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  1. Total expansion of the letter
    avant-garde art and language after Mallarmé
    Autor*in: Stark, Trevor
    Erschienen: [2020]
    Verlag:  The MIT Press, Cambridge, Massachusetts

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score -- Duchamp's idle chance : finance, gambling, and the right to laziness -- Conclusion : Every revolution is a throw of the dice. "The avant-garde owed much of its fascination and doubts about language to the poet Stéphane Mallarmé (1842-1898) and his utopian call for a "total expansion of the letter." While Mallarmé aspired to remake language itself for a secular and democratic future, his poetry undermined the capacity of words to hold stable meaning in the present. The avant-gardes obsessed over his enigmatic poem, A Throw of the Dice Never Will Abolish Chance (1897), in which words exploded across the pages of the book in intertwining visual patterns that opened almost infinite possibilities for reading. Most significantly, Mallarmé's poetry and prose, Stark demonstrates, developed a radical philosophy of language that confronted the status of aesthetics under capitalism, the intertwinement of the arts, the temporality of reception, and the centrality of chance in both the word and the world. Total Expansion of the Letter tells the story of Mallarmé's gamble and its role in shaping the invention of avant-garde art. Toward this end, Stark crosses the borders between the nineteenth and twentieth centuries; between art, poetry, dance, and music; and between art history, philosophy, and political economy. From foundational modernist artworks to forgotten fragments, this book grapples with topics including Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the "hope of an anonymous art" that the cubists pursued in newspaper collages and industrial colors; the collaborative invention of cacophonic "simultaneous poems" in Zurich Dada during the First World War; and Duchamp's artistic experimentations with chance, as they propelled him into the casino and the financial markets. Each of these cases, Total Expansion of the Letter establishes, turned on the avant-garde's transformative encounter with the vertiginous premise of Mallarmé's poetics: that the very medium of human communication and community, language, is perpetually in flux and haunted by emptiness"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262043717
    Schriftenreihe: An October book
    Schlagworte: Art; Chance in art; Arts
    Weitere Schlagworte: Mallarmé, Stéphane (1842-1898)
    Umfang: xiv, 420 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  2. Total expansion of the letter
    avant-garde art and language after Mallarmé
    Autor*in: Stark, Trevor
    Erschienen: [2020]; © 2020
    Verlag:  The MIT Press, Cambridge, Massachusetts

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2020:5032:
    keine Fernleihe
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    14.20 2020
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Heidelberg
    2020 C 2056
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    KUN:TA:8050:b::2020
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    kun 059.5 DL 0762
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score -- Duchamp's idle chance : finance, gambling, and the right to laziness -- Conclusion : Every revolution is a throw of the dice. "The avant-garde owed much of its fascination and doubts about language to the poet Stéphane Mallarmé (1842-1898) and his utopian call for a "total expansion of the letter." While Mallarmé aspired to remake language itself for a secular and democratic future, his poetry undermined the capacity of words to hold stable meaning in the present. The avant-gardes obsessed over his enigmatic poem, A Throw of the Dice Never Will Abolish Chance (1897), in which words exploded across the pages of the book in intertwining visual patterns that opened almost infinite possibilities for reading. Most significantly, Mallarmé's poetry and prose, Stark demonstrates, developed a radical philosophy of language that confronted the status of aesthetics under capitalism, the intertwinement of the arts, the temporality of reception, and the centrality of chance in both the word and the world. Total Expansion of the Letter tells the story of Mallarmé's gamble and its role in shaping the invention of avant-garde art. Toward this end, Stark crosses the borders between the nineteenth and twentieth centuries; between art, poetry, dance, and music; and between art history, philosophy, and political economy. From foundational modernist artworks to forgotten fragments, this book grapples with topics including Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the "hope of an anonymous art" that the cubists pursued in newspaper collages and industrial colors; the collaborative invention of cacophonic "simultaneous poems" in Zurich Dada during the First World War; and Duchamp's artistic experimentations with chance, as they propelled him into the casino and the financial markets. Each of these cases, Total Expansion of the Letter establishes, turned on the avant-garde's transformative encounter with the vertiginous premise of Mallarmé's poetics: that the very medium of human communication and community, language, is perpetually in flux and haunted by emptiness"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262043717
    Schriftenreihe: An October book
    Schlagworte: Art; Chance in art; Arts
    Weitere Schlagworte: Mallarmé, Stéphane (1842-1898)
    Umfang: xiv, 420 Seiten, Illustrationen
  3. Total expansion of the letter
    avant-garde art and language after Mallarmé
    Autor*in: Stark, Trevor
    Erschienen: [2020]; © 2020
    Verlag:  The MIT Press, Cambridge, Massachusetts ; London, England

