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  1. Framing Pictures
    Film and the Visual Arts
    Autor*in: Jacobs, Steven
    Erschienen: 2011; ©2011.
    Verlag:  Edinburgh University Press, Edinburgh

    Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts. Cover -- Copyright -- Contents -- List of Illustrations -- Preface -- Acknowledgements --... mehr

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    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    keine Fernleihe

    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
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    keine Fernleihe
    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe
    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signatur:
    eBook ProQuest
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    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts. Cover -- Copyright -- Contents -- List of Illustrations -- Preface -- Acknowledgements -- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film -- CHAPTER 2 Vasari in Hollywood: Artists and Biopics -- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard -- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography -- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema -- Appendix to Chapter 2: Artist Biopics -- Bibliography -- Index.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748647033
    RVK Klassifikation: ZL 5300
    Schriftenreihe: Edinburgh Studies in Film
    Schlagworte: Arts; Motion pictures and the arts; Arts; Motion pictures and the arts; Electronic books
    Umfang: 1 online resource (225 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

    Cover; Copyright; Contents; List of Illustrations; Preface; Acknowledgements; CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film; CHAPTER 2 Vasari in Hollywood: Artists and Biopics; CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo; CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard; CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography; CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema

    Appendix to Chapter 2: Artist BiopicsBibliography; Index;
  2. Framing pictures
    film and the visual arts
    Autor*in: Jacobs, Steven
    Erschienen: 2011
    Verlag:  Edinburgh University Press, Edinburgh

    Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748647033
    RVK Klassifikation: AP 47500
    Schlagworte: Film; Philosophie; Motion pictures and the arts; Art and motion pictures; Motion pictures / Appreciation; Motion pictures / Philosophy; Kunst; Film; Fotografie; Künstler <Motiv>; Biografischer Film; Museum <Motiv>; Lebendes Bild; Kunstwerk <Motiv>
    Umfang: 1 online resource (xiv, 210 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema
  3. Framing pictures
    film and the visual arts
    Autor*in: Jacobs, Steven
    Erschienen: ©2011
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0748640177; 0748647031; 9780748640171; 9780748647033
    Schriftenreihe: Edinburgh studies in film
    Schlagworte: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; PERFORMING ARTS / Film & Video / General; Arts; Motion pictures and the arts; Motion pictures and the arts; Arts; Kunstwerk <Motiv>; Museum <Motiv>; Film; Künstler <Motiv>; Biografischer Film; Kunst; Fotografie; Lebendes Bild
    Umfang: 1 Online-Ressource (xiv, 210 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 183-199) and index

    List of Illustrations -- Preface -- Acknowledgements -- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film -- CHAPTER 2 Vasari in Hollywood: Artists and Biopics -- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini{u2019}s Viaggio in Italia and Hitchcock{u2019}s Vertigo -- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard -- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography -- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema -- Appendix to Chapter 2: Artist Biopics -- Bibliography -- Index

    Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts
  4. Framing pictures
    film and the visual arts
    Autor*in: Jacobs, Steven
    Erschienen: 2011
    Verlag:  Edinburgh University Press, Edinburgh

    Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748647033
    RVK Klassifikation: AP 47500
    Schlagworte: Film; Philosophie; Motion pictures and the arts; Art and motion pictures; Motion pictures / Appreciation; Motion pictures / Philosophy; Lebendes Bild; Künstler <Motiv>; Museum <Motiv>; Kunst; Kunstwerk <Motiv>; Biografischer Film; Film; Fotografie
    Umfang: 1 online resource (xiv, 210 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema
  5. Framing pictures
    film and the visual arts
    Autor*in: Jacobs, Steven
    Erschienen: 2011
    Verlag:  Edinburgh University Press, Edinburgh

    Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748647033
    RVK Klassifikation: AP 47500
    Schlagworte: Film; Philosophie; Motion pictures and the arts; Art and motion pictures; Motion pictures / Appreciation; Motion pictures / Philosophy; Kunst; Film; Fotografie; Künstler <Motiv>; Biografischer Film; Museum <Motiv>; Lebendes Bild; Kunstwerk <Motiv>
    Umfang: 1 online resource (xiv, 210 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema
  6. Framing pictures
    film and the visual arts
    Autor*in: Jacobs, Steven
    Erschienen: 2011
    Verlag:  Edinburgh University Press, Edinburgh ; EBSCO Industries, Inc., Birmingham, AL, USA

    Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts. mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748647033; 0748647031
    RVK Klassifikation: AP 47500
    Schriftenreihe: Edinburgh studies in film
    Schlagworte: Kunst; Film; Kunstwerk <Motiv>; Künstler <Motiv>; Biografischer Film; Museum <Motiv>; Lebendes Bild; Fotografie
    Umfang: 1 Online-Ressource (xiv, 210 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 183-199) and index