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  1. John Wayne's world
    transnational masculinity in the fifties
    Autor*in: Meeuf, Russell
    Erschienen: c 2013
    Verlag:  Univ. of Texas Press, Austin, Tex.

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780292747463
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Motion picture industry; Masculinity in motion pictures; Motion pictures and globalization; Nineteen fifties
    Weitere Schlagworte: Wayne, John (1907-1979)
    Umfang: X, 213 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (pages 199 - 205) and index

    Introduction: reexamining John WayneThe emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.

    Introduction: reexamining John Wayne -- The emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.
  2. John Wayne's world
    transnational masculinity in the fifties
    Autor*in: Meeuf, Russell
    Erschienen: 2013
    Verlag:  Univ. of Texas Press, Austin, Tex.

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780292747463
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Geschichte; Motion picture industry; Masculinity in motion pictures; Motion pictures and globalization; Nineteen fifties; Männlichkeit <Motiv>; Film
    Weitere Schlagworte: Wayne, John (1907-1979); Wayne, John (1907-1979)
    Umfang: X, 213 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  3. John Wayne's world
    transnational masculinity in the fifties
    Autor*in: Meeuf, Russell
    Erschienen: 2013
    Verlag:  University of Texas Press, Austin

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292747463; 9780292747470
    Auflage/Ausgabe: 1st ed
    Schlagworte: Geschichte; Motion picture industry; Masculinity in motion pictures; Motion pictures and globalization; Nineteen fifties; Männlichkeit <Motiv>; Film
    Weitere Schlagworte: Wayne, John (1907-1979); Wayne, John (1907-1979)
    Umfang: x, 213 p.
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: reexamining John Wayne -- The emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world
  4. John Wayne's world
    transnational masculinity in the fifties
    Autor*in: Meeuf, Russell
    Erschienen: c 2013
    Verlag:  Univ. of Texas Press, Austin, Tex.

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 898553
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2014 A 1935
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780292747463
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Motion picture industry; Masculinity in motion pictures; Motion pictures and globalization; Nineteen fifties
    Weitere Schlagworte: Wayne, John (1907-1979)
    Umfang: X, 213 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (pages 199 - 205) and index

    Introduction: reexamining John WayneThe emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.

    Introduction: reexamining John Wayne -- The emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.