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  1. Authors and audiences
    popular Canadian fiction in the early twentieth century
    Autor*in: Karr, Clarence
    Erschienen: c2000
    Verlag:  McGill-Queen's University Press, Montreal, Que.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773520767; 0773521097; 0773568603; 9780773520769; 9780773521094; 9780773568600
    Schlagworte: Roman canadien-anglais / 20e siècle / Histoire et critique; Paralittérature / Canada / Histoire et critique; Canadian fiction / 20th century / History and criticism; Authors and readers / Canada / History / 20th century; Popular culture / Canada / History / 20th century; Prosa; Trivialliteratur; LITERARY CRITICISM / American / General; LITERARY COLLECTIONS / Canadian; Popular literature; Geschichte; Popular literature; Englisch; Trivialliteratur; Prosa
    Umfang: 1 Online-Ressource (xiv, 317 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Five authors in a modern world -- The Golden Age -- Apprenticeships, writing and careers -- Authors, publishers and agents -- Ralph Connor, the Sky Pilot -- Robert Stead, Philosopher and artist -- Mellie Mcclung and Pearlie Watson -- Lucy Maud Montgomery and Anne -- Arthur Stringer, the debonair businessman -- Readers and reading -- books and movies -- Being Canadian

    "From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production, and reception of popular fiction, Clarence Karr challenges the common assumption that best-sellers are a conservative cultural influence, reflecting and promoting traditional values. By focusing on a society and its cultural leaders at a period when they were coming to grips with modernity, Karr provides a new perspective on culture and the interaction between readers and popular authors." "Authors and Audiences reveals the cultural milieu that gave rise to the golden age of hardcover fiction. Karr describes the relationships between authors, literary agents, and publishers in Toronto, London, New York, and other centers; examines the relationship between authors and the movie industry; and discusses the reception of fiction by critics and readers. This is the first Canadian study to use fan mail to highlight readers' interactions with author and text. Karr places the authors' careers in an international setting and shows how, despite living a considerable distance from the leading cultural production centers of New York and London, they became internationally recognized and read."--BOOK JACKET.

  2. Authors and audiences
    popular Canadian fiction in the early twentieth century
    Erschienen: c2000
    Verlag:  McGill-Queen's University Press, Montreal, Que

    "From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production,... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    "From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production, and reception of popular fiction, Clarence Karr challenges the common assumption that best-sellers are a conservative cultural influence, reflecting and promoting traditional values. By focusing on a society and its cultural leaders at a period when they were coming to grips with modernity, Karr provides a new perspective on culture and the interaction between readers and popular authors." "Authors and Audiences reveals the cultural milieu that gave rise to the golden age of hardcover fiction. Karr describes the relationships between authors, literary agents, and publishers in Toronto, London, New York, and other centers; examines the relationship between authors and the movie industry; and discusses the reception of fiction by critics and readers. This is the first Canadian study to use fan mail to highlight readers' interactions with author and text. Karr places the authors' careers in an international setting and shows how, despite living a considerable distance from the leading cultural production centers of New York and London, they became internationally recognized and read."--BOOK JACKET

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773568600; 0773568603
    Schlagworte: Popular literature; Roman canadien-anglais; Paralittérature; Canadian fiction (English); Popular literature; Canadian fiction; Authors and readers; Popular culture; Electronic books; Trivialliteratur; Prosa; LITERARY CRITICISM ; American ; General; LITERARY COLLECTIONS ; Canadian; Popular literature; Criticism, interpretation, etc
    Umfang: Online Ressource (xiv, 317 p.), ports.
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

  3. Authors and Audiences
    Popular Canadian Fiction in the Early Twentieth Century
    Autor*in: Karr, Clarence
    Erschienen: 2000
    Verlag:  MQUP, Montreal ; ProQuest, Ann Arbor, Michigan

    From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production, and... mehr

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    keine Fernleihe

     

    From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production, and reception of popular fiction, Clarence Karr challenges the common assumption that best sellers are a conservative cultural influence, reflecting and promoting traditional values. By focusing on a society and its cultural leaders at a period when they were coming to grips with modernity, Karr provides a new perspective on popular culture and the interaction between readers and popular authors.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773568600
    RVK Klassifikation: HQ 4023 ; HQ 4060
    Schlagworte: Prosa; Englisch; Trivialliteratur
    Umfang: 1 Online-Ressource (338 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  4. Authors and audiences
    popular Canadian fiction in the early twentieth century
    Autor*in: Karr, Clarence
    Erschienen: 2000
    Verlag:  McGill-Queen's University Press, Montreal, Que. ; EBSCO Industries, Inc., Birmingham, AL, USA

    "From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production,... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    "From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production, and reception of popular fiction, Clarence Karr challenges the common assumption that best-sellers are a conservative cultural influence, reflecting and promoting traditional values. By focusing on a society and its cultural leaders at a period when they were coming to grips with modernity, Karr provides a new perspective on culture and the interaction between readers and popular authors." "Authors and Audiences reveals the cultural milieu that gave rise to the golden age of hardcover fiction. Karr describes the relationships between authors, literary agents, and publishers in Toronto, London, New York, and other centers; examines the relationship between authors and the movie industry; and discusses the reception of fiction by critics and readers. This is the first Canadian study to use fan mail to highlight readers' interactions with author and text. Karr places the authors' careers in an international setting and shows how, despite living a considerable distance from the leading cultural production centers of New York and London, they became internationally recognized and read."--Jacket.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773568600; 0773568603
    RVK Klassifikation: HQ 4023 ; HQ 4060
    Schlagworte: Prosa; Englisch; Trivialliteratur
    Umfang: 1 Online-Ressource (xiv, 317 pages), portraits
    Bemerkung(en):

    Includes bibliographical references and index