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  1. Tan men/pale women
    color and gender in archaic Greece and Egypt, a comparative approach
    Autor*in: Eaverly, Mary Ann
    Erschienen: [2013]; © 2013
    Verlag:  The University of Michigan Press, Ann Arbor

    "One of the most obvious stylistic features of Athenian black-figure vase painting is the use of color to differentiate women from men. By comparing ancient art in Egypt and Greece, Tan Man/Pale Women uncovers the complex history behind the use of... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek, Archäologische Bibliothek
    Signatur:
    LG 7550 E14
    Fernleihe:
    keine Fernleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 A 6777
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    ARCH-IA EAVE
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bt 3109
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "One of the most obvious stylistic features of Athenian black-figure vase painting is the use of color to differentiate women from men. By comparing ancient art in Egypt and Greece, Tan Man/Pale Women uncovers the complex history behind the use of color to distinguish between genders, without focusing on race. Author Mary Ann Eaverly considers the significance of this overlooked aspect of ancient art as an indicator of underlying societal ideals about the role and status of women. Such a commonplace method of gender differentiation proved to be a complex and multivalent method for expressing ideas about the relationship between men and women, a method flexible enough to encompass differing worldviews of Pharaonic Egypt and Archaic Greece. Does the standard indoor/outdoor explanation--women are light because they stay indoors--hold true everywhere, or even, in fact, in Greece? How "natural" is color-based gender differentiation, and, more critically, what relationship does color-based gender differentiation have to views about women and the construction of gender identity in the ancient societies that use it? The depiction of dark men and light women can, as in Egypt, symbolize reconcilable opposites and, as in Greece, seemingly irreconcilable opposites where women are regarded as a distinct species from men. Eaverly challenges traditional ideas about color and gender in ancient Greek painting, reveals an important strategy used by Egyptian artists to support pharaonic ideology and the role of women as complementary opposites to men, and demonstrates that rather than representing an actual difference, skin color marks a society's ideological view of the varied roles of male and female"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780472119110
    RVK Klassifikation: LE 5552 ; LG 7550 ; NH 5290
    Schlagworte: Gender identity in art; Human skin color in art; Polychromy; Vase-painting, Greek
    Umfang: viii, 181 Seiten, IIllustrationen
    Bemerkung(en):

    Literaturverz. S. 159 - 175

    Egypt : Establishing the Norm-Old Kingdom PrecedentsEgypt : The Exception That Proves the Rule-Hatshepsut and Akhenaten -- Greece : Establishing the Norm-the Road to Attic Black Figure -- Greece : The Exception That Proves the Rule-Attic Red Figure.
  2. Tan men/pale women
    color and gender in archaic Greece and Egypt, a comparative approach
    Autor*in: Eaverly, Mary Ann
    Erschienen: [2013]; © 2013
    Verlag:  The University of Michigan Press, Ann Arbor

    "One of the most obvious stylistic features of Athenian black-figure vase painting is the use of color to differentiate women from men. By comparing ancient art in Egypt and Greece, Tan Man/Pale Women uncovers the complex history behind the use of... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek, Archäologische Bibliothek
    Signatur:
    LG 7550 E14
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2014/528
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 A 6777
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    ARCH-IA EAVE
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2014 C 942
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bt 3109
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    65/13271
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Tübingen, Bereichsbibliothek Schloss Nord
    Signatur:
    ÄGY Dd Eave 1
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "One of the most obvious stylistic features of Athenian black-figure vase painting is the use of color to differentiate women from men. By comparing ancient art in Egypt and Greece, Tan Man/Pale Women uncovers the complex history behind the use of color to distinguish between genders, without focusing on race. Author Mary Ann Eaverly considers the significance of this overlooked aspect of ancient art as an indicator of underlying societal ideals about the role and status of women. Such a commonplace method of gender differentiation proved to be a complex and multivalent method for expressing ideas about the relationship between men and women, a method flexible enough to encompass differing worldviews of Pharaonic Egypt and Archaic Greece. Does the standard indoor/outdoor explanation--women are light because they stay indoors--hold true everywhere, or even, in fact, in Greece? How "natural" is color-based gender differentiation, and, more critically, what relationship does color-based gender differentiation have to views about women and the construction of gender identity in the ancient societies that use it? The depiction of dark men and light women can, as in Egypt, symbolize reconcilable opposites and, as in Greece, seemingly irreconcilable opposites where women are regarded as a distinct species from men. Eaverly challenges traditional ideas about color and gender in ancient Greek painting, reveals an important strategy used by Egyptian artists to support pharaonic ideology and the role of women as complementary opposites to men, and demonstrates that rather than representing an actual difference, skin color marks a society's ideological view of the varied roles of male and female"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780472119110
    RVK Klassifikation: LE 5552 ; LG 7550 ; NH 5290
    Schlagworte: Gender identity in art; Human skin color in art; Polychromy; Vase-painting, Greek; Gender identity in art; Human skin color in art; Polychromy; Vase-painting, Greek; HISTORY / Ancient / Greece; HISTORY / Ancient / Egypt; SOCIAL SCIENCE / Gender Studies; ART / History / Ancient & Classical
    Umfang: viii, 181 Seiten, IIllustrationen
    Bemerkung(en):

    Literaturverz. S. 159 - 175

    Egypt : Establishing the Norm-Old Kingdom PrecedentsEgypt : The Exception That Proves the Rule-Hatshepsut and Akhenaten -- Greece : Establishing the Norm-the Road to Attic Black Figure -- Greece : The Exception That Proves the Rule-Attic Red Figure.