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  1. Transforming Vòdún
    musical change and postcolonial healing in Benin's jazz and brass band music
    Autor*in: Politz, Sarah
    Erschienen: 2023
    Verlag:  University of Michigan Press, Ann Arbor

    "Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial trauma through music and ritual. Based on fieldwork in Benin, France, and New York City, Sarah Politz uses historical ethnography, music analysis, and participant observation to examine three case studies of brass band and jazz musicians from Benin. The multi-sited nature of this study highlights the importance of mobility, and diasporic connections in musicians' professional lives, while grounding these connections in the particularities of the African continent, its histories, its people, and its present."

     
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  2. Transforming Vòdún
    musical change and postcolonial healing in Benin's jazz and brass band music
    Autor*in: Politz, Sarah.
    Erschienen: 2023; ©2023
    Verlag:  University of Michigan Press, Ann Arbor

    Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial... mehr

     

    Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial trauma through music and ritual. Based on fieldwork in Benin, France, and New York City, Sarah Politz uses historical ethnography, music analysis, and participant observation to examine three case studies of brass band and jazz musicians from Benin. The multi-sited nature of this study highlights the importance of mobility, and diasporic connections in musicians' professional lives, while grounding these connections in the particularities of the African continent, its histories, its people, and its present

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780472075966; 9780472055968
    Schriftenreihe: Musics in motion
    Schlagworte: Vodou music; Jazz; Brass band music; Music; Vodou; Postcolonialism and music; MUSIC / Ethnomusicology; RELIGION / General; French; Jazz; Jazz; MUSIC / Genres & Styles / General; MUSIC / Genres & Styles / Jazz; MUSIC / Instruction & Study / Theory; Musikwissenschaft und Musiktheorie; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POL045000; Französisch; Religion & beliefs; Religion und Glaube; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Sociology of Religion; Social & cultural anthropology, ethnography; Sozial- und Kulturanthropologie, Ethnographie; Theory of music & musicology; Unterhaltungsmusik, Popmusik
    Umfang: pages cm
    Bemerkung(en):

    Includes bibliographical references (pages 219-229) and index

    List of IllustrationsFon-language Pronunciation GuideAcknowledgmentsIntroductionPart I: Multiple Temporalities1. History and Healing in VÒdÚn Practice, Power, and Value2. Making la Musique Moderne: Cultural Renaissance in Postcolonial BeninPart II: Transforming VÒdÚn3. GangbÉ Brass Band: Producing VÒdÚn, Producing Livelihood4. Eyo nlÉ Brass Band: Transforming the Blues5. Jomion and the Uklos: Hwedo-Jazz and VÒdÚn in the New African DiasporaConclusion: Trauma, Translation, TransformationBibliographyGlossary