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  1. The culture of the case
    madness, crime, and justice in modern German art
    Autor*in: Schwartz, Frederic J.
    Erschienen: [2023]; © 2023
    Verlag:  The MIT Press, Cambridge, Massachusetts

    How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed.In early twentieth-century Germany, the artistic... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2023:4334:
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 C 1963
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Germanisches Nationalmuseum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    UB Weimar
    Signatur:
    Ih 2100/31
    Fernleihe:
    keine Fernleihe

     

    How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed.In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a “case” provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time. As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called “mad” shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images—in some instances, as cases—functioned at a key moment of modernity.

     
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  2. The culture of the case
    madness, crime, and justice in modern German art
    Autor*in: Schwartz, Frederic J.
    Erschienen: [2023]; © 2023
    Verlag:  The MIT Press, Cambridge, Massachusetts

    How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed.In early twentieth-century Germany, the artistic... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed.In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a “case” provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time. As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called “mad” shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images—in some instances, as cases—functioned at a key moment of modernity.

     
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  3. The culture of the case
    madness, crime, and justice in modern German art
    Autor*in: Schwartz, Frederic J.
    Erschienen: [2023]; © 2023
    Verlag:  The MIT Press, Cambridge, Massachusetts ; London, England

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780262047708
    RVK Klassifikation: LK 10352
    Schlagworte: Avantgarde; Kriminalfall; Literatur; Kriminalität <Motiv>; Justiz; Presse; Kunst; Architekturtheorie
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); Panizza, Oskar (1853-1921); Grosz, George (1893-1959); Schlichter, Rudolf (1890-1955); Loos, Adolf (1870-1933)
    Umfang: 423 Seiten, Illustrationen
  4. <<The>> culture of the case
    madness, crime, and justice in modern german art
    Autor*in: Schwartz, Frederic J
    Erschienen: [2023]; © 2023
    Verlag:  The MIT Press, Cambridge, Massachusetts ; London, England

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262047708
    Schlagworte: Deutschland; Avantgarde; Kunst; Architekturtheorie; Literatur; Kriminalität <Motiv>; Kriminalfall; Justiz; Psychopathologie; Geschichte 1905-1931; Loos, Adolf; Grosz, George; Schlichter, Rudolf; Brecht, Bertolt
    Umfang: 423 Seiten, Illustrationen
  5. The culture of the case
    madness, crime, and justice in modern German art
    Autor*in: Schwartz, Frederic J.
    Erschienen: [2023]; © 2023
    Verlag:  The MIT Press, Cambridge, Massachusetts ; London, England

    Standort:
    Archiv der Akademie der Künste, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780262047708
    RVK Klassifikation: LK 10352
    Schlagworte: Avantgarde; Kriminalfall; Literatur; Kriminalität <Motiv>; Justiz; Presse; Kunst; Architekturtheorie
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); Panizza, Oskar (1853-1921); Grosz, George (1893-1959); Schlichter, Rudolf (1890-1955); Loos, Adolf (1870-1933)
    Umfang: 423 Seiten, Illustrationen