RVK Klassifikation: HU 1784 ; HU 1778
    Auflage/Ausgabe: Repr
    Schlagworte: USA; Drama; Männlichkeit <Motiv>; Identität <Motiv>; Geschichte 1945-1999;
    Umfang: VI, 186 S.
    Bemerkung(en):

    First publ. in 1997 by McFarland