Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Includes bibliographical references and index
The woman writer in the 1930s: on not being Mrs Giles of Durham City / Maroula Joannou -- The 1930s: memory and forgetting / Janet Montefiore -- Late modernism and the politics of history / Jean Radford -- Women poets and the political voice / Jane Dowson -- Revising the marriage plot in women's fiction of the 1930s / Diana Wallace -- Sylvia Townsend Warner: 'The Centrifugal kick' / Gillian Beer -- Rosamond Lehmann's political philosophy: from a Note in music (1930) to No more music (1939) / Wendy Pollard -- In a class of her own: Elizabeth von Arnim / Alison Hennegan -- The reception of Nancy Cunard's Negro anthology / Tory Young -- Lorca's mantle: the rise of fascism and the work of Storm Jameson / Sylvia Vance -- Naomi Mitchison's historical fiction / Elizabeth Maslen -- Back from the future: Katherine Burdekin and science fiction in the 1930s / Keith Williams -- Three guineas and the photograph: the art of propaganda / Elena Gualtieri -- Hyams place: the Years, the Jews and the British Union of fascists / David Bradshaw -- No longer a view: Virginia Woolf in the 1930s and the 1930s in Virginia Woolf / Linden Peach -- Come in from the cold war: Rebecca West and Storm Jameson in 1930s Europe / Joanna Labon
"This is the first book to deal exclusively with women writers of the liberal-left in the 1930s. The volume has a double purpose: to examine what is radical about women's writing and to draw attention to the richness, diversity and complexity of texts which have often been omitted or marginalised in critical discussion of the period. The contributors offer a broad understanding of the political to encompass a wide range of concerns including matters of race, class, nation, sexuality, personal relationships, and the uses and abuses of power."--Jacket
