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  1. Expressionism and modernism in the American theatre
    bodies, voices, words
    Autor*in: Walker, Julia A.
    Erschienen: 2005
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Bayerische Staatsbibliothek
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521847478; 9780511486135; 9780521108911; 9780521847476
    Weitere Identifier:
    RVK Klassifikation: HU 1770 ; HU 1784
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge studies in American theatre and drama ; 21
    Schlagworte: American drama; Expressionism in literature; Modernism (Literature); Theater; Drama; Expressionismus
    Umfang: 1 Online-Ressource (XII, 300 S.), Ill.
  2. Expressionism and modernism in the American theatre
    bodies, voices, words
    Autor*in: Walker, Julia A.
    Erschienen: 2005
    Verlag:  Cambridge University Press, Cambridge

    Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early... mehr

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    Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism pt. I: Introduction. Bodies: actors and artistic agency on the nineteenth-century stage ; Voices: oratory, expression, and the text/performance split ; Words: copyright and the creation of the performance "text" -- pt. II: Introduction. The "unconscious autobiography" of Eugene O'Neill ; Elmer Rice and the cinematic imagination ; "I love a parade!": John Howard Lawson's minstrel burlesque of the American dream ; Sophie Treadwell's "pretty hands" -- Epilogue: "Modern times

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511486135
    Weitere Identifier:
    RVK Klassifikation: HU 1784 ; HU 1770
    Schriftenreihe: Cambridge studies in American theatre and drama ; 21
    Schlagworte: Expressionism in literature; Theater; Modernism (Literature); American drama; American drama ; 20th century ; History and criticism; Modernism (Literature) ; United States; Expressionism in literature; Theater ; United States
    Umfang: 1 Online-Ressource (xii, 300 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Expressionism and modernism in the American theatre
    bodies, voices, words
    Autor*in: Walker, Julia A.
    Erschienen: 2005
    Verlag:  Cambridge University Press, Cambridge

    Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism pt. I: Introduction. Bodies: actors and artistic agency on the nineteenth-century stage ; Voices: oratory, expression, and the text/performance split ; Words: copyright and the creation of the performance "text" -- pt. II: Introduction. The "unconscious autobiography" of Eugene O'Neill ; Elmer Rice and the cinematic imagination ; "I love a parade!": John Howard Lawson's minstrel burlesque of the American dream ; Sophie Treadwell's "pretty hands" -- Epilogue: "Modern times

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511486135
    Weitere Identifier:
    RVK Klassifikation: HU 1784 ; HU 1770
    Schriftenreihe: Cambridge studies in American theatre and drama ; 21
    Schlagworte: Expressionism in literature; Theater; Modernism (Literature); American drama; American drama ; 20th century ; History and criticism; Modernism (Literature) ; United States; Expressionism in literature; Theater ; United States
    Umfang: 1 Online-Ressource (xii, 300 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Expressionism and modernism in the American theatre
    bodies, voices, words
    Autor*in: Walker, Julia A.
    Erschienen: 2005
    Verlag:  Cambridge University Press, Cambridge

    Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early... mehr

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    Universitätsbibliothek Gießen
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    Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511486135
    RVK Klassifikation: HU 1770
    Schriftenreihe: Cambridge studies in American theatre and drama ; 21
    Schlagworte: Theater; Expressionismus; Moderne
    Umfang: 1 Online-Ressource (xii, 300 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)