Filtern nach
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. Shakespearean Gothic
    Erschienen: 2009
    Verlag:  University of Wales Press, Cardiff

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780708322628; 0708320937
    RVK Klassifikation: HI 3370
    Schriftenreihe: Gothic literary studies
    Schlagworte: Literature; DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; Gothic literature; Gothic novel; Toneelstukken; Drama; Literatur; Gothic literature; Gothic novel; Rezeption
    Weitere Schlagworte: Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (VIII, 286 Seiten)
    Bemerkung(en):

    Acknowledgements; List of Illustrations; List of Contributors; Introduction; Reading Walpole Reading Shakespeare; Ann Radcliffe, 'The Shakespeare of Romance Writers'; The Curse of Shakespeare; Shakespearean Shadows' Parodic Haunting of ThomasLove Peacock's Nightmare Abbey and Jane Austen'sNorthanger Abbey; Fatherly and Daughterly Pursuits:Mary Shelley's Matildaand Shakespeare's King Lear; Into the Madman's Dream: the Gothic Abduction ofRomeo and Juliet; Gothic Cordelias: the Afterlife of King Lear and theConstruction of Femininity; 'We are not safe':History, Fear and the Gothic inRichard III.

    Remembering Ophelia: EllenTerry and theShakespearizing of Dracula'Rites of Memory': the Heart of Kenneth Branagh'sHamlet; Afterword: Shakespearean Gothic; Bibliography; Index

    This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind

  2. Shakespearean Gothic
    Erschienen: 2009
    Verlag:  University of Wales Press, Cardiff

    This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme... mehr

    Zugang:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780708322628; 070832262X
    Schriftenreihe: Gothic Literary Studies
    Schlagworte: Gothic literature; Gothic literature; Literature; DRAMA ; Shakespeare; LITERARY CRITICISM ; Shakespeare; Gothic literature; Rezeption; Gothic novel; Gothic novel; Toneelstukken; English; Languages & Literatures; English Literature; Criticism, interpretation, etc
    Weitere Schlagworte: Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William; Shakespeare, William
    Umfang: Online Ressource (300 p.)
    Bemerkung(en):

    Description based on print version record

  3. Shakespearean Gothic
    Autor*in: Desmet, Christy
    Erschienen: 2009; ©2009
    Verlag:  University of Wales Press, Cardiff

    This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. Intro -- Acknowledgements -- List of Illustrations -- List... mehr

    Zugang:
    Aggregator (lizenzpflichtig)
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. Intro -- Acknowledgements -- List of Illustrations -- List of Contributors -- Introduction -- Reading Walpole Reading Shakespeare -- Ann Radcliffe,'The Shakespeare of Romance Writers' -- The Curse of Shakespeare -- Shakespearean Shadows' Parodic Haunting of ThomasLove Peacock's Nightmare Abbey and Jane Austen'sNorthanger Abbey -- Fatherly and Daughterly Pursuits:Mary Shelley's Matildaand Shakespeare's King Lear -- Into the Madman's Dream: the Gothic Abduction ofRomeo and Juliet -- Gothic Cordelias: the Afterlife of King Lear and theConstruction of Femininity -- 'We are not safe':History, Fear and the Gothic inRichard III -- Remembering Ophelia: EllenTerry and theShakespearizing of Dracula -- 'Rites of Memory': the Heart of Kenneth Branagh'sHamlet -- Afterword: Shakespearean Gothic -- Bibliography -- Index.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Williams, Anne (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780708322628
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Gothic Literary Studies
    Schlagworte: Shakespeare, William, -- 1564-1616; Electronic books
    Umfang: 1 online resource (300 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  4. Shakespearean Gothic
    Autor*in: Desmet, Christy
    Erschienen: 2009
    Verlag:  University of Wales Press, Cardiff ; EBSCO Industries, Inc., Birmingham, AL, USA

    This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Williams, Anne
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780708322628; 070832262X
    RVK Klassifikation: HI 3370
    Schriftenreihe: Gothic Literary Studies
    Schlagworte: Rezeption; Gothic novel
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (300 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 257-279) and index