    "The avant-garde owed much of its fascination and doubts about language to the poet Stéphane Mallarmé (1842-1898) and his utopian call for a "total expansion of the letter." While Mallarmé aspired to remake language itself for a secular and... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The avant-garde owed much of its fascination and doubts about language to the poet Stéphane Mallarmé (1842-1898) and his utopian call for a "total expansion of the letter." While Mallarmé aspired to remake language itself for a secular and democratic future, his poetry undermined the capacity of words to hold stable meaning in the present. The avant-gardes obsessed over his enigmatic poem, A Throw of the Dice Never Will Abolish Chance (1897), in which words exploded across the pages of the book in intertwining visual patterns that opened almost infinite possibilities for reading. Most significantly, Mallarmé's poetry and prose, Stark demonstrates, developed a radical philosophy of language that confronted the status of aesthetics under capitalism, the intertwinement of the arts, the temporality of reception, and the centrality of chance in both the word and the world. Total Expansion of the Letter tells the story of Mallarmé's gamble and its role in shaping the invention of avant-garde art. Toward this end, Stark crosses the borders between the nineteenth and twentieth centuries; between art, poetry, dance, and music; and between art history, philosophy, and political economy. From foundational modernist artworks to forgotten fragments, this book grapples with topics including Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the "hope of an anonymous art" that the cubists pursued in newspaper collages and industrial colors; the collaborative invention of cacophonic "simultaneous poems" in Zurich Dada during the First World War; and Duchamp's artistic experimentations with chance, as they propelled him into the casino and the financial markets. Each of these cases, Total Expansion of the Letter establishes, turned on the avant-garde's transformative encounter with the vertiginous premise of Mallarmé's poetics: that the very medium of human communication and community, language, is perpetually in flux and haunted by emptiness"--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9780262043717
    RVK Klassifikation: CC 6900 ; IG 6805 ; LH 61100
    Schriftenreihe: October books
    Schlagworte: Dadaismus; Avantgarde; Kubismus; Ästhetik; Kunst; Sprache
    Weitere Schlagworte: Duchamp, Marcel (1887-1968); Picasso, Pablo (1881-1973); Mallarmé, Stéphane (1842-1898); Art / Language; Mallarmé, Stéphane / 1842-1898 / Criticism and interpretation; Chance in art; Arts / Experimental methods; Mallarmé, Stéphane / 1842-1898; Art / Language; Arts / Experimental methods; Chance in art; Criticism, interpretation, etc
    Umfang: xiv, 420 Seiten, Illustrationen
    Bemerkung(en):

    Dissertation, Harvard University, 2016

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score -- Duchamp's idle chance : finance, gambling, and the right to laziness -- Conclusion : Every revolution is a throw of the dice

  4. Total expansion of the letter
    avant-garde art and language after Mallarmé
    Autor*in: Stark, Trevor
    Erschienen: [2020]; © 2020
    Verlag:  The MIT Press, Cambridge, Massachusetts ; London, England

