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  1. The elocutionists
    women, music, and the spoken word
    Autor*in: Kimber, Marian Wilson
    Erschienen: [2017]; © 2017
    Verlag:  University of Illinois Press, Urbana ; Chicaco ; Springfield

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre...dominated by women...achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre...dominated by women...achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780252040719; 9780252082221
    RVK Klassifikation: LR 57716
    Schriftenreihe: Music in American life
    Schlagworte: MUSIC / History & Criticism; SOCIAL SCIENCE / Women's Studies; Geschichte; Oral interpretation; Elocutionists; Women and literature; Women and literature; Women performance artists; Music theater; Readers' theater; Choral speaking; Oral reading; MUSIC / History & Criticism; SOCIAL SCIENCE / Women's Studies; Deklamation; Frau; Musiktheater
    Umfang: xvii, 324 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Includes bibliographical references and index
  2. The elocutionists
    women, music, and the spoken word
    Autor*in: Kimber, Marian Wilson
    Erschienen: 2017
    Verlag:  University of Illinois Press, Urbana

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780252082221; 9780252040719
    RVK Klassifikation: LR 57716
    Schriftenreihe: Music in American life
    Schlagworte: Oral interpretation; Elocutionists; Women and literature; Women and literature; Women performance artists; Music theater; Readers' theater; Choral speaking; Oral reading
    Umfang: xvii, 324 pages, illustrations, 25 cm
    Bemerkung(en):

    Includes bibliographical references (pages 257-310) and index
  3. The elocutionists
    women, music, and the spoken word
    Autor*in: Kimber, Marian Wilson
    Erschienen: 2017
    Verlag:  University of Illinois Press, Urbana

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    8 A 5820
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Musik, Theater und Medien Hannover, Bibliothek
    Signatur:
    Mus 03 c.69
    Fernleihe:
    keine Fernleihe

     

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780252082221; 9780252040719
    RVK Klassifikation: LR 57716
    Schriftenreihe: Music in American life
    Schlagworte: Oral interpretation; Elocutionists; Women and literature; Women and literature; Women performance artists; Music theater; Readers' theater; Choral speaking; Oral reading
    Umfang: xvii, 324 pages, illustrations, 25 cm
    Bemerkung(en):

    Includes bibliographical references (pages 257-310) and index