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  1. Metaphors of depth in German musical thought
    from E.T.A. Hoffmann to Arnold Schoenberg
    Autor*in: Watkins, Holly
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511820496
    Weitere Identifier:
    RVK Klassifikation: LR 56800 ; LR 56806
    Schriftenreihe: New perspectives in music history and criticism ; 21
    Schlagworte: Musik; Music / Philosophy and aesthetics; Music / Germany / 19th century / History and criticism; Music / Germany / 20th century / History and criticism; Music and philosophy; Ausdruck; Tiefe <Motiv>; Musiktheorie
    Weitere Schlagworte: Schumann, Robert (1810-1856); Schönberg, Arnold (1874-1951); Wagner, Richard (1813-1883); Schenker, Heinrich (1868-1935); Marx, Adolf Bernhard (1795-1866); Hoffmann, E. T. A. (1776-1822)
    Umfang: 1 Online-Ressource (xii, 335 Seiten), Illustrationen, Notenbeispiele
    Bemerkung(en):

    Bandzählung der monographischen Reihe von der Landing Page (Cambridge University Press)

    From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs

  2. Metaphors of depth in German musical thought
    from E.T.A. Hoffmann to Arnold Schoenberg
    Autor*in: Watkins, Holly
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From... mehr

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511820496
    Weitere Identifier:
    RVK Klassifikation: LR 56800 ; LR 56806
    Schriftenreihe: New perspectives in music history and criticism ; 21
    Schlagworte: Musik; Music / Philosophy and aesthetics; Music / Germany / 19th century / History and criticism; Music / Germany / 20th century / History and criticism; Music and philosophy; Ausdruck; Tiefe <Motiv>; Musiktheorie
    Weitere Schlagworte: Schumann, Robert (1810-1856); Schönberg, Arnold (1874-1951); Wagner, Richard (1813-1883); Schenker, Heinrich (1868-1935); Marx, Adolf Bernhard (1795-1866); Hoffmann, E. T. A. (1776-1822)
    Umfang: 1 Online-Ressource (xii, 335 Seiten), Illustrationen, Notenbeispiele
    Bemerkung(en):

    Bandzählung der monographischen Reihe von der Landing Page (Cambridge University Press)

    From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs

  3. Metaphors of Depth in German Musical Thought
    From E. T. A. Hoffmann to Arnold Schoenberg
    Autor*in: Watkins, Holly
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From... mehr

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    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511820496
    Weitere Identifier:
    RVK Klassifikation: LR 56800 ; LR 56806
    Auflage/Ausgabe: Online-Ausg.
    Schriftenreihe: New perspectives in music history and criticism ; 21
    Schlagworte: Music; Music and philosophy; Music; Music; Music ; Philosophy and aesthetics; Music ; Germany ; 19th century ; History and criticism; Music ; Germany ; 20th century ; History and criticism; Music and philosophy
    Weitere Schlagworte: Array; Array; Array; Music and philosophy
    Umfang: Online-Ressource (1 online resource (350 p.)), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. Metaphors of Depth in German Musical Thought
    From E. T. A. Hoffmann to Arnold Schoenberg
    Autor*in: Watkins, Holly
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511820496
    Weitere Identifier:
    RVK Klassifikation: LR 56800 ; LR 56806
    Auflage/Ausgabe: Online-Ausg.
    Schriftenreihe: New perspectives in music history and criticism ; 21
    Schlagworte: Music; Music and philosophy; Music; Music; Music ; Philosophy and aesthetics; Music ; Germany ; 19th century ; History and criticism; Music ; Germany ; 20th century ; History and criticism; Music and philosophy
    Weitere Schlagworte: Array; Array; Array; Music and philosophy
    Umfang: Online-Ressource (1 online resource (350 p.)), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  5. Metaphors of depth in German musical thought
    from E.T.A. Hoffmann to Arnold Schoenberg
    Autor*in: Watkins, Holly
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary, and criticism which make music intelligible... mehr

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    "This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary, and criticism which make music intelligible and which provide a basis for argument about judgements of value. The intellectual scope of the series is broad. Some investigations will treat, for example, historiographical topics, others will apply cross-disciplinary methods to the criticism of music, and there will also be studies which consider music in its relation to society, culture, and politics. Overall, the series hopes to create a greater presence for music in the ongoing discourse among the human sciences"-- "What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E.T.A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation"-- From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511820496; 1139145347; 9781139145343; 9780511820496
    Schriftenreihe: New perspectives in music history and criticism
    Schlagworte: Music; Music; Music and philosophy; Music; MUSIC ; Genres & Styles ; International; Music and philosophy; Music; Music ; Philosophy and aesthetics; Musiktheorie; Tiefe; Ausdruck; Musikästhetik; Tiefe; Motiv (Musik); Criticism, interpretation, etc
    Weitere Schlagworte: Schenker, Heinrich; Schönberg, Arnold; Schumann, Robert; Wagner, Richard; Marx, Adolf Bernhard
    Umfang: 1 Online-Ressource (xii, 335 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Introduction; 1. From the mine to the shrine: the critical origins of musical depth; 2. Adolf Bernhard Marx and the inner life of music; 3. Robert Schumann and poetic depth; 4. Richard Wagner and the depths of time; 5. Heinrich Schenker and the apotheosis of musical depth; 6. Schoenberg's interior designs; Bibliography