    "The avant-garde owed much of its fascination and doubts about language to the poet Stéphane Mallarmé (1842-1898) and his utopian call for a "total expansion of the letter." While Mallarmé aspired to remake language itself for a secular and... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    "The avant-garde owed much of its fascination and doubts about language to the poet Stéphane Mallarmé (1842-1898) and his utopian call for a "total expansion of the letter." While Mallarmé aspired to remake language itself for a secular and democratic future, his poetry undermined the capacity of words to hold stable meaning in the present. The avant-gardes obsessed over his enigmatic poem, A Throw of the Dice Never Will Abolish Chance (1897), in which words exploded across the pages of the book in intertwining visual patterns that opened almost infinite possibilities for reading. Most significantly, Mallarmé's poetry and prose, Stark demonstrates, developed a radical philosophy of language that confronted the status of aesthetics under capitalism, the intertwinement of the arts, the temporality of reception, and the centrality of chance in both the word and the world. Total Expansion of the Letter tells the story of Mallarmé's gamble and its role in shaping the invention of avant-garde art. Toward this end, Stark crosses the borders between the nineteenth and twentieth centuries; between art, poetry, dance, and music; and between art history, philosophy, and political economy. From foundational modernist artworks to forgotten fragments, this book grapples with topics including Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the "hope of an anonymous art" that the cubists pursued in newspaper collages and industrial colors; the collaborative invention of cacophonic "simultaneous poems" in Zurich Dada during the First World War; and Duchamp's artistic experimentations with chance, as they propelled him into the casino and the financial markets. Each of these cases, Total Expansion of the Letter establishes, turned on the avant-garde's transformative encounter with the vertiginous premise of Mallarmé's poetics: that the very medium of human communication and community, language, is perpetually in flux and haunted by emptiness"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9780262043717
    RVK Klassifikation: CC 6900 ; IG 6805 ; LH 61100
    Schriftenreihe: October books
    Schlagworte: Dadaismus; Avantgarde; Kubismus; Ästhetik; Kunst; Sprache
    Weitere Schlagworte: Duchamp, Marcel (1887-1968); Picasso, Pablo (1881-1973); Mallarmé, Stéphane (1842-1898); Art / Language; Mallarmé, Stéphane / 1842-1898 / Criticism and interpretation; Chance in art; Arts / Experimental methods; Mallarmé, Stéphane / 1842-1898; Art / Language; Arts / Experimental methods; Chance in art; Criticism, interpretation, etc
    Umfang: xiv, 420 Seiten, Illustrationen
    Bemerkung(en):

    Dissertation, Harvard University, 2016

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score -- Duchamp's idle chance : finance, gambling, and the right to laziness -- Conclusion : Every revolution is a throw of the dice

  5. Total expansion of the letter
    avant-garde art and language after Mallarmé
    Autor*in: Stark, Trevor
    Erschienen: [2020]
    Verlag:  The MIT Press, Cambridge, Massachusetts ; London, England

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score... mehr

    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/CUF 2020 A
    keine Fernleihe

     

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score -- Duchamp's idle chance : finance, gambling, and the right to laziness -- Conclusion : Every revolution is a throw of the dice. "The avant-garde owed much of its fascination and doubts about language to the poet Stéphane Mallarmé (1842-1898) and his utopian call for a "total expansion of the letter." While Mallarmé aspired to remake language itself for a secular and democratic future, his poetry undermined the capacity of words to hold stable meaning in the present. The avant-gardes obsessed over his enigmatic poem, A Throw of the Dice Never Will Abolish Chance (1897), in which words exploded across the pages of the book in intertwining visual patterns that opened almost infinite possibilities for reading. Most significantly, Mallarmé's poetry and prose, Stark demonstrates, developed a radical philosophy of language that confronted the status of aesthetics under capitalism, the intertwinement of the arts, the temporality of reception, and the centrality of chance in both the word and the world. Total Expansion of the Letter tells the story of Mallarmé's gamble and its role in shaping the invention of avant-garde art. Toward this end, Stark crosses the borders between the nineteenth and twentieth centuries; between art, poetry, dance, and music; and between art history, philosophy, and political economy. From foundational modernist artworks to forgotten fragments, this book grapples with topics including Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the "hope of an anonymous art" that the cubists pursued in newspaper collages and industrial colors; the collaborative invention of cacophonic "simultaneous poems" in Zurich Dada during the First World War; and Duchamp's artistic experimentations with chance, as they propelled him into the casino and the financial markets.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780262043717
    Schriftenreihe: October books
    Schlagworte: Avantgarde; Kunst; Ästhetik; Sprache
    Weitere Schlagworte: Mallarmé, Stéphane (1842-1898); Mallarmé, Stéphane / 1842-1898 / Criticism and interpretation; Art / Language; Chance in art; Arts / Experimental methods
    Umfang: xiv, 420 Seiten, Illustrationen
  6. Total expansion of the letter
    Avant-Garde Art and language after Mallarmé
    Autor*in: Stark, Trevor
    Erschienen: [2020]
    Verlag:  The MIT Press, Cambridge, Massachusetts

