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  1. Modernism and Magic
    Experiments with Spiritualism, Theosophy and the Occult
    Autor*in: Wilson, Leigh
    Erschienen: [2022]
    Verlag:  Edinburgh University Press, Edinburgh

    Frontmatter -- CONTENTS -- SERIES EDITORS' PREFACE -- ACKNOWLEDGEMENTS -- INTRODUCTION -- 1 'BUT THE FACTS OF LIFE PERSIST': MAGIC, EXPERIMENT AND THE PROBLEM OF REPRESENTING THE WORLD OTHERWISE -- 2 'AND WHAT HAS ALL THIS TO DO WITH EXPERIMENTAL... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Frontmatter -- CONTENTS -- SERIES EDITORS' PREFACE -- ACKNOWLEDGEMENTS -- INTRODUCTION -- 1 'BUT THE FACTS OF LIFE PERSIST': MAGIC, EXPERIMENT AND THE PROBLEM OF REPRESENTING THE WORLD OTHERWISE -- 2 'AND WHAT HAS ALL THIS TO DO WITH EXPERIMENTAL WRITING?': WORDS AND GHOSTS -- 3 A 'SUBTLE METAMORPHOSIS': SOUND, MIMESIS AND TRANSFORMATION -- 4 'HERE IS WHERE THE MAGIC IS': TELEPATHY AND EXPERIMENT IN FILM -- 5 'DISNEY AGAINST THE METAPHYSICALS': EISENSTEIN, POUND, ECTOPLASM AND THE POLITICS OF ANIMATION -- BIBLIOGRAPHY -- INDEX Explores the interplay between modernist experiment and occult discourses in the early twentieth centuryThis study presents a new account of the relation between modernism and occult discourses. While modernism's engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as an attempt to draw on a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful.Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein

     
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    Sprache: Englisch
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    ISBN: 9780748631650
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    Schriftenreihe: Array
    Schlagworte: Literature, Modern; Modernism (Literature); Occultism in literature; Spiritualism in literature; Theosophy in literature; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (256 p)
  2. Modernism and magic
    experiments with spiritualism, theosophy and the occult
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    By looking at the occult, spiritualism and mysticism in one frame, this book argues that the unseen figures modernism's yearning for that which is beyond the materiality of the text, whether that 'text' be printed words on a page, paint on canvas, or... mehr

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    By looking at the occult, spiritualism and mysticism in one frame, this book argues that the unseen figures modernism's yearning for that which is beyond the materiality of the text, whether that 'text' be printed words on a page, paint on canvas, or the effects of light fixed on a screen. The birth of modernism resides not so much in notions of aesthetic autonomy, resisting the degradations of mass culture, but in an attempt to reclaim textuality as a magical practice

     
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  3. Modernism and magic
    experiments with spiritualism, theosophy and the occult
    Autor*in: Wilson, Leigh
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
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    Format: Online
    ISBN: 9780748631650; 0748631658; 9780748627691; 0748627693
    Schriftenreihe: Edinburgh critical studies in modernist culture
    Schlagworte: BIOGRAPHY & AUTOBIOGRAPHY / Literary; LITERARY CRITICISM / General; Literature, Modern; Modernism (Christian theology); Modernism (Literature); Supernatural in literature; Supernatural in motion pictures; Literature, Modern / 20th century / History and criticism; Modernism (Christian theology); Modernism (Literature); Supernatural in literature; Supernatural in motion pictures; Modernism (Christian theology); Modernism (Literature); Literature, Modern; Supernatural in literature; Supernatural in motion pictures; Das Übernatürliche; Magie <Motiv>; Okkultismus <Motiv>; Literatur; Film; Moderne
    Umfang: viii, 187 pages
    Bemerkung(en):

    Includes bibliographical references and index

    By looking at the occult, spiritualism and mysticism in one frame, this book argues that the unseen figures modernism's yearning for that which is beyond the materiality of the text, whether that 'text' be printed words on a page, paint on canvas, or the effects of light fixed on a screen. The birth of modernism resides not so much in notions of aesthetic autonomy, resisting the degradations of mass culture, but in an attempt to reclaim textuality as a magical practice

    Cover; Copyright; CONTENTS; SERIES EDITORS' PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; 1. 'BUT THE FACTS OF LIFE PERSIST': MAGIC, EXPERIMENT AND THE PROBLEM OF REPRESENTING THE WORLD OTHERWISE; 2. 'AND WHAT HAS ALL THIS TO DO WITH EXPERIMENTAL WRITING?': WORDS AND GHOSTS; 3. A 'SUBTLE METAMORPHOSIS': SOUND, MIMESIS AND TRANSFORMATION; 4. 'HERE IS WHERE THE MAGIC IS': TELEPATHY AND EXPERIMENT IN FILM; 5. 'DISNEY AGAINST THE METAPHYSICALS': EISENSTEIN, POUND, ECTOPLASM AND THE POLITICS OF ANIMATION; BIBLIOGRAPHY; INDEX.
  4. Modernism and magic
    experiments with spiritualism, theosophy and the occult
    Autor*in: Wilson, Leigh
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues... mehr

