Includes bibliographic references and index Sandra Ponzanesi and Marguerite Waller: Introduction Sandra Ponzanesi and Marguerite Waller: pt. I: Cinemas of empire. Introduction to part I Ruth Ben-Ghiat: Italian fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic Julie Codell: Blackface, faciality, and colony nostalgia in 1930s empire films Anikó Imre: The socialist historical film Sandra Ponzanesi and Marguerite Waller: pt. II: Postcolonial cinemas: unframing histories. Introduction to part II Hamish Ford: From otherness "over there" to virtual presence: Camp de Thiaroye, The battle of Algiers, Hidden Jude G. Akudinobi: Fraught frames: Fatima, l'algérienne de Dakar and postcolonial quandaries Mireille Rosello: Postcolonial relationalities in Philippe Faucon's Dans la vie Mariam B. Lam: The postcolonial condition of "Indochinese" cinema from Việt Nam, Cambodia, and Laos Sandra Ponzanesi and Marguerite Waller: pt. III: Postcolonial cinemas: postcolonial aesthetics. Introduction to part III Paulo de Medeiros: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation Sabine Doran: The aesthetics of postcolonial cinema in Raul Ruiz's Three crowns of the sailor Marguerite Waller: The postcolonial circus: Maurizio Nichetti's Luna e l'altra Sandra Ponzanesi: Postcolonial adaptations: gained and lost in translation Sandra Ponzanesi and Marguerite Waller: pt. IV: Postcolonial cinemas and globalization. Introduction to part IV Shohini Chaudhuri: Unpeople: postcolonial reflections on terror, torture, and detention in Children of men Kanika Batra and Rich Rice: Mira Nair's Monsoon wedding and the transcoded audiologic of postcolonial convergence Claudia Hoffmann: Nollywood in transit: the globalization of Nigerian video culture |
