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  1. Gender, theatre, and the origins of criticism
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of... mehr

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    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483578
    Weitere Identifier:
    RVK Klassifikation: HK 1975 ; HK 2521
    Schlagworte: Geschichte; Literatur; Wissen; Criticism / Great Britain / History / 18th century; English literature / History and criticism / Theory, etc; Criticism / Great Britain / History / 17th century; English drama / History and criticism / Theory, etc; Sex role in literature; Sex in literature; Dramatikerin; Theaterkritik
    Weitere Schlagworte: Manley / Mrs / (Mary de la Rivière) / 1663-1724 / Knowledge / Literature; Dryden, John / 1631-1700 / Knowledge / Literature; Dryden, John / 1631-1700 / Influence; Trotter, Catharine (1679-1749); Dryden, John (1631-1700); Manley, Mary DeLaRivière (1663-1724); Behn, Aphra (1640-1689)
    Umfang: 1 online resource (ix, 175 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature
  2. Gender, theatre, and the origins of criticism from Dryden to Manley
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511021119; 0511120958; 0511483570; 0521818109; 9780511021114; 9780511120954; 9780511483578; 9780521818100
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Geschichte; Literatur; Wissen; Criticism; English literature; Criticism; English drama; Sex role in literature; Sex in literature; Theaterkritik; Dramatikerin
    Weitere Schlagworte: Manley / Mrs / 1663-1724 / Manley, Mary de la Rivière; Dryden, John / 1631-1700; Manley Mrs (1663-1724); Dryden, John (1631-1700); Dryden, John (1631-1700); Behn, Aphra (1640-1689); Dryden, John (1631-1700); Trotter, Catharine (1679-1749); Manley, Mary DeLaRivière (1663-1724)
    Umfang: 1 Online-Ressource (ix, 175 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 163-172) and index

    The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature
  3. Gender, theatre, and the origins of criticism from Dryden to Manley
    from Dryden to Manley
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK

    Frank explores the theoretical and literary legacy of Dryden to a number of prominent women writers of the time. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine... mehr

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Frank explores the theoretical and literary legacy of Dryden to a number of prominent women writers of the time. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521818100; 0521818109; 0511021119; 9780511021114; 0511120958; 9780511120954; 9780511483578; 0511483570
    Schlagworte: Criticism; English literature; Criticism; English drama; Sex role in literature; Sex in literature; English literature; Criticism; English drama; Criticism; Criticism; English literature; Criticism; English drama; Sex role in literature; Sex in literature; LITERARY CRITICISM ; Semiotics & Theory; Literature; Criticism; English literature ; Theory, etc; Influence (Literary, artistic, etc.); Sex in literature; Sex role in literature; Criticism, interpretation, etc; History; Literature
    Weitere Schlagworte: Manley 1663-1724; Dryden, John 1631-1700; Dryden, John 1631-1700; Dryden, John (1631-1700); Manley Mrs (1663-1724); Dryden, John (1631-1700); Dryden, John (1631-1700); Manley Mrs (1663-1724); Dryden, John (1631-1700); Manley 1663-1724; Dryden, John 1631-1700; Dryden, John; Manley
    Umfang: Online Ressource (ix, 175 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 163-172) and index. - Description based on print version record

    The critical stage"Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature.
  4. Gender, theatre, and the origins of criticism
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
  5. Gender, theatre, and the origins of criticism
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of... mehr

    Zugang:

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483578
    Schlagworte: Theaterkritik; Dramatikerin
    Weitere Schlagworte: Dryden, John (1631-1700); Behn, Aphra (1640-1689); Trotter, Catharine (1679-1749); Manley, Mary DeLaRivière (1663-1724)
    Umfang: 1 Online-Ressource (ix, 175 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. Gender, theatre, and the origins of criticism from Dryden to Manley
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Frank explores the theoretical and literary legacy of Dryden to a number of prominent women writers of the time. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    Frank explores the theoretical and literary legacy of Dryden to a number of prominent women writers of the time. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511021119; 9780511021114; 9780521818100; 0521818109; 0511120958; 9780511120954; 9780511483578; 0511483570; 9780511054525; 0511054521; 1280159790; 9781280159794
    Umfang: 1 Online-Ressource (ix, 175 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 163-172) and index
  7. Gender, theatre, and the origins of criticism
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)