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  1. The appreciation of modern French poetry (1850-1950)
    Autor*in: Broome, Peter
    Erschienen: 1976
    Verlag:  Cambridge University Press, Cambridge

    Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the appreciation of its supremely creative use of language. Born of the belief that the proper study of poetry is the poem itself, this book seeks to concentrate on the poetic process at work on the page. Its aim is to encourage the student and the general reader to penetrate the textual richness of modern French verse where verbal artistry combines so powerfully with imaginative vision. The full introduction deals with such questions as metre and rhythm, uses of verse-form, sonority, imagery and structure, studying them not in the abstract but in particular, 'living' contexts. This leads on to detailed commentaries on individual poems illustrating, after the consideration of the problems of reading poetry in general, how one might approach poems as artistic unities in their own right. These guided commentaries are essentially an invitation to the reader to explore certain paths into the poem for himself. They do not provide a wrapped, sealed and delivered explanation; they call for and depend upon the reader's active involvement. Both the illustrations of the introduction and the commentary texts are taken from the fourteen poets who feature in the companion volume to this work, An Anthology of Modern French Poetry. In this way a complete overlap is created, and one is invited to pass from preliminary exercises in appreciation into the wider, more stimulating world of a fully balanced anthology

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519482
    Weitere Identifier:
    RVK Klassifikation: IG 5100 ; IG 5220
    Schlagworte: French poetry / 19th century / History and criticism; French poetry / 20th century / History and criticism; Lyrik; Französisch
    Umfang: 1 online resource (ix, 166 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  2. The appreciation of modern French poetry (1850-1950)
    Erschienen: 1976
    Verlag:  Cambridge University Press, Cambridge

    Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the... mehr

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    Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the appreciation of its supremely creative use of language. Born of the belief that the proper study of poetry is the poem itself, this book seeks to concentrate on the poetic process at work on the page. Its aim is to encourage the student and the general reader to penetrate the textual richness of modern French verse where verbal artistry combines so powerfully with imaginative vision. The full introduction deals with such questions as metre and rhythm, uses of verse-form, sonority, imagery and structure, studying them not in the abstract but in particular, 'living' contexts. This leads on to detailed commentaries on individual poems illustrating, after the consideration of the problems of reading poetry in general, how one might approach poems as artistic unities in their own right. These guided commentaries are essentially an invitation to the reader to explore certain paths into the poem for himself. They do not provide a wrapped, sealed and delivered explanation; they call for and depend upon the reader's active involvement. Both the illustrations of the introduction and the commentary texts are taken from the fourteen poets who feature in the companion volume to this work, An Anthology of Modern French Poetry. In this way a complete overlap is created, and one is invited to pass from preliminary exercises in appreciation into the wider, more stimulating world of a fully balanced anthology.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519482
    RVK Klassifikation: IG 5100
    Schlagworte: Französisch; Lyrik
    Umfang: 1 Online-Ressource (ix, 166 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  3. The appreciation of modern French poetry (1850-1950)
    Erschienen: 1976
    Verlag:  Cambridge University Press, Cambridge

    Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the appreciation of its supremely creative use of language. Born of the belief that the proper study of poetry is the poem itself, this book seeks to concentrate on the poetic process at work on the page. Its aim is to encourage the student and the general reader to penetrate the textual richness of modern French verse where verbal artistry combines so powerfully with imaginative vision. The full introduction deals with such questions as metre and rhythm, uses of verse-form, sonority, imagery and structure, studying them not in the abstract but in particular, 'living' contexts. This leads on to detailed commentaries on individual poems illustrating, after the consideration of the problems of reading poetry in general, how one might approach poems as artistic unities in their own right. These guided commentaries are essentially an invitation to the reader to explore certain paths into the poem for himself. They do not provide a wrapped, sealed and delivered explanation; they call for and depend upon the reader's active involvement. Both the illustrations of the introduction and the commentary texts are taken from the fourteen poets who feature in the companion volume to this work, An Anthology of Modern French Poetry. In this way a complete overlap is created, and one is invited to pass from preliminary exercises in appreciation into the wider, more stimulating world of a fully balanced anthology

