Includes bibliographic references and index
Sandra Ponzanesi and Marguerite Waller: Introduction
Sandra Ponzanesi and Marguerite Waller: pt. I: Cinemas of empire. Introduction to part I
Ruth Ben-Ghiat: Italian fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic
Julie Codell: Blackface, faciality, and colony nostalgia in 1930s empire films
Anikó Imre: The socialist historical film
Sandra Ponzanesi and Marguerite Waller: pt. II: Postcolonial cinemas: unframing histories. Introduction to part II
Hamish Ford: From otherness "over there" to virtual presence: Camp de Thiaroye, The battle of Algiers, Hidden
Jude G. Akudinobi: Fraught frames: Fatima, l'algérienne de Dakar and postcolonial quandaries
Mireille Rosello: Postcolonial relationalities in Philippe Faucon's Dans la vie
Mariam B. Lam: The postcolonial condition of "Indochinese" cinema from Việt Nam, Cambodia, and Laos
Sandra Ponzanesi and Marguerite Waller: pt. III: Postcolonial cinemas: postcolonial aesthetics. Introduction to part III
Paulo de Medeiros: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation
Sabine Doran: The aesthetics of postcolonial cinema in Raul Ruiz's Three crowns of the sailor
Marguerite Waller: The postcolonial circus: Maurizio Nichetti's Luna e l'altra
Sandra Ponzanesi: Postcolonial adaptations: gained and lost in translation
Sandra Ponzanesi and Marguerite Waller: pt. IV: Postcolonial cinemas and globalization. Introduction to part IV
Shohini Chaudhuri: Unpeople: postcolonial reflections on terror, torture, and detention in Children of men
Kanika Batra and Rich Rice: Mira Nair's Monsoon wedding and the transcoded audiologic of postcolonial convergence
Claudia Hoffmann: Nollywood in transit: the globalization of Nigerian video culture
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