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  1. The last Soviet avant-garde
    OBERIU--fact, fiction, metafiction
    Autor*in: Roberts, Graham
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its... mehr

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    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its aesthetics and its place within the Russian and European literary traditions. He focuses on the prose and drama of group members Daniil Kharms, Aleksandr Vvedensky, and Konstantin Vaginov; he also considers work by Nikolay Zabolotsky and Igor Bakhterev, as well as the group's most important 'fellow-traveller', Nikolay Oleinikov. He places OBERIU in the context of the aesthetic theories of the Russian formalists and the Bakhtin circle. Roberts concludes by showing how the self-conscious literature of OBERIU - its metafiction - occupies an important transitional space between modernism and postmodernism

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519628
    Weitere Identifier:
    RVK Klassifikation: KK 1470
    Schriftenreihe: Cambridge studies in Russian literature
    Schlagworte: Literature, Experimental / Soviet Union; Russian literature / 20th century / History and criticism; Literatur
    Umfang: 1 online resource (xiii, 274 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    The art of public speaking: Russian modernism and the avant-garde -- Literature as system: Russian formalism and the Bakhtin circle -- OBERIU--Nikolay Zabolotsky, Nikolay Oleinikov, and Igorʹ Bakhterev -- Carnivalizing the author? Daniil Kharms -- Writing for a miracle: Kharms's the old woman as menippean satire -- What a time to tell a story: Aleksandr Vvedensky -- Dialogues of the dead: Vvedensky's Minin and Pozharsky -- The artist as hermit: Konstantin Vaginov -- The author loses his voice: the novels of Konstantin Vaginov -- Addressing the reader: Russian modernism and the avant-garde -- Text as dialogue: from Russian formalism to the Bakhtin circle -- OBERIU and the reader: Zabolotsky, Oleinikov, Bakhterev -- Stop reading sense: the prose of Daniil Kharms

    Picture this: Christmas at the Ivanovs' by Aleksandr Vvedensky -- The reader in the text: the labours and days of Svistonov by Konstantin Vaginov -- From realism to 'real' art: Russian modernism and the avant-garde -- Neighbouring worlds, imaginary realities: the chinari -- OBERIU: the association for real art -- From the authority of language to the languages of authority: Daniil Kharms -- Language games and power play: Elizaveta Bam -- Time, death, God, and Vvedensky -- The poverty of language: Vvedensky's a certain quantity of conversations -- Worlds beyond words: Konstantin Vaginov -- Art as play: Konstantin Vaginov's Bambocciade
  2. The last Soviet avant-garde
    OBERIU--fact, fiction, metafiction
    Autor*in: Roberts, Graham
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its... mehr

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    This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its aesthetics and its place within the Russian and European literary traditions. He focuses on the prose and drama of group members Daniil Kharms, Aleksandr Vvedensky, and Konstantin Vaginov; he also considers work by Nikolay Zabolotsky and Igor Bakhterev, as well as the group's most important 'fellow-traveller', Nikolay Oleinikov. He places OBERIU in the context of the aesthetic theories of the Russian formalists and the Bakhtin circle. Roberts concludes by showing how the self-conscious literature of OBERIU - its metafiction - occupies an important transitional space between modernism and postmodernism Picture this: Christmas at the Ivanovs' by Aleksandr Vvedensky -- The reader in the text: the labours and days of Svistonov by Konstantin Vaginov -- From realism to 'real' art: Russian modernism and the avant-garde -- Neighbouring worlds, imaginary realities: the chinari -- OBERIU: the association for real art -- From the authority of language to the languages of authority: Daniil Kharms -- Language games and power play: Elizaveta Bam -- Time, death, God, and Vvedensky -- The poverty of language: Vvedensky's a certain quantity of conversations -- Worlds beyond words: Konstantin Vaginov -- Art as play: Konstantin Vaginov's Bambocciade The art of public speaking: Russian modernism and the avant-garde -- Literature as system: Russian formalism and the Bakhtin circle -- OBERIU--Nikolay Zabolotsky, Nikolay Oleinikov, and Igorʹ Bakhterev -- Carnivalizing the author? Daniil Kharms -- Writing for a miracle: Kharms's the old woman as menippean satire -- What a time to tell a story: Aleksandr Vvedensky -- Dialogues of the dead: Vvedensky's Minin and Pozharsky -- The artist as hermit: Konstantin Vaginov -- The author loses his voice: the novels of Konstantin Vaginov -- Addressing the reader: Russian modernism and the avant-garde -- Text as dialogue: from Russian formalism to the Bakhtin circle -- OBERIU and the reader: Zabolotsky, Oleinikov, Bakhterev -- Stop reading sense: the prose of Daniil Kharms

