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  1. Medieval arts doctrines on ambiguity and their place in Langland's poetics
    Autor*in: Chamberlin, John
    Erschienen: c2000
    Verlag:  McGill-Queen's University Press, Montreal, Que.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773520732; 0773568581; 9780773520738; 9780773568587
    Schlagworte: Ambiguïté dans la littérature; Poétique / Histoire / Avant 1500; Aesthetics, Medieval; POETRY / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Drama; Piers Plowman (Langland, William); Ambiguity in literature; Poetics; Geschichte; Ambiguity in literature; Poetics; Poetik; Ambiguität
    Weitere Schlagworte: Langland, William / 1330?-1400?; Langland, William (1330?-1400?): Piers Plowman; Langland, William (1332-1400): Piers Plowman; Langland, William (1332-1400)
    Umfang: 1 Online-Ressource (185 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    "Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the implications of these doctrines for language theory. Focusing on the concept of ambiguity, Chamberlin claims that the excess of meaning ambiguity gives language is at least as important as allegory to the understanding of Piers Plowman and other medieval texts. He deals with lexical ambiguity and the ambiguity of words-as-words - in which words themselves are taken as objects - offering linguistic, philosophical, and historical perspectives."--BOOK JACKET.
  2. Medieval arts doctrines on ambiguity and their place in Langland's poetics
    Erschienen: c2000
    Verlag:  McGill-Queen's University Press, Montreal, Que

    "Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the implications of these doctrines for language theory. Focusing on the concept of ambiguity, Chamberlin claims that the excess of meaning ambiguity gives language is at least as important as allegory to the understanding of Piers Plowman and other medieval texts. He deals with lexical ambiguity and the ambiguity of words-as-words - in which words themselves are taken as objects - offering linguistic, philosophical, and historical perspectives."--BOOK JACKET

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  3. Medieval arts doctrines on ambiguity and their place in Langland's poetics
    Autor*in: Chamberlin, John
    Erschienen: 2000
    Verlag:  McGill-Queen's University Press, Montreal, Que. ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    "Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the implications of these doctrines for language theory. Focusing on the concept of ambiguity, Chamberlin claims that the excess of meaning ambiguity gives language is at least as important as allegory to the understanding of Piers Plowman and other medieval texts. He deals with lexical ambiguity and the ambiguity of words-as-words - in which words themselves are taken as objects - offering linguistic, philosophical, and historical perspectives."--Jacket.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773568587; 0773568581
    Umfang: 1 Online-Ressource (185 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  4. Medieval Arts Doctrines on Ambiguity and Their Place in Langland's Poetics
    Autor*in: Chamberlin, J.
    Erschienen: 2014
    Verlag:  McGill-Queen's University Press, Montreal ; [ProQuest], [Ann Arbor, Michigan]

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773568587
    Umfang: 1 Online-Ressource (198 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources