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  1. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Verlag:  Edinburgh University Press, Edinburgh

    "Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Standort:
    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and "stoniness" in Thomas Middleton's The Second Maiden's Tragedy and Shakespeare's The Winter's Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters--not just the words written for them to speak--forms an important and overlooked aspect of stage representation"--Publisher's website

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505; 0748670505
    Schriftenreihe: Edinburgh Critical Studies in Renaissance Culture
    Schlagworte: English drama; English drama; English drama; English drama; English drama; English drama; DRAMA ; English, Irish, Scottish, Welsh; LITERARY CRITICISM ; Shakespeare; English drama; English drama ; Early modern and Elizabethan; Drama; Englisch; Maskenbildnerei; Aufführung; Englisch; Drama; Aufführung; Maskenbildnerei; Criticism, interpretation, etc
    Umfang: Online Ressource
    Bemerkung(en):

    Includes bibliographical references and index. - Print version record
  2. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Autor*in: Stevens, Andrea Ria
    Erschienen: ©2013
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505; 0748670505; 9780748670499; 0748670491
    Schriftenreihe: Edinburgh critical studies in Renaissance culture
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Shakespeare; English drama; English drama / Early modern and Elizabethan; English drama; English drama; English drama; Englisch; Drama; Maskenbildnerei; Aufführung
    Bemerkung(en):

    Includes bibliographical references and index
  3. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Autor*in: Stevens, Andrea Ria
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden’s Tragedy and Shakespeare's The Winter’s Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters — not just the words written for them to speak — forms an important and overlooked aspect of stage representation

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505
    RVK Klassifikation: AP 78830 ; HI 1269
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / To 1500 / History and criticism; English drama / 17th century; Englisch; Drama; Maskenbildnerei; Aufführung
    Umfang: 1 online resource (xi, 176 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Light : staging divinity in the York cycle -- Blood : enter Martius, painted -- Black : mastering masques of blackness -- Stone : lost ladies
  4. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Autor*in: Stevens, Andrea Ria
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden’s Tragedy and Shakespeare's The Winter’s Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters — not just the words written for them to speak — forms an important and overlooked aspect of stage representation

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505
    RVK Klassifikation: AP 78830 ; HI 1269
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / To 1500 / History and criticism; English drama / 17th century; Drama; Englisch; Maskenbildnerei; Aufführung
    Umfang: 1 online resource (xi, 176 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Light : staging divinity in the York cycle -- Blood : enter Martius, painted -- Black : mastering masques of blackness -- Stone : lost ladies
  5. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Autor*in: Stevens, Andrea Ria
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

     

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1299735800; 9781299735804; 9780748670505
    Schriftenreihe: Edinburgh Critical Studies in Renaissance Culture
    Schlagworte: English drama; English drama; English drama; Theatrical makeup; English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism; Body art; Electronic books
    Umfang: Online-Ressource (xi, 176 pages)
    Bemerkung(en):

    Description based upon print version of record

    ""Cover""; ""Title Page""; ""Copyright""; ""Contents ""; ""Acknowledgments ""; ""Bibliographical Note ""; ""Series Editor�s Preface ""; ""Introduction ""; ""Chapter 1 Light: Staging Divinity in the York Cycle ""; ""Chapter 2 Blood: Enter Martius, Painted ""; ""Chapter 3 Black: Mastering Masques of Blackness ""; ""Chapter 4 Stone: Lost Ladies ""; ""Epilogue ""; ""Bibliography ""; ""Index ""
  6. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Autor*in: Stevens, Andrea Ria
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

    Standort:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signatur:
    E-Book CUP HSFK
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    keine Fernleihe

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Universitätsbibliothek der Eberhard Karls Universität
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden’s Tragedy and Shakespeare's The Winter’s Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters — not just the words written for them to speak — forms an important and overlooked aspect of stage representation Light : staging divinity in the York cycle -- Blood : enter Martius, painted -- Black : mastering masques of blackness -- Stone : lost ladies

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505
    RVK Klassifikation: HI 1250
    Schlagworte: English drama; English drama; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; English drama ; To 1500 ; History and criticism; English drama ; 17th century
    Umfang: 1 Online-Ressource (xi, 176 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  7. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Autor*in: Stevens, Andrea Ria
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden’s Tragedy and Shakespeare's The Winter’s Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters — not just the words written for them to speak — forms an important and overlooked aspect of stage representation Light : staging divinity in the York cycle -- Blood : enter Martius, painted -- Black : mastering masques of blackness -- Stone : lost ladies

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505
    RVK Klassifikation: HI 1250
    Schlagworte: English drama; English drama; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; English drama ; To 1500 ; History and criticism; English drama ; 17th century
    Umfang: 1 Online-Ressource (xi, 176 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  8. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Autor*in: Stevens, Andrea Ria
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Standort:
    Universitätsbibliothek Gießen
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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden’s Tragedy and Shakespeare's The Winter’s Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters — not just the words written for them to speak — forms an important and overlooked aspect of stage representation.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505
    RVK Klassifikation: HI 1269 ; AP 78830
    Umfang: 1 Online-Ressource (xi, 176 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)