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  1. Pope and Horace
    studies in imitation
    Autor*in: Stack, Frank
    Erschienen: 1985
    Verlag:  Cambridge University Press, Cambridge

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through a close analysis of each Horatian poem (translated anew, for the many readers of Pope who do not know Latin), Mr Stack explores the complex and subtle intertextual relationship between Pope's Imitations and their originals. An important feature of the book is the detailed comparison with other eighteenth-century views of Horace. Two chapters on the interpretation of Horace in the seventeenth and eighteenth centuries highlight the power and originality of Pope's treatment. By drawing upon a wide range of twentieth-century criticism of Horace, Mr Stack shows that Pope's Imitations are still challenging and can make us look afresh at Horace's poems. The thrust of the book is to emphasize the radical nature of Pope's interpretation of Horace, an engagement which is both dynamic and changing. Pope responds to the most significant aspects of Horace - the treatment of human inconsistency, the explorations of the nature of the self, the movement between scepticism and idealism - and re-explores these themes in his own poetry. In their profound debt to Horace, and in their attempt to become vigorously independent from him, these Imitations stand as one of the most remarkable examples of intertextuality in English literature

     
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    Volltext (URL des Erstveröffentlichers)
  2. Pope and Horace
    studies in imitation
    Autor*in: Stack, Frank
    Erschienen: 1985
    Verlag:  Cambridge University Press, Cambridge

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through a close analysis of each Horatian poem (translated anew, for the many readers of Pope who do not know Latin), Mr Stack explores the complex and subtle intertextual relationship between Pope's Imitations and their originals. An important feature of the book is the detailed comparison with other eighteenth-century views of Horace. Two chapters on the interpretation of Horace in the seventeenth and eighteenth centuries highlight the power and originality of Pope's treatment. By drawing upon a wide range of twentieth-century criticism of Horace, Mr Stack shows that Pope's Imitations are still challenging and can make us look afresh at Horace's poems. The thrust of the book is to emphasize the radical nature of Pope's interpretation of Horace, an engagement which is both dynamic and changing. Pope responds to the most significant aspects of Horace - the treatment of human inconsistency, the explorations of the nature of the self, the movement between scepticism and idealism - and re-explores these themes in his own poetry. In their profound debt to Horace, and in their attempt to become vigorously independent from him, these Imitations stand as one of the most remarkable examples of intertextuality in English literature

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
  3. Pope and Horace
    studies in imitation
    Autor*in: Stack, Frank
    Erschienen: 1985
    Verlag:  Cambridge University Press, Cambridge

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through... mehr

    Zugang:

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through a close analysis of each Horatian poem (translated anew, for the many readers of Pope who do not know Latin), Mr Stack explores the complex and subtle intertextual relationship between Pope's Imitations and their originals. An important feature of the book is the detailed comparison with other eighteenth-century views of Horace. Two chapters on the interpretation of Horace in the seventeenth and eighteenth centuries highlight the power and originality of Pope's treatment. By drawing upon a wide range of twentieth-century criticism of Horace, Mr Stack shows that Pope's Imitations are still challenging and can make us look afresh at Horace's poems. The thrust of the book is to emphasize the radical nature of Pope's interpretation of Horace, an engagement which is both dynamic and changing. Pope responds to the most significant aspects of Horace - the treatment of human inconsistency, the explorations of the nature of the self, the movement between scepticism and idealism - and re-explores these themes in his own poetry. In their profound debt to Horace, and in their attempt to become vigorously independent from him, these Imitations stand as one of the most remarkable examples of intertextuality in English literature.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519116
    RVK Klassifikation: HK 2695
    Weitere Schlagworte: Horatius Flaccus, Quintus (v65-v8); Pope, Alexander (1688-1744): The satires and epistles of Horace imitated; Pope, Alexander (1688-1744)
    Umfang: 1 Online-Ressource (xvii, 316 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Pope and Horace
    studies in imitation
    Autor*in: Stack, Frank
    Erschienen: 1985
    Verlag:  Cambridge University Press, Cambridge

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through... mehr

    Standort:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Peace Research Institute Frankfurt, Bibliothek
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe

    Standort:
    Württembergische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through a close analysis of each Horatian poem (translated anew, for the many readers of Pope who do not know Latin), Mr Stack explores the complex and subtle intertextual relationship between Pope's Imitations and their originals. An important feature of the book is the detailed comparison with other eighteenth-century views of Horace. Two chapters on the interpretation of Horace in the seventeenth and eighteenth centuries highlight the power and originality of Pope's treatment. By drawing upon a wide range of twentieth-century criticism of Horace, Mr Stack shows that Pope's Imitations are still challenging and can make us look afresh at Horace's poems. The thrust of the book is to emphasize the radical nature of Pope's interpretation of Horace, an engagement which is both dynamic and changing. Pope responds to the most significant aspects of Horace - the treatment of human inconsistency, the explorations of the nature of the self, the movement between scepticism and idealism - and re-explores these themes in his own poetry. In their profound debt to Horace, and in their attempt to become vigorously independent from him, these Imitations stand as one of the most remarkable examples of intertextuality in English literature

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)