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  1. The usable past
    the imagination of history in recent fiction of the Americas
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    How can we know the past? How can we speak of it in literary forms? Why should we want to? Concentrating on the past as both the subject of fiction and as a force for inscribing fiction, The Usable Past traces the ways in which writers... mehr

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    How can we know the past? How can we speak of it in literary forms? Why should we want to? Concentrating on the past as both the subject of fiction and as a force for inscribing fiction, The Usable Past traces the ways in which writers self-consciously participate in the construction of an American canon. Successfully linking Latin American and North American fiction, Lois Zamora invokes authors as diverse in origin and manner as Carlos Fuentes and Willa Cather, Jorge Luis Borges and Nathaniel Hawthorne, and Sandra Cisneros and Mario Vargas Llosa to explore issues surrounding colonisation and independence, mestizaje and melting pot, domination and self-determination, and the ambivalence of history in a 'new' world. The Usable Past is an elegant examination of the historical attitudes and literary practices of writers located in American time and space - locations that yield insight into American literary visions and versions of history

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519581
    Weitere Identifier:
    RVK Klassifikation: HR 1819 ; IQ 00187 ; IQ 00202 ; IQ 00275
    Schlagworte: Spanish American fiction / 20th century / History and criticism; American fiction / 20th century / History and criticism; History in literature; Literature and history / America; Intertextuality; Vergangenheit <Motiv>; Geschichte <Motiv>; Geschichtsdarstellung; Geschichtsbild; Roman; Intertextualität
    Umfang: 1 online resource (xiii, 257 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    pt. I. Anxiety of origins. The usable past : history as idea in the Americas -- For the record : novels, newspapers, narration -- Ancestral presences : magical romance/magical realism -- pt. II. Intertextuality and tradition. Synchronic structures : Mario Vargas Llosa, conversations in The cathedral ; Julio Cortázar, 62 : a model kit -- Fragmentary fictions : Angelina Muñiz-Huberman, Woman hollering creek -- Clichés and community. Manual Puig : The kiss of the spider woman ; Luis Rafael Sáchez, Macho Comacho's beat -- Comparative conclusions : Baroque new worlds

  2. The usable past
    the imagination of history in recent fiction of the Americas
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    How can we know the past? How can we speak of it in literary forms? Why should we want to? Concentrating on the past as both the subject of fiction and as a force for inscribing fiction, The Usable Past traces the ways in which writers... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How can we know the past? How can we speak of it in literary forms? Why should we want to? Concentrating on the past as both the subject of fiction and as a force for inscribing fiction, The Usable Past traces the ways in which writers self-consciously participate in the construction of an American canon. Successfully linking Latin American and North American fiction, Lois Zamora invokes authors as diverse in origin and manner as Carlos Fuentes and Willa Cather, Jorge Luis Borges and Nathaniel Hawthorne, and Sandra Cisneros and Mario Vargas Llosa to explore issues surrounding colonisation and independence, mestizaje and melting pot, domination and self-determination, and the ambivalence of history in a 'new' world. The Usable Past is an elegant examination of the historical attitudes and literary practices of writers located in American time and space - locations that yield insight into American literary visions and versions of history pt. I. Anxiety of origins. The usable past : history as idea in the Americas -- For the record : novels, newspapers, narration -- Ancestral presences : magical romance/magical realism -- pt. II. Intertextuality and tradition. Synchronic structures : Mario Vargas Llosa, conversations in The cathedral ; Julio Cortázar, 62 : a model kit -- Fragmentary fictions : Angelina Muñiz-Huberman, Woman hollering creek -- Clichés and community. Manual Puig : The kiss of the spider woman ; Luis Rafael Sáchez, Macho Comacho's beat -- Comparative conclusions : Baroque new worlds

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519581
    Weitere Identifier:
    Schlagworte: History in literature; Literature and history; Intertextuality; American fiction; Spanish American fiction; Spanish American fiction ; 20th century ; History and criticism; American fiction ; 20th century ; History and criticism; History in literature; Literature and history ; America; Intertextuality
    Umfang: 1 Online-Ressource (xiii, 257 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  3. The usable past
    the imagination of history in recent fiction of the Americas
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    How can we know the past? How can we speak of it in literary forms? Why should we want to? Concentrating on the past as both the subject of fiction and as a force for inscribing fiction, The Usable Past traces the ways in which writers... mehr

    Universität Frankfurt, Elektronische Ressourcen
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    How can we know the past? How can we speak of it in literary forms? Why should we want to? Concentrating on the past as both the subject of fiction and as a force for inscribing fiction, The Usable Past traces the ways in which writers self-consciously participate in the construction of an American canon. Successfully linking Latin American and North American fiction, Lois Zamora invokes authors as diverse in origin and manner as Carlos Fuentes and Willa Cather, Jorge Luis Borges and Nathaniel Hawthorne, and Sandra Cisneros and Mario Vargas Llosa to explore issues surrounding colonisation and independence, mestizaje and melting pot, domination and self-determination, and the ambivalence of history in a 'new' world. The Usable Past is an elegant examination of the historical attitudes and literary practices of writers located in American time and space - locations that yield insight into American literary visions and versions of history.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519581
    RVK Klassifikation: IQ 00187 ; IQ 00202 ; IQ 00275 ; HU 1600
    Schlagworte: Roman; Geschichte <Motiv>
    Umfang: 1 Online-Ressource (xiii, 257 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. The usable past
    the imagination of history in recent fiction of the Americas
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    How can we know the past? How can we speak of it in literary forms? Why should we want to? Concentrating on the past as both the subject of fiction and as a force for inscribing fiction, The Usable Past traces the ways in which writers... mehr

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    How can we know the past? How can we speak of it in literary forms? Why should we want to? Concentrating on the past as both the subject of fiction and as a force for inscribing fiction, The Usable Past traces the ways in which writers self-consciously participate in the construction of an American canon. Successfully linking Latin American and North American fiction, Lois Zamora invokes authors as diverse in origin and manner as Carlos Fuentes and Willa Cather, Jorge Luis Borges and Nathaniel Hawthorne, and Sandra Cisneros and Mario Vargas Llosa to explore issues surrounding colonisation and independence, mestizaje and melting pot, domination and self-determination, and the ambivalence of history in a 'new' world. The Usable Past is an elegant examination of the historical attitudes and literary practices of writers located in American time and space - locations that yield insight into American literary visions and versions of history pt. I. Anxiety of origins. The usable past : history as idea in the Americas -- For the record : novels, newspapers, narration -- Ancestral presences : magical romance/magical realism -- pt. II. Intertextuality and tradition. Synchronic structures : Mario Vargas Llosa, conversations in The cathedral ; Julio Cortázar, 62 : a model kit -- Fragmentary fictions : Angelina Muñiz-Huberman, Woman hollering creek -- Clichés and community. Manual Puig : The kiss of the spider woman ; Luis Rafael Sáchez, Macho Comacho's beat -- Comparative conclusions : Baroque new worlds

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519581
    Weitere Identifier:
    Schlagworte: History in literature; Literature and history; Intertextuality; American fiction; Spanish American fiction; Spanish American fiction ; 20th century ; History and criticism; American fiction ; 20th century ; History and criticism; History in literature; Literature and history ; America; Intertextuality
    Umfang: 1 Online-Ressource (xiii, 257 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)