Introduction /Ian Duncan, Leith Davis, Janet Sorensen --Coleridge, Hume, and the chains of the romantic imagination /Cairns Craig --The pathos of abstraction : Adam Smith, Ossian, and Samuel Johnson /Ian Duncan --Antiquarianism, the Scottish science...
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Introduction /Ian Duncan, Leith Davis, Janet Sorensen --Coleridge, Hume, and the chains of the romantic imagination /Cairns Craig --The pathos of abstraction : Adam Smith, Ossian, and Samuel Johnson /Ian Duncan --Antiquarianism, the Scottish science of man, and the emergence of modern disciplinarity /Susan Manning --Melancholy, memory, and the "narrative situation" of history in post-enlightenment Scotland /Ina Ferris --Scott, the Scottish enlightenment, and romantic Orientalism /James Watt --Walter Scott's romantic postmodernity /Jerome McGann --Putting down the rising /John Barrell --Joanna Baillie stages the nation /Alyson Bardsley --William Wordsworth and William Cobbett : Scotch travel and British reform /Peter J. Manning --Burns's topographies /Penny Fielding --At "sang about" : Scottish song and the challenge to British culture /Leith Davis --Romantic spinstrelsy : Anne Bannerman and the sexual politics of the ballad /Adriana Craciun --"Thefause nourice sang" : childhood, child murder, and the formalism of the Scottish ballad revival /Ann Wierda Rowland. This is the first book devoted to Scottish writing between 1745 and 1830 - a key period comprising both the Scottish Enlightenment and Romanticism in British literary history. Essays by leading scholars from Scotland, England, Canada and the USA, address a range of major figures and topics
