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  1. Hollywood Be Thy Name
    African American Religion in American Film, 1929-1949
    Erschienen: 2007
    Verlag:  University of California Press, Berkeley ; ProQuest, Ann Arbor, Michigan

    From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed... mehr

    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Universität Mainz, Zentralbibliothek
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    From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, censorship records, and discussions and debates about religion and film in the black press, as well as providing close readings of films, this richly illustrated and meticulously researched book brings religious studies and film history together in innovative ways.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520940666
    RVK Klassifikation: AP 59783 ; BL 9700
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Schwarze; Film; Religion <Motiv>
    Umfang: 1 Online-Ressource (357 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  2. Hollywood Be Thy Name
    African American Religion in American Film, 1929-1949
    Erschienen: 2007
    Verlag:  University of California Press, CA ; EBSCO Industries, Inc., Birmingham, AL, USA

    From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, censorship recor.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520940666; 0520940660; 9780520227743; 0520227743; 9780520251007; 0520251008
    RVK Klassifikation: AP 59783 ; BL 9700
    Schriftenreihe: The George Gund Foundation book in African American studies
    Schlagworte: Schwarze; Film; Religion <Motiv>
    Umfang: 1 Online-Ressource (357 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 319-329) and index

    Includes filmography: pages 239-240