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  1. Expanding the black film canon
    race and genre across six decades
    Autor*in: Alexander, Lisa Doris
    Erschienen: 2019
    Verlag:  University Press of Kansas, Lawrence, Kansas

    I ain't fit to live with no more: Nothing but a man revisited -- "Hey, where are the white women at?" the presentation of racism and resistance in Blazing saddles -- Harlem nights, awkward framing, and complicated gender politics -- Who's the real... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    I ain't fit to live with no more: Nothing but a man revisited -- "Hey, where are the white women at?" the presentation of racism and resistance in Blazing saddles -- Harlem nights, awkward framing, and complicated gender politics -- Who's the real gangsta: The glass shield and the politics of black communities & police relations -- "If you're going to tell people the truth, make them laugh": Confederate States of America as mockumentary and truth-telling -- Ladies first: Ava Duvernay and black female centered narratives -- Who's the hero of the piece? Hollywood's representation of Jackie Robinson's legacy -- Are we allowed to be children? black teen films, trauma, and the race to adulthood.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780700628407; 9780700628391
    RVK Klassifikation: AP 44983
    Schlagworte: African Americans in motion pictures; Race relations in motion pictures; Racism in motion pictures; African Americans in the motion picture industry
    Umfang: viii, 247 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 213-233
  2. Expanding the black film canon
    race and genre across six decades
    Autor*in: Alexander, Lisa Doris
    Erschienen: 2019
    Verlag:  University Press of Kansas, Lawrence, Kansas

    I ain't fit to live with no more: Nothing but a man revisited -- "Hey, where are the white women at?" the presentation of racism and resistance in Blazing saddles -- Harlem nights, awkward framing, and complicated gender politics -- Who's the real... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 90161
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    AP 44983 A374
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    I ain't fit to live with no more: Nothing but a man revisited -- "Hey, where are the white women at?" the presentation of racism and resistance in Blazing saddles -- Harlem nights, awkward framing, and complicated gender politics -- Who's the real gangsta: The glass shield and the politics of black communities & police relations -- "If you're going to tell people the truth, make them laugh": Confederate States of America as mockumentary and truth-telling -- Ladies first: Ava Duvernay and black female centered narratives -- Who's the hero of the piece? Hollywood's representation of Jackie Robinson's legacy -- Are we allowed to be children? black teen films, trauma, and the race to adulthood.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780700628407; 9780700628391
    RVK Klassifikation: AP 44983
    Schlagworte: African Americans in motion pictures; Race relations in motion pictures; Racism in motion pictures; African Americans in the motion picture industry
    Umfang: viii, 247 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 213-233
  3. Expanding the black film canon
    race and genre across six decades
    Autor*in: Alexander, Lisa Doris
    Erschienen: [2019]; © 2019
    Verlag:  University Press of Kansas, Lawrence, Kansas

    If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as 'black film' per se. This book is especially timely, then, in... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as 'black film' per se. This book is especially timely, then, in expanding our idea of what black films are and, going back to the 1960s, showing us new and interesting ways to understand them. When critics and scholars write about films from the Blaxploitation movement such as Cotton Comes to Harlem, Shaft, Superfly, and Cleopatra Jones ;they emphasize their importance as films made for black audiences. Consequently, Lisa Doris Alexander points out, a film like the highly popular, Oscar-nominated Blazing Saddles&;costarring and co-written by Richard Pryor is generally left out of the discussion because it doesn't fit the profile of what a black film of the period should be. This is the kind of categorical thinking that Alexander seeks to broaden, looking at films from the 60s to the present day in the context of their time. Applying insights from black feminist thought and critical race theory to one film per decade, she analyzes what each can tell us about the status of black people and race relations in the United States at the time of its release. By teasing out the importance of certain films excluded from the black film canon, Alexander hopes to expand that canon to include films typically relegated to the category of popular entertainment and to show how these offer more nuanced representations of black characters even as they confront, negate, or parody the controlling images that have defined black filmic characters for decades.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780700628391; 9780700628407
    Schlagworte: Film; Schwarze <Motiv>; Schwarze
    Weitere Schlagworte: African Americans in motion pictures; Race relations in motion pictures; Racism in motion pictures; African Americans in the motion picture industry; African Americans in motion pictures; African Americans in the motion picture industry; Race relations in motion pictures; Racism in motion pictures
    Umfang: viii, 247 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  4. Expanding the black film canon
    race and genre across six decades
    Autor*in: Alexander, Lisa Doris
    Erschienen: [2019]; © 2019
    Verlag:  University Press of Kansas, Lawrence, Kansas

    If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as 'black film' per se. This book is especially timely, then, in... mehr