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519628
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in Russian literature
    Schlagworte: Russian literature; Literature, Experimental; Obėriu; Literature, Experimental ; Soviet Union; Russian literature ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (xiii, 274 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. The last Soviet avant-garde
    OBERIU--fact, fiction, metafiction
    Autor*in: Roberts, Graham
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its aesthetics and its place within the Russian and European literary traditions. He focuses on the prose and drama of group members Daniil Kharms, Aleksandr Vvedensky, and Konstantin Vaginov; he also considers work by Nikolay Zabolotsky and Igor Bakhterev, as well as the group's most important 'fellow-traveller', Nikolay Oleinikov. He places OBERIU in the context of the aesthetic theories of the Russian formalists and the Bakhtin circle. Roberts concludes by showing how the self-conscious literature of OBERIU - its metafiction - occupies an important transitional space between modernism and postmodernism Picture this: Christmas at the Ivanovs' by Aleksandr Vvedensky -- The reader in the text: the labours and days of Svistonov by Konstantin Vaginov -- From realism to 'real' art: Russian modernism and the avant-garde -- Neighbouring worlds, imaginary realities: the chinari -- OBERIU: the association for real art -- From the authority of language to the languages of authority: Daniil Kharms -- Language games and power play: Elizaveta Bam -- Time, death, God, and Vvedensky -- The poverty of language: Vvedensky's a certain quantity of conversations -- Worlds beyond words: Konstantin Vaginov -- Art as play: Konstantin Vaginov's Bambocciade The art of public speaking: Russian modernism and the avant-garde -- Literature as system: Russian formalism and the Bakhtin circle -- OBERIU--Nikolay Zabolotsky, Nikolay Oleinikov, and Igorʹ Bakhterev -- Carnivalizing the author? Daniil Kharms -- Writing for a miracle: Kharms's the old woman as menippean satire -- What a time to tell a story: Aleksandr Vvedensky -- Dialogues of the dead: Vvedensky's Minin and Pozharsky -- The artist as hermit: Konstantin Vaginov -- The author loses his voice: the novels of Konstantin Vaginov -- Addressing the reader: Russian modernism and the avant-garde -- Text as dialogue: from Russian formalism to the Bakhtin circle -- OBERIU and the reader: Zabolotsky, Oleinikov, Bakhterev -- Stop reading sense: the prose of Daniil Kharms

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519628
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in Russian literature
    Schlagworte: Russian literature; Literature, Experimental; Obėriu; Literature, Experimental ; Soviet Union; Russian literature ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (xiii, 274 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. The last Soviet avant-garde
    OBERIU--fact, fiction, metafiction
    Autor*in: Roberts, Graham
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its... mehr

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    This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in the 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'. Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its aesthetics and its place within the Russian and European literary traditions. He focuses on the prose and drama of group members Daniil Kharms, Aleksandr Vvedensky, and Konstantin Vaginov; he also considers work by Nikolay Zabolotsky and Igor Bakhterev, as well as the group's most important 'fellow-traveller', Nikolay Oleinikov. He places OBERIU in the context of the aesthetic theories of the Russian formalists and the Bakhtin circle. Roberts concludes by showing how the self-conscious literature of OBERIU - its metafiction - occupies an important transitional space between modernism and postmodernism.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519628
    RVK Klassifikation: KK 1470
    Schriftenreihe: Cambridge studies in Russian literature
    Schlagworte: Avantgarde; Literatur
    Umfang: 1 Online-Ressource (xiii, 274 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)