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262043717
    Schriftenreihe: October books
    Schlagworte: Mallarmé, Stéphane; Avantgarde; Sprache; Kunst; Ästhetik;
    Umfang: xiv, 420 Seiten, Illustrationen
  7. Total expansion of the letter
    avant-garde art and language after Mallarmé
    Autor*in: Stark, Trevor
    Erschienen: [2020]; © 2020
    Verlag:  The MIT Press, Cambridge, Massachusetts

    Universität Mainz, Zentralbibliothek
    296.548
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0262043718; 9780262043717
    RVK Klassifikation: IG 6805
    Schriftenreihe: An October book
    Schlagworte: Avantgarde; Sprache; Kunst; Ästhetik
    Weitere Schlagworte: Mallarmé, Stéphane (1842-1898)
    Umfang: XIV, 420 Seiten, Illustrationen
  8. Total expansion of the letter
    avant-garde art and language after Mallarmé
    Autor*in: Stark, Trevor
    Erschienen: [2020]
    Verlag:  The MIT Press, Cambridge, Massachusetts ; London, England

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score... mehr

    Kunst- und Museumsbibliothek der Stadt Köln
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : In the interregnum : Mallarmé and the avant-gardes -- The muted object : structure and writing in cubism -- Anonymous art : impersonal language and industrial color -- Simultaneity and totality : from Mallarmé's Livre to the dada score -- Duchamp's idle chance : finance, gambling, and the right to laziness -- Conclusion : Every revolution is a throw of the dice "The avant-garde owed much of its fascination and doubts about language to the poet Stéphane Mallarmé (1842-1898) and his utopian call for a "total expansion of the letter." While Mallarmé aspired to remake language itself for a secular and democratic future, his poetry undermined the capacity of words to hold stable meaning in the present. The avant-gardes obsessed over his enigmatic poem, A Throw of the Dice Never Will Abolish Chance (1897), in which words exploded across the pages of the book in intertwining visual patterns that opened almost infinite possibilities for reading. Most significantly, Mallarmé's poetry and prose, Stark demonstrates, developed a radical philosophy of language that confronted the status of aesthetics under capitalism, the intertwinement of the arts, the temporality of reception, and the centrality of chance in both the word and the world.^ Total Expansion of the Letter tells the story of Mallarmé's gamble and its role in shaping the invention of avant-garde art. Toward this end, Stark crosses the borders between the nineteenth and twentieth centuries; between art, poetry, dance, and music; and between art history, philosophy, and political economy. From foundational modernist artworks to forgotten fragments, this book grapples with topics including Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the "hope of an anonymous art" that the cubists pursued in newspaper collages and industrial colors; the collaborative invention of cacophonic "simultaneous poems" in Zurich Dada during the First World War; and Duchamp's artistic experimentations with chance, as they propelled him into the casino and the financial markets.^

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262043717
    Schriftenreihe: October books
    Schlagworte: Art / Language; Chance in art; Arts / Experimental methods
    Weitere Schlagworte: Mallarmé, Stéphane / 1842-1898 / Criticism and interpretation
    Umfang: xiv, 420 Seiten, Illustrationen