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    Bayerische Staatsbibliothek
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    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful. Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748631650
    RVK Klassifikation: EC 5184 ; EC 5187
    Schlagworte: Modernism (Literature); Modernism (Christian theology); Supernatural in motion pictures; Supernatural in literature; Literature, Modern / 20th century / History and criticism; Das Übernatürliche; Film; Okkultismus <Motiv>; Literatur; Moderne; Magie <Motiv>
    Umfang: 1 online resource (viii, 187 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    'But the facts of life persist': Magic, experiment and the problem of representing the world otherwise -- 'And what has all this to do with experimental writing?': Words and ghosts -- A 'subtle metamorphosis': Sound, mimesis and transformation -- 'Here is where the magic is': Telepathy and experiment in film -- 'Disney against the metaphysicals': Eisenstein, pound, ectoplasm and the politics of animation
  5. Modernism and Magic
    Experiments with Spiritualism, Theosophy and the Occult
    Autor*in: Wilson, Leigh
    Erschienen: [2022]; © 2012
    Verlag:  Edinburgh University Press, Edinburgh

    Explores the interplay between modernist experiment and occult discourses in the early twentieth centuryThis study presents a new account of the relation between modernism and occult discourses. While modernism's engagement with the occult has been... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Explores the interplay between modernist experiment and occult discourses in the early twentieth centuryThis study presents a new account of the relation between modernism and occult discourses. While modernism's engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as an attempt to draw on a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful.Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
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    Medientyp: Ebook
    Format: Online
    ISBN: 9780748631650
    Weitere Identifier:
    Schriftenreihe: Edinburgh Critical Studies in Modernist Culture : ECCSMC
    Schlagworte: Literary Studies; LITERARY CRITICISM / General; Literature, Modern; Modernism (Literature); Occultism in literature; Spiritualism in literature; Theosophy in literature
    Umfang: 1 Online-Ressource (256 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022)
  6. Modernism and magic
    experiments with spiritualism, theosophy and the occult
    Autor*in: Wilson, Leigh
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues... mehr

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    Bayerische Staatsbibliothek
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    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful. Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748631650
    RVK Klassifikation: EC 5184 ; EC 5187
    Schlagworte: Modernism (Literature); Modernism (Christian theology); Supernatural in motion pictures; Supernatural in literature; Literature, Modern / 20th century / History and criticism; Film; Moderne; Literatur; Das Übernatürliche; Magie <Motiv>; Okkultismus <Motiv>
    Umfang: 1 online resource (viii, 187 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    'But the facts of life persist': Magic, experiment and the problem of representing the world otherwise -- 'And what has all this to do with experimental writing?': Words and ghosts -- A 'subtle metamorphosis': Sound, mimesis and transformation -- 'Here is where the magic is': Telepathy and experiment in film -- 'Disney against the metaphysicals': Eisenstein, pound, ectoplasm and the politics of animation
  7. Modernism and magic
    experiments with spiritualism, theosophy and the occult
    Autor*in: Wilson, Leigh
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful. Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein 'But the facts of life persist': Magic, experiment and the problem of representing the world otherwise -- 'And what has all this to do with experimental writing?': Words and ghosts -- A 'subtle metamorphosis': Sound, mimesis and transformation -- 'Here is where the magic is': Telepathy and experiment in film -- 'Disney against the metaphysicals': Eisenstein, pound, ectoplasm and the politics of animation

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748631650
    Schlagworte: Modernism (Christian theology); Supernatural in motion pictures; Supernatural in literature; Literature, Modern; Modernism (Literature); Modernism (Literature); Modernism (Christian theology); Supernatural in motion pictures; Supernatural in literature; Literature, Modern ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (viii, 187 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  8. Modernism and magic
    experiments with spiritualism, theosophy and the occult
    Autor*in: Wilson, Leigh
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues... mehr

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    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful. Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.

     
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    Sprache: Englisch
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    ISBN: 9780748631650
    Schlagworte: Moderne; Literatur; Film; Das Übernatürliche; Magie <Motiv>; Okkultismus <Motiv>
    Umfang: 1 Online-Ressource (viii, 187 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  9. Modernism and Magic
    Experiments with Spiritualism, Theosophy and the Occult
    Autor*in: Wilson, Leigh
    Erschienen: [2012]; ©2012
    Verlag:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Explores the interplay between modernist experiment and occult discourses in the early twentieth centuryThis study presents a new account of the relation between modernism and occult discourses. While modernism's engagement with the occult has been... mehr

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    Explores the interplay between modernist experiment and occult discourses in the early twentieth centuryThis study presents a new account of the relation between modernism and occult discourses. While modernism's engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as an attempt to draw on a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful.Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.

     
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    ISBN: 9780748631650
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    Schriftenreihe: Edinburgh Critical Studies in Modernist Culture : ECCSMC
    Umfang: 1 Online-Ressource (256 p.)
  10. Modernism and magic
    experiments with spiritualism, theosophy and the occult
    Autor*in: Wilson, Leigh
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues... mehr

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    While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful. Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein 'But the facts of life persist': Magic, experiment and the problem of representing the world otherwise -- 'And what has all this to do with experimental writing?': Words and ghosts -- A 'subtle metamorphosis': Sound, mimesis and transformation -- 'Here is where the magic is': Telepathy and experiment in film -- 'Disney against the metaphysicals': Eisenstein, pound, ectoplasm and the politics of animation

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748631650
    Schlagworte: Modernism (Christian theology); Supernatural in motion pictures; Supernatural in literature; Literature, Modern; Modernism (Literature); Modernism (Literature); Modernism (Christian theology); Supernatural in motion pictures; Supernatural in literature; Literature, Modern ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (viii, 187 pages), digital, PDF file(s)
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