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  1. Psyche and Symbol in the Theater of Federico Garcia Lorca
    Perlimplin, Yerma, Blood Wedding
    Autor*in: Allen, Rupert C
    Erschienen: [2021]
    Verlag:  University of Texas Press, Austin

    Frontmatter -- CONTENTS -- PREFACE -- Part One. Psyche and Symbol in Perlimplin -- Part Two. A Psychological Commentary on Yerma -- Part Three. A Symbological Commentary on Blood Wedding -- BIBLIOGRAPHY -- INDEX Symbol and psyche are twin concepts in... mehr

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    Frontmatter -- CONTENTS -- PREFACE -- Part One. Psyche and Symbol in Perlimplin -- Part Two. A Psychological Commentary on Yerma -- Part Three. A Symbological Commentary on Blood Wedding -- BIBLIOGRAPHY -- INDEX Symbol and psyche are twin concepts in contemporary symbological studies, where the symbol is considered to be a "statement" by the psyche. The psyche is a manifold of conscious and unconscious contents, and the symbol is their mediator. Because Lorca's dramatic characters are psychic entities made up of both conscious and unconscious elements, they unfold, grow, and meet their fate in a dense realm of shifting symbols. In Psyche and Symbol in the Theater of Federico García Lorca, Rupert Allen analyzes symbologically three dramatic works of Lorca. He has found Perlimplín to be a good deal more complex in both psyche and symbol than it has been admitted to be. Yerma involves psychological complications that have not been considered in the light of modern critical analysis, and the symbolic reaches ofBlood Wedding have until this book remained largely unexplored. Lorca was no stranger to the "agony of creation," and this struggle sometimes appears symbolically in the form of his dramatic characters. Both Yerma and Blood Wedding reflect specific problems underlying the creative act, for they are "translations" into the realm of sexuality of the creative turmoil experienced by Lorca the poet. Perlimplín portrays the paradoxical suicide as a self-murder born out of the futile attempt to create not a poem, but a self. Previous criticism of these three plays has been dominated by critical assumptions that are transcended by Lorca's own twentieth-century mentality. Allen's analysis provides a new view of Lorca as a dramatist and presents new material to students of symbology

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9780292762237
    Weitere Identifier:
    Schlagworte: Drama; Drama--Psychological aspects; Symbolism (Psychology); Symbolism in literature; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (234 p)
  2. Psyche and Symbol in the Theater of Federico Garcia Lorca
    Perlimplin, Yerma, Blood Wedding
    Autor*in: Allen, Rupert C.
    Erschienen: [2021]; © 1974
    Verlag:  University of Texas Press, Austin

    Symbol and psyche are twin concepts in contemporary symbological studies, where the symbol is considered to be a "statement" by the psyche. The psyche is a manifold of conscious and unconscious contents, and the symbol is their mediator. Because... mehr

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    Symbol and psyche are twin concepts in contemporary symbological studies, where the symbol is considered to be a "statement" by the psyche. The psyche is a manifold of conscious and unconscious contents, and the symbol is their mediator. Because Lorca's dramatic characters are psychic entities made up of both conscious and unconscious elements, they unfold, grow, and meet their fate in a dense realm of shifting symbols. In Psyche and Symbol in the Theater of Federico García Lorca, Rupert Allen analyzes symbologically three dramatic works of Lorca. He has found Perlimplín to be a good deal more complex in both psyche and symbol than it has been admitted to be. Yerma involves psychological complications that have not been considered in the light of modern critical analysis, and the symbolic reaches ofBlood Wedding have until this book remained largely unexplored. Lorca was no stranger to the "agony of creation," and this struggle sometimes appears symbolically in the form of his dramatic characters. Both Yerma and Blood Wedding reflect specific problems underlying the creative act, for they are "translations" into the realm of sexuality of the creative turmoil experienced by Lorca the poet. Perlimplín portrays the paradoxical suicide as a self-murder born out of the futile attempt to create not a poem, but a self. Previous criticism of these three plays has been dominated by critical assumptions that are transcended by Lorca's own twentieth-century mentality. Allen's analysis provides a new view of Lorca as a dramatist and presents new material to students of symbology

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292762237
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / General; Drama; Drama--Psychological aspects; Symbolism (Psychology); Symbolism in literature
    Umfang: 1 Online-Ressource (234 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
  3. Psyche and Symbol in the Theater of Federico Garcia Lorca
    Perlimplin, Yerma, Blood Wedding
    Autor*in: Allen, Rupert C.
    Erschienen: [1974]; ©1974
    Verlag:  University of Texas Press, Austin ; Walter de Gruyter GmbH, Berlin

    Symbol and psyche are twin concepts in contemporary symbological studies, where the symbol is considered to be a "statement" by the psyche. The psyche is a manifold of conscious and unconscious contents, and the symbol is their mediator. Because... mehr

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    Symbol and psyche are twin concepts in contemporary symbological studies, where the symbol is considered to be a "statement" by the psyche. The psyche is a manifold of conscious and unconscious contents, and the symbol is their mediator. Because Lorca's dramatic characters are psychic entities made up of both conscious and unconscious elements, they unfold, grow, and meet their fate in a dense realm of shifting symbols. In Psyche and Symbol in the Theater of Federico García Lorca, Rupert Allen analyzes symbologically three dramatic works of Lorca. He has found Perlimplín to be a good deal more complex in both psyche and symbol than it has been admitted to be. Yerma involves psychological complications that have not been considered in the light of modern critical analysis, and the symbolic reaches ofBlood Wedding have until this book remained largely unexplored. Lorca was no stranger to the "agony of creation," and this struggle sometimes appears symbolically in the form of his dramatic characters. Both Yerma and Blood Wedding reflect specific problems underlying the creative act, for they are "translations" into the realm of sexuality of the creative turmoil experienced by Lorca the poet. Perlimplín portrays the paradoxical suicide as a self-murder born out of the futile attempt to create not a poem, but a self. Previous criticism of these three plays has been dominated by critical assumptions that are transcended by Lorca's own twentieth-century mentality. Allen's analysis provides a new view of Lorca as a dramatist and presents new material to students of symbology.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292762237
    Weitere Identifier:
    Schlagworte: Drama; Drama--Psychological aspects; Symbolism (Psychology); Symbolism in literature; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (234 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
  4. Psyche and symbol in the theater of Federico García Lorca
    Perlimplín, Yerma, Blood wedding
    Autor*in: Allen, Rupert C.
    Erschienen: [1974]
    Verlag:  University of Texas Press, Austin

    Preface -- Part One. Psyche and Symbol in Perlimplin -- Part Two. A Psychological Commentary on Yerma -- Part Three. A Symbological Commentary on Blood Wedding -- Bibliography -- Index mehr

    Standort:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Preface -- Part One. Psyche and Symbol in Perlimplin -- Part Two. A Psychological Commentary on Yerma -- Part Three. A Symbological Commentary on Blood Wedding -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292762237
    Schlagworte: Symbolism (Psychology); Symbolism in literature; Drama; Drama--Psychological aspects; Electronic books
    Weitere Schlagworte: García Lorca, Federico (1898-1936)
    Umfang: Online-Ressource (x, 224 pages)
    Bemerkung(en):

    Includes bibliographical references (p. [213]-220)

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction