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  1. Dante and the mystical tradition
    Bernard of Clairvaux in the Commedia
    Erschienen: 1994
    Verlag:  Cambridge University Press, Cambridge

    In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative... mehr

    Universitätsbibliothek Bamberg
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    In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative episode involving Bernard as a character in the closing cantos of the Paradiso, against the background of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill draws on a wide range of materials to establish and illustrate the connections between Bernard's reputation and his portrayal in Dante's poem. Botterill's fresh approach to the analysis of the whole episode will provoke the reader to re-evaluate the significance and implications of Bernard's presence in the Commedia

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511611735
    Weitere Identifier:
    RVK Klassifikation: IT 5934 ; IT 6202
    Schriftenreihe: Cambridge studies in medieval literature ; 22
    Schlagworte: Mysticism in literature; Civilization, Medieval, in literature; Mystizismus; Mystik
    Weitere Schlagworte: Dante Alighieri / 1265-1321 / Paradiso / Canto 31-33; Bernard / of Clairvaux, Saint / 1090 or 1091-1153 / In literature; Bernard / of Clairvaux, Saint / 1090 or 1091-1153 / Influence; Dante Alighieri / 1265-1321 / Divina commedia; Dante Alighieri (1265-1321): Paradiso; Dante Alighieri (1265-1321); Bernard Clairvaux, Abt, Heiliger (1090-1153); Dante Alighieri (1265-1321): Divina commedia
    Umfang: 1 online resource (x, 269 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. (Re- )reading Dante: an unscientific preface -- 2. The image of St Bernard in medieval culture -- 3. Bernard of Clairvaux in the Commedia. Life after Beatrice (Paradiso XXXI). Mellifluous Doctor (Paradiso XXXII). Faithful Bernard (Paradiso XXXIII) -- 4. Bernard in the Trecento commentaries on the Commedia -- 5. Dante, Bernard, and the Virgin Mary -- 6. From deificari to trasumanar? Dante's Paradiso and Bernard's De diligendo Deo -- 7. Eloquence -- and its limits

  2. Dante and the mystical tradition
    Bernard of Clairvaux in the Commedia
    Erschienen: 1994
    Verlag:  Cambridge University Press, Cambridge

    In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative episode involving Bernard as a character in the closing cantos of the Paradiso, against the background of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill draws on a wide range of materials to establish and illustrate the connections between Bernard's reputation and his portrayal in Dante's poem. Botterill's fresh approach to the analysis of the whole episode will provoke the reader to re-evaluate the significance and implications of Bernard's presence in the Commedia 1. (Re- )reading Dante: an unscientific preface -- 2. The image of St Bernard in medieval culture -- 3. Bernard of Clairvaux in the Commedia. Life after Beatrice (Paradiso XXXI). Mellifluous Doctor (Paradiso XXXII). Faithful Bernard (Paradiso XXXIII) -- 4. Bernard in the Trecento commentaries on the Commedia -- 5. Dante, Bernard, and the Virgin Mary -- 6. From deificari to trasumanar? Dante's Paradiso and Bernard's De diligendo Deo -- 7. Eloquence -- and its limits

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511611735
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in medieval literature ; 22
    Schlagworte: Mysticism in literature; Civilization, Medieval, in literature; Dante Alighieri ; 1265-1321 ; Paradiso ; Canto 31-33; Bernard ; of Clairvaux, Saint ; 1090 or 1091-1153 ; In literature; Bernard ; of Clairvaux, Saint ; 1090 or 1091-1153 ; Influence; Dante Alighieri ; 1265-1321 ; Divina commedia; Mysticism in literature; Civilization, Medieval, in literature
    Weitere Schlagworte: Bernard of Clairvaux, Saint (1090 or 1091-1153); Dante Alighieri (1265-1321): Divina commedia; Bernard of Clairvaux, Saint (1090 or 1091-1153); Dante Alighieri (1265-1321): Paradiso
    Umfang: 1 Online-Ressource (x, 269 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  3. Dante and the mystical tradition
    Bernard of Clairvaux in the Commedia
    Erschienen: 1994
    Verlag:  Cambridge University Press, Cambridge

    In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative... mehr

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    In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative episode involving Bernard as a character in the closing cantos of the Paradiso, against the background of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill draws on a wide range of materials to establish and illustrate the connections between Bernard's reputation and his portrayal in Dante's poem. Botterill's fresh approach to the analysis of the whole episode will provoke the reader to re-evaluate the significance and implications of Bernard's presence in the Commedia.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511611735
    RVK Klassifikation: IT 6202
    Schriftenreihe: Cambridge studies in medieval literature ; 22
    Weitere Schlagworte: Dante Alighieri (1265-1321): Paradiso; Dante Alighieri (1265-1321): Divina commedia
    Umfang: 1 Online-Ressource (x, 269 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. Dante and the mystical tradition
    Bernard of Clairvaux in the Commedia
    Erschienen: 1994
    Verlag:  Cambridge University Press, Cambridge

    In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative... mehr

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    In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyses the narrative episode involving Bernard as a character in the closing cantos of the Paradiso, against the background of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill draws on a wide range of materials to establish and illustrate the connections between Bernard's reputation and his portrayal in Dante's poem. Botterill's fresh approach to the analysis of the whole episode will provoke the reader to re-evaluate the significance and implications of Bernard's presence in the Commedia 1. (Re- )reading Dante: an unscientific preface -- 2. The image of St Bernard in medieval culture -- 3. Bernard of Clairvaux in the Commedia. Life after Beatrice (Paradiso XXXI). Mellifluous Doctor (Paradiso XXXII). Faithful Bernard (Paradiso XXXIII) -- 4. Bernard in the Trecento commentaries on the Commedia -- 5. Dante, Bernard, and the Virgin Mary -- 6. From deificari to trasumanar? Dante's Paradiso and Bernard's De diligendo Deo -- 7. Eloquence -- and its limits

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511611735
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in medieval literature ; 22
    Schlagworte: Mysticism in literature; Civilization, Medieval, in literature; Dante Alighieri ; 1265-1321 ; Paradiso ; Canto 31-33; Bernard ; of Clairvaux, Saint ; 1090 or 1091-1153 ; In literature; Bernard ; of Clairvaux, Saint ; 1090 or 1091-1153 ; Influence; Dante Alighieri ; 1265-1321 ; Divina commedia; Mysticism in literature; Civilization, Medieval, in literature
    Weitere Schlagworte: Bernard of Clairvaux, Saint (1090 or 1091-1153); Dante Alighieri (1265-1321): Divina commedia; Bernard of Clairvaux, Saint (1090 or 1091-1153); Dante Alighieri (1265-1321): Paradiso
    Umfang: 1 Online-Ressource (x, 269 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)