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  1. Pierrot in Petrograd
    the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama
    Erschienen: ©1993
    Verlag:  McGill-Queen's University Press, Montréal

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773511369; 0773564411; 9780773511361; 9780773564411
    Schlagworte: Commedia dell'arte / Histoire et critique; Théâtre russe / 20e siècle / Histoire et critique; DRAMA / Continental European; DRAMA / Russian & Former Soviet Union; LITERARY CRITICISM / Drama; Commedia dell'arte; Russian drama; Commedia dell'arte; Russian drama; Drama; Commedia dell'arte; Theater; Russisch
    Umfang: 1 Online-Ressource (x, 369 pages, [8] pages of plates)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 335-348) and index

  2. Pierrot in Petrograd
    Commedia Dell'Arte and Balagan in Twentieth-Century Russian Theatre and Drama
    Autor*in: Clayton, J.
    Erschienen: 2014
    Verlag:  McGill-Queen's University Press, Montreal

    Commedia dell'arte was an essential ingredient of the revolution in Russian art in the early twentieth century. During this colourful and creative period artists sought inspiration in surprising places ? icon painting, primitive art, and (in the... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Commedia dell'arte was an essential ingredient of the revolution in Russian art in the early twentieth century. During this colourful and creative period artists sought inspiration in surprising places ? icon painting, primitive art, and (in the theatre) circus, music-hall, and commedia dell'arte. The devices and motifs of Italian improvisational theatre played a central role in overcoming theatrical realism and naturalism and formed a basis for a new and expressive theatricality. Intro -- Contents -- Preface -- Illustrations -- Prologue -- 1 Who Was That Masked Man? -- 2 Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre -- 3 Pierrot Comes to Petersburg: 1903-17 -- 4 Red Harlequins: The Balagan as a Theatrical Genre -- 5 Pierrot or Petrushka? Russian Harlequinades -- 6 Russian Pirandellos: The Balagan as a Dramatic Genre -- 7 Harlequin's Shadow: The Film as Balagan -- 8 The Empty Throne: Theatre as Metahistory -- Appendix A: The Beggar Harlequin -- Appendix B: Today's Columbine -- Appendix C: Fiametta's Four Corpses -- Appendix D: The Lovers -- Appendix E: Harlequin the Card-Lover -- Appendix F: The Apes Are Coming! -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773511361
    Schlagworte: Commedia dell'arte ; History and criticism; Russian drama ; 20th century ; History and criticism; Electronic books
    Umfang: Online-Ressource (388 p)
    Bemerkung(en):

    Description based upon print version of record

    ""Contents""; ""Preface""; ""Illustrations""; ""Prologue""; ""1 Who Was That Masked Man?""; ""2 Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre""; ""3 Pierrot Comes to Petersburg: 1903�17""; ""4 Red Harlequins: The Balagan as a Theatrical Genre""; ""5 Pierrot or Petrushka? Russian Harlequinades""; ""6 Russian Pirandellos: The Balagan as a Dramatic Genre""; ""7 Harlequin's Shadow: The Film as Balagan""; ""8 The Empty Throne: Theatre as Metahistory""; ""Appendix A: The Beggar Harlequin""; ""Appendix B: Today's Columbine""; ""Appendix C: Fiametta's Four Corpses""

    ""Appendix D: The Lovers""""Appendix E: Harlequin the Card-Lover""; ""Appendix F: The Apes Are Coming!""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""