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Französisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519482
    Weitere Identifier:
    Schlagworte: French poetry; French poetry; French poetry ; 19th century ; History and criticism; French poetry ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (ix, 166 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. The Appreciation of Modern French Poetry (1850-1950)
    Autor*in: Broome, Peter
    Erschienen: 1976; ©1976
    Verlag:  Cambridge University Press, Cambridge

    Cover -- Half-title -- Title -- Copyright -- Contents -- Preface -- Acknowledgements -- INTRODUCTION -- The language of poetry -- Metre and rhythm -- Uses of verse-form -- Sonority -- Words and their tones -- Imaginative vision and poetic image --... mehr

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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Cover -- Half-title -- Title -- Copyright -- Contents -- Preface -- Acknowledgements -- INTRODUCTION -- The language of poetry -- Metre and rhythm -- Uses of verse-form -- Sonority -- Words and their tones -- Imaginative vision and poetic image -- The structure of a poem -- Free-form poetry -- What is poetry? -- Suggestions for further reading -- COMMENTARIES -- Hugo -- Pasteurs et troupeaux -- Je suisfait d'ombre et de marbre... -- Nerval -- Myrtho -- Vers dorés -- Baudelaire -- Harmonie du soir -- Spleen ('Pluviôse, irrité contre la ville entière..') -- Mallarme -- Autre éventail (de Mlle Mallarmé) -- Au seul souci de voyager... -- Cros -- Conquérant -- Hiéroglyphe -- Verlaine -- Chanson d'automne -- Colloque sentimental -- Rimbaud -- Les Effarés -- Ma Bohème -- Laforgue -- Complainte de la lune en province -- L' Hiver qui vient -- Valery -- La Ceinture -- Le Cimetière marin -- Apollinaire -- La Tzigane -- Rosemonde -- Supervielle -- Montévidéo -- Haute mer -- Eluard -- L' Amoureuse -- Sans âge -- Michaux -- Icebergs -- Clown -- Desnos -- Non, l'amour n'est pas mort -- Comme une main à l'instant de la mort -- Index of poetic features.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Chesters, Graham (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519482
    Auflage/Ausgabe: 1st ed.
    Schlagworte: French poetry--19th century--History and criticism
    Umfang: 1 online resource (178 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  5. The appreciation of modern French poetry (1850-1950)
    Erschienen: 1976
    Verlag:  Cambridge University Press, Cambridge

    Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the... mehr

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek der Eberhard Karls Universität
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    Biographies of poets are often rich in human interest; manuals of literary history can be full of broad insight and suggestive parallels. But it is all too easy to let the study of French poetry drift towards lives, loves and -isms and away from the appreciation of its supremely creative use of language. Born of the belief that the proper study of poetry is the poem itself, this book seeks to concentrate on the poetic process at work on the page. Its aim is to encourage the student and the general reader to penetrate the textual richness of modern French verse where verbal artistry combines so powerfully with imaginative vision. The full introduction deals with such questions as metre and rhythm, uses of verse-form, sonority, imagery and structure, studying them not in the abstract but in particular, 'living' contexts. This leads on to detailed commentaries on individual poems illustrating, after the consideration of the problems of reading poetry in general, how one might approach poems as artistic unities in their own right. These guided commentaries are essentially an invitation to the reader to explore certain paths into the poem for himself. They do not provide a wrapped, sealed and delivered explanation; they call for and depend upon the reader's active involvement. Both the illustrations of the introduction and the commentary texts are taken from the fourteen poets who feature in the companion volume to this work, An Anthology of Modern French Poetry. In this way a complete overlap is created, and one is invited to pass from preliminary exercises in appreciation into the wider, more stimulating world of a fully balanced anthology

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Französisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519482
    Weitere Identifier:
    Schlagworte: French poetry; French poetry; French poetry ; 19th century ; History and criticism; French poetry ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource (ix, 166 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)