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  1. Masculinity, gender and identity in the English Renaissance lyric
    Autor*in: Bates, Catherine
    Erschienen: 2007; September 2009
    Verlag:  Cambridge University Press, Cambridge

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483455
    Weitere Identifier:
    Schlagworte: Männlichkeit <Motiv>; Lyrik; Identität <Motiv>; Englisch; Renaissance; Geschlechterrolle <Motiv>
    Umfang: 1 Online-Ressource(viii, 263 Seiten)
    Bemerkung(en):

    "Online publication date: September 2009" - Startseite CambridgeCore
  2. Masculinity, gender and identity in the English Renaissance lyric
    Autor*in: Bates, Catherine
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483455
    Weitere Identifier:
    RVK Klassifikation: HI 1220 ; HI 1249
    Schlagworte: Masculinity in literature; Identity (Philosophical concept) in literature; English poetry / Early modern, 1500-1700 / History and criticism; Geschlechterrolle <Motiv>; Lyrik; Mann <Motiv>; Englisch
    Umfang: 1 online resource (viii, 263 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- Masochism in Astrophil and Stella -- Fort! Da! The phallus in 'What tongue can her perfections tell?' -- Abjection and melancholia in The Ocean to Cynthia -- Feminine identifications in A Lover's complaint -- The lesbian phallus in Sapho to Philaenis
  3. Masculinity, gender and identity in the English Renaissance lyric
    Autor*in: Bates, Catherine
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large Introduction -- Masochism in Astrophil and Stella -- Fort! Da! The phallus in 'What tongue can her perfections tell?' -- Abjection and melancholia in The Ocean to Cynthia -- Feminine identifications in A Lover's complaint -- The lesbian phallus in Sapho to Philaenis

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483455
    Weitere Identifier:
    RVK Klassifikation: HI 1161 ; HI 1249
    Schlagworte: English poetry; Identity (Philosophical concept) in literature; Masculinity in literature; Masculinity in literature; Identity (Philosophical concept) in literature; English poetry ; Early modern, 1500-1700 ; History and criticism
    Umfang: 1 Online-Ressource (viii, 263 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Masculinity, gender and identity in the English Renaissance lyric
    Autor*in: Bates, Catherine
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers... mehr

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    Standort:
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    Standort:
    Universitätsbibliothek Gießen
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    In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483455
    Umfang: 1 Online-Ressource (viii, 263 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  5. Masculinity, gender and identity in the English Renaissance lyric
    Autor*in: Bates, Catherine
    Erschienen: 2007; September 2009
    Verlag:  Cambridge University Press, Cambridge

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483455
    Weitere Identifier:
    Schlagworte: Renaissance; Lyrik; Männlichkeit <Motiv>; Geschlechterrolle <Motiv>; Identität <Motiv>; Englisch; Englisch; Lyrik; Männlichkeit <Motiv>; Geschlechterrolle <Motiv>; Identität <Motiv>; Geschichte 1420-1600
    Umfang: 1 Online-Ressource(viii, 263 Seiten)
    Bemerkung(en):

    "Online publication date: September 2009" - Startseite CambridgeCore
  6. Masculinity, gender and identity in the English Renaissance lyric
    Autor*in: Bates, Catherine
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers... mehr

    Standort:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large Introduction -- Masochism in Astrophil and Stella -- Fort! Da! The phallus in 'What tongue can her perfections tell?' -- Abjection and melancholia in The Ocean to Cynthia -- Feminine identifications in A Lover's complaint -- The lesbian phallus in Sapho to Philaenis

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483455
    Weitere Identifier:
    RVK Klassifikation: HI 1161 ; HI 1249
    Schlagworte: English poetry; Identity (Philosophical concept) in literature; Masculinity in literature; Masculinity in literature; Identity (Philosophical concept) in literature; English poetry ; Early modern, 1500-1700 ; History and criticism
    Umfang: 1 Online-Ressource (viii, 263 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)