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  1. The French actress and her English audience
    Autor*in: Stokes, John
    Erschienen: 2005
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    A detailed study of how French actresses were received by English audiences. For centuries English and French theatrical traditions have had an uneasy relationship with one another: mutual admiration, mutual envy, mutual distrust. Just as the... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A detailed study of how French actresses were received by English audiences. For centuries English and French theatrical traditions have had an uneasy relationship with one another: mutual admiration, mutual envy, mutual distrust. Just as the fascination of difference lies in the potential for sameness, so these opposed traditions have observed each other at close quarters and invited each other back home. In an unusually detailed and carefully illustrated book, John Stokes explores the reception of the French actress by the English audiences, from the early nineteenth century to the middle of the twentieth - a period when the relationship between England and France was transformed and redefined. Mlle Mars, Sarah Bernhardt and Edwige Feuillere are among the many actresses invoked; prominent English spectators include William Hazlitt, Charles Dickens, and Oscar Wilde. The result is a vivid coming together of theatre history and cultural studies, and will appeal to scholars of English and French literature as well as students of acting.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521843003; 0521843006
    Weitere Identifier:
    9780521843003
    2004056821
    RVK Klassifikation: HL 1269
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Theater audiences; Theater audiences; Actresses; Public opinion; Theater audiences; Theater audiences; Actresses; Public opinion
    Umfang: X, 224 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 209-218) and index

    Introduction: the golden age of acting; 1. Mademoiselle Mars, the English and romantic love; 2. Rachel's 'Terrible Beauty': an actress among the novelists; 3. Memories of Plessy: Henry James re-stages the past; 4. Dejazet/deja vu; 5. The modernity of Aimee Desclee; 6. A kind of beauty: Rejane in London; 7. Peacocks and pearls: Oscar Wilde and Sarah Bernhardt; 8. The greatest actress in the world: Edwige Feuillere and her admirers.

  2. The French actress and her English audience
    Autor*in: Stokes, John
    Erschienen: 2005
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    A detailed study of how French actresses were received by English audiences. For centuries English and French theatrical traditions have had an uneasy relationship with one another: mutual admiration, mutual envy, mutual distrust. Just as the... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 561290
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 2006/6468
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2007 A 3850
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Leipzig
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Württembergische Landesbibliothek
    56/1419
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der Eberhard Karls Universität
    46 A 5960
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A detailed study of how French actresses were received by English audiences. For centuries English and French theatrical traditions have had an uneasy relationship with one another: mutual admiration, mutual envy, mutual distrust. Just as the fascination of difference lies in the potential for sameness, so these opposed traditions have observed each other at close quarters and invited each other back home. In an unusually detailed and carefully illustrated book, John Stokes explores the reception of the French actress by the English audiences, from the early nineteenth century to the middle of the twentieth - a period when the relationship between England and France was transformed and redefined. Mlle Mars, Sarah Bernhardt and Edwige Feuillere are among the many actresses invoked; prominent English spectators include William Hazlitt, Charles Dickens, and Oscar Wilde. The result is a vivid coming together of theatre history and cultural studies, and will appeal to scholars of English and French literature as well as students of acting.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521843003; 0521843006
    Weitere Identifier:
    9780521843003
    2004056821
    RVK Klassifikation: HL 1269
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Theater audiences; Theater audiences; Actresses; Public opinion; Theater audiences; Theater audiences; Actresses; Public opinion
    Umfang: X, 224 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 209-218) and index

    Introduction: the golden age of acting; 1. Mademoiselle Mars, the English and romantic love; 2. Rachel's 'Terrible Beauty': an actress among the novelists; 3. Memories of Plessy: Henry James re-stages the past; 4. Dejazet/deja vu; 5. The modernity of Aimee Desclee; 6. A kind of beauty: Rejane in London; 7. Peacocks and pearls: Oscar Wilde and Sarah Bernhardt; 8. The greatest actress in the world: Edwige Feuillere and her admirers.