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  1. The sense of film narration
    Autor*in: Garwood, Ian
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748678396; 0748678395; 9780748640720
    Schriftenreihe: Edinburgh studies in film
    Schlagworte: PERFORMING ARTS / Reference; Motion pictures / Production and direction; Sound in motion pictures; Film; Motion pictures; Sound in motion pictures; Ästhetik; Film; Erzähltechnik
    Umfang: vii, 192 pages :
    Bemerkung(en):

    Includes bibliographical references and index

    Title Page; Imprint; Contents; List of Illustrations; Acknowledgements; Introduction; 1 Analysing Film Texturally; 2 Sensation and Narrative Sense in Amores Perros; 3 Storytelling through the Imperfect Image; 4 Sighs and Sounds: the Materiality of the Voice-over; 5 The Dramatic Affect of Multiple Casting; Conclusion; Bibliography; Index

    This book investigates the sensuous qualities of narration in the feature-length fiction film. Sensuous narration takes place when details of visual (or aural) texture are foregrounded for storytelling purposes. For example, the image becomes 'soft' in order to signal the representation of a character's memory; a 'scratchy' version of a song plays on the soundtrack in order to shape the viewer's understanding of the images it accompanies. In these cases, image and sound are associated with tactile properties (softness and scratchiness). The book provides a comprehensive account of existing work
  2. <<The>> sense of film narration
    Autor*in: Garwood, Ian
    Erschienen: 2013
    Verlag:  Edinburgh Univ. Press, Edinburgh

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780748640720; 9780748678396; 9780748678419
    Schriftenreihe: Edinburgh studies in film
    Schlagworte: Film; Erzähltechnik; Ästhetik;
    Umfang: VII, 192, [16] S., Ill.
    Bemerkung(en):

    Literaturverz. S. [185] - 188
  3. The sense of film narration
    Autor*in: Garwood, Ian
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748678396; 0748678395; 9780748640720
    Schriftenreihe: Edinburgh studies in film
    Schlagworte: PERFORMING ARTS / Reference; Motion pictures / Production and direction; Sound in motion pictures; Film; Motion pictures; Sound in motion pictures; Ästhetik; Film; Erzähltechnik
    Umfang: vii, 192 pages :
    Bemerkung(en):

    Includes bibliographical references and index

    Title Page; Imprint; Contents; List of Illustrations; Acknowledgements; Introduction; 1 Analysing Film Texturally; 2 Sensation and Narrative Sense in Amores Perros; 3 Storytelling through the Imperfect Image; 4 Sighs and Sounds: the Materiality of the Voice-over; 5 The Dramatic Affect of Multiple Casting; Conclusion; Bibliography; Index

    This book investigates the sensuous qualities of narration in the feature-length fiction film. Sensuous narration takes place when details of visual (or aural) texture are foregrounded for storytelling purposes. For example, the image becomes 'soft' in order to signal the representation of a character's memory; a 'scratchy' version of a song plays on the soundtrack in order to shape the viewer's understanding of the images it accompanies. In these cases, image and sound are associated with tactile properties (softness and scratchiness). The book provides a comprehensive account of existing work