    Standort:
    Historisches Institut, Abteilung für Nordamerikanische Geschichte, Bibliothek
    Signatur:
    422/791.430.9Ale/Exp
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheken im Fürstenberghaus 1
    Signatur:
    Ok 1167,169
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as 'black film' per se. This book is especially timely, then, in expanding our idea of what black films are and, going back to the 1960s, showing us new and interesting ways to understand them. When critics and scholars write about films from the Blaxploitation movement such as Cotton Comes to Harlem, Shaft, Superfly, and Cleopatra Jones ;they emphasize their importance as films made for black audiences. Consequently, Lisa Doris Alexander points out, a film like the highly popular, Oscar-nominated Blazing Saddles&;costarring and co-written by Richard Pryor is generally left out of the discussion because it doesn't fit the profile of what a black film of the period should be. This is the kind of categorical thinking that Alexander seeks to broaden, looking at films from the 60s to the present day in the context of their time. Applying insights from black feminist thought and critical race theory to one film per decade, she analyzes what each can tell us about the status of black people and race relations in the United States at the time of its release. By teasing out the importance of certain films excluded from the black film canon, Alexander hopes to expand that canon to include films typically relegated to the category of popular entertainment and to show how these offer more nuanced representations of black characters even as they confront, negate, or parody the controlling images that have defined black filmic characters for decades.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780700628391; 9780700628407
    Schlagworte: Schwarze <Motiv>; Film; Schwarze
    Umfang: viii, 247 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  5. Expanding the black film canon
    race and genre across six decades
    Autor*in: Alexander, Lisa Doris
    Erschienen: [2019]; © 2019
    Verlag:  University Press of Kansas, Lawrence, Kansas

    If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as 'black film' per se. This book is especially timely, then, in... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as 'black film' per se. This book is especially timely, then, in expanding our idea of what black films are and, going back to the 1960s, showing us new and interesting ways to understand them. When critics and scholars write about films from the Blaxploitation movement such as Cotton Comes to Harlem, Shaft, Superfly, and Cleopatra Jones ;they emphasize their importance as films made for black audiences. Consequently, Lisa Doris Alexander points out, a film like the highly popular, Oscar-nominated Blazing Saddles&;costarring and co-written by Richard Pryor is generally left out of the discussion because it doesn't fit the profile of what a black film of the period should be. This is the kind of categorical thinking that Alexander seeks to broaden, looking at films from the 60s to the present day in the context of their time. Applying insights from black feminist thought and critical race theory to one film per decade, she analyzes what each can tell us about the status of black people and race relations in the United States at the time of its release. By teasing out the importance of certain films excluded from the black film canon, Alexander hopes to expand that canon to include films typically relegated to the category of popular entertainment and to show how these offer more nuanced representations of black characters even as they confront, negate, or parody the controlling images that have defined black filmic characters for decades.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780700628391; 9780700628407
    RVK Klassifikation: AP 44983
    Schlagworte: Film; Schwarze <Motiv>; Schwarze
    Weitere Schlagworte: African Americans in motion pictures; Race relations in motion pictures; Racism in motion pictures; African Americans in the motion picture industry; African Americans in motion pictures; African Americans in the motion picture industry; Race relations in motion pictures; Racism in motion pictures
    Umfang: viii, 247 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  6. Expanding the black film canon
    race and genre across six decades
    Autor*in: Alexander, Lisa Doris
    Erschienen: [2019]; © 2019
    Verlag:  University Press of Kansas, Lawrence, Kansas

    If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as 'black film' per se. This book is especially timely, then, in... mehr

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as 'black film' per se. This book is especially timely, then, in expanding our idea of what black films are and, going back to the 1960s, showing us new and interesting ways to understand them. When critics and scholars write about films from the Blaxploitation movement such as Cotton Comes to Harlem, Shaft, Superfly, and Cleopatra Jones ;they emphasize their importance as films made for black audiences. Consequently, Lisa Doris Alexander points out, a film like the highly popular, Oscar-nominated Blazing Saddles&;costarring and co-written by Richard Pryor is generally left out of the discussion because it doesn't fit the profile of what a black film of the period should be. This is the kind of categorical thinking that Alexander seeks to broaden, looking at films from the 60s to the present day in the context of their time. Applying insights from black feminist thought and critical race theory to one film per decade, she analyzes what each can tell us about the status of black people and race relations in the United States at the time of its release. By teasing out the importance of certain films excluded from the black film canon, Alexander hopes to expand that canon to include films typically relegated to the category of popular entertainment and to show how these offer more nuanced representations of black characters even as they confront, negate, or parody the controlling images that have defined black filmic characters for decades

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780700628391; 9780700628407
    Schlagworte: USA; Film; Schwarze <Motiv>; Schwarze; Geschichte 1960-
    Umfang: viii, 247 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index