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  1. Orientalism, modernism, and the American poem
    Autor*in: Kern, Robert
    Erschienen: 1996
    Verlag:  Cambridge University Press, Cambridge

    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had... mehr

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    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had termed the 'language of nature'. This language of nature is here shown to be a mythic conception continuous with the Renaissance idea of the language of Adam - a language lacking any difference between what it is and what it means. Through analysing and contextualising the nineteenth-century works of Ralph Waldo Emerson and Ernest Fenollosa and the twentieth-century creations of Ezra Pound and Gary Snyder, Kern sheds light on the three contemporary nexuses of his search: the cultural study of Orientalism and the West, the evolution of Indo-European linguistic theory, and the intellectual tradition of American modernist poetry

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511570469
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    RVK Klassifikation: HR 1620 ; HR 1769 ; HU 1691 ; HU 1769
    Schriftenreihe: Cambridge studies in American literature and culture ; 97
    Schlagworte: American poetry / Chinese influences; Exoticism in literature; Modernism (Literature) / United States; American poetry / History and criticism; Linguistics in literature; Chinese language / Influence on foreign languages; Languages in contact; Chinesisch; Lyrik
    Umfang: 1 online resource (xiii, 316 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Introduction: The European Hallucination -- 2. Emerson and the Language of Nature -- 3. Character Assassination: Representing Chinese in Nineteenth-Century Linguistics -- 4. Otto Jespersen and Chinese as the Future of Language -- 5. Language in Its Primary Use: Fenollosa and the Chinese Character -- Interchapter: Pound, Emerson, and the Poetics of Creative Reading -- 6. Modernizing Orientalism/Orientalizing Modernism: Ezra Pound, Chinese Translation, and English-as-Chinese -- 7. Seeing the World without Language: Gary Snyder and Chinese as American Speech
  2. Orientalism, modernism, and the American poem
    Autor*in: Kern, Robert
    Erschienen: 1996
    Verlag:  Cambridge University Press, Cambridge

    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had termed the 'language of nature'. This language of nature is here shown to be a mythic conception continuous with the Renaissance idea of the language of Adam - a language lacking any difference between what it is and what it means. Through analysing and contextualising the nineteenth-century works of Ralph Waldo Emerson and Ernest Fenollosa and the twentieth-century creations of Ezra Pound and Gary Snyder, Kern sheds light on the three contemporary nexuses of his search: the cultural study of Orientalism and the West, the evolution of Indo-European linguistic theory, and the intellectual tradition of American modernist poetry 1. Introduction: The European Hallucination -- 2. Emerson and the Language of Nature -- 3. Character Assassination: Representing Chinese in Nineteenth-Century Linguistics -- 4. Otto Jespersen and Chinese as the Future of Language -- 5. Language in Its Primary Use: Fenollosa and the Chinese Character -- Interchapter: Pound, Emerson, and the Poetics of Creative Reading -- 6. Modernizing Orientalism/Orientalizing Modernism: Ezra Pound, Chinese Translation, and English-as-Chinese -- 7. Seeing the World without Language: Gary Snyder and Chinese as American Speech

     
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    Quelle: Staatsbibliothek zu Berlin
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    Format: Online
    ISBN: 9780511570469
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    Schriftenreihe: Cambridge studies in American literature and culture ; 97
    Schlagworte: Modernism (Literature); American poetry; Linguistics in literature; Chinese language; Languages in contact; Exoticism in literature; American poetry; American poetry ; Chinese influences; Exoticism in literature; Modernism (Literature) ; United States; American poetry ; History and criticism; Linguistics in literature; Chinese language ; Influence on foreign languages; Languages in contact; China ; In literature
    Umfang: 1 Online-Ressource (xiii, 316 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Orientalism, modernism, and the American poem
    Autor*in: Kern, Robert
    Erschienen: 1996
    Verlag:  Cambridge University Press, Cambridge

    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had... mehr

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    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had termed the 'language of nature'. This language of nature is here shown to be a mythic conception continuous with the Renaissance idea of the language of Adam - a language lacking any difference between what it is and what it means. Through analysing and contextualising the nineteenth-century works of Ralph Waldo Emerson and Ernest Fenollosa and the twentieth-century creations of Ezra Pound and Gary Snyder, Kern sheds light on the three contemporary nexuses of his search: the cultural study of Orientalism and the West, the evolution of Indo-European linguistic theory, and the intellectual tradition of American modernist poetry.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511570469
    RVK Klassifikation: HR 1620 ; HR 1769
    Schriftenreihe: Cambridge studies in American literature and culture ; 97
    Schlagworte: Moderne; Lyrik; Chinesisch; Exotismus
    Umfang: 1 Online-Ressource (xiii, 316 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Orientalism, modernism, and the American poem
    Autor*in: Kern, Robert
    Erschienen: 1996
    Verlag:  Cambridge University Press, Cambridge

    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had... mehr

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    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had termed the 'language of nature'. This language of nature is here shown to be a mythic conception continuous with the Renaissance idea of the language of Adam - a language lacking any difference between what it is and what it means. Through analysing and contextualising the nineteenth-century works of Ralph Waldo Emerson and Ernest Fenollosa and the twentieth-century creations of Ezra Pound and Gary Snyder, Kern sheds light on the three contemporary nexuses of his search: the cultural study of Orientalism and the West, the evolution of Indo-European linguistic theory, and the intellectual tradition of American modernist poetry 1. Introduction: The European Hallucination -- 2. Emerson and the Language of Nature -- 3. Character Assassination: Representing Chinese in Nineteenth-Century Linguistics -- 4. Otto Jespersen and Chinese as the Future of Language -- 5. Language in Its Primary Use: Fenollosa and the Chinese Character -- Interchapter: Pound, Emerson, and the Poetics of Creative Reading -- 6. Modernizing Orientalism/Orientalizing Modernism: Ezra Pound, Chinese Translation, and English-as-Chinese -- 7. Seeing the World without Language: Gary Snyder and Chinese as American Speech

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511570469
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in American literature and culture ; 97
    Schlagworte: Modernism (Literature); American poetry; Linguistics in literature; Chinese language; Languages in contact; Exoticism in literature; American poetry; American poetry ; Chinese influences; Exoticism in literature; Modernism (Literature) ; United States; American poetry ; History and criticism; Linguistics in literature; Chinese language ; Influence on foreign languages; Languages in contact; China ; In literature
    Umfang: 1 Online-Ressource (xiii, 316 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)