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  1. Deleuze and the cinemas of performance
    powers of affection
    Autor*in: Río, Elena del
    Erschienen: c2008
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0748635262; 9780748635269
    RVK Klassifikation: AP 45100 ; AP 50300 ; CC 8400 ; CI 5599
    Schlagworte: PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Film & Video / General; Human body in motion pictures; Motion pictures / Philosophy; Film; Philosophie; Human body in motion pictures; Motion pictures; Affekt; Film; Körper <Motiv>
    Weitere Schlagworte: Deleuze, Gilles / 1925-1995; Deleuze, Gilles / 1925-1995; Deleuze, Gilles (1925-1995); Deleuze, Gilles (1925-1995)
    Umfang: 1 Online-Ressource (viii, 240 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [218]-227) and index

    COVER; Copyright; Contents; Acknowledgments; Introduction: Cinema and the Affective-Performative; 1. Animated Fetishes; 2. Choreographies of Affect; 3. Dancing Feminisms; 4. Kinesthetic Seductions; 5. Powers of the False; Conclusion: Everything is "Yes"; Works Cited; Index

    This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally
  2. Deleuze and the Cinemas of Performance
    Powers of Affection
    Autor*in: del Río, Elena
    Erschienen: 2008
    Verlag:  Edinburgh University Press, Edinburgh ; ProQuest, Ann Arbor, Michigan

    This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of... mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book's engagement with performance is a consistent attention to the body's powers of affection.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748635269
    RVK Klassifikation: AP 45100 ; AP 50300 ; CC 8400 ; CI 5599
    Schlagworte: Filmtheorie; Film; Körper <Motiv>; Affekt
    Weitere Schlagworte: Deleuze, Gilles (1925-1995)
    Umfang: 1 Online-Ressource (249 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  3. Deleuze and the cinemas of performance
    powers of affection
    Autor*in: Río, Elena del
    Erschienen: 2008
    Verlag:  Edinburgh University Press, Edinburgh ; EBSCO Industries, Inc., Birmingham, AL, USA

    This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748635269; 0748635262
    RVK Klassifikation: AP 45100 ; AP 50300 ; CC 8400 ; CI 5599
    Schlagworte: Filmtheorie; Film; Körper <Motiv>; Affekt
    Weitere Schlagworte: Deleuze, Gilles (1925-1995)
    Umfang: 1 Online-Ressource (viii, 240 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 218-227) and index