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Frontmatter -- Contents -- Acknowledgments -- Introduction: Poetry and the Demon of History -- Dickinson’s Nothings -- Verse Chronicle: Song and Dance -- Verse Chronicle: Collateral Damage -- The Iliad, Reloaded (Alice Oswald) -- The Beasts and the Bees (Carol Ann Duffy) -- Two Gents (August Kleinzahler and William Stafford) -- Kipling Old and New -- Frost at Letters -- Verse Chronicle: Seeing the Elephant -- Verse Chronicle: Civil Power -- Seven Types of Ambivalence: On Donald Justice -- A Literary Friendship (Donald Justice and Richard Stern) -- Randall Jarrell at the Y -- Flowers of Evil (David Lehman) -- Verse Chronicle: The Glory Days -- Verse Chronicle: Doing as the Romans Do -- Meeting Mr. Hill -- The Death of Geoffrey Hill -- Two Strangers (Marie Ponsot and Ishion Hutchinson) -- The Jill Bialosky Case -- Jill Bialosky, New Revelations -- Verse Chronicle: Under the Skin -- Verse Chronicle: Foreign Affairs -- Mrs. Custer’s Tennyson -- Sent to Coventry (Larkin’s “I Remember, I Remember”) -- The State of Criticism (On Being Asked to Write on the “State of Criticism”) -- The Perils of Reviewing (On Being Asked, “What Are the Perils of Criticism?”) -- Verse Chronicle: Home and Away -- Verse Chronicle: Hither and Yon -- Pound’s China / Pound’s Cathay -- Interview with Jonathan Hobratsch (2015) -- Afterword: The Way We Live Now -- Permissions -- Books Under Review -- Index of Authors Reviewed In Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page.Broken Ground also presents the latest run of Logan’s infamous poetry chronicles and reviews, which for twenty-five years have bedeviled American verse. Logan believes that poetry criticism must be both adventurous and forthright—and that no reader should settle for being told that every poet is a genius. Among the poets under review by the “preeminent poet-critic of his generation” and “most hated man in American poetry” are Anne Carson, Jorie Graham, Paul Muldoon, John Ashbery, Geoffrey Hill, Louise Glück, John Berryman, Marianne Moore, Frederick Seidel, Les Murray, Yusef Komunyakaa, Sharon Olds, Johnny Cash, James Franco, and the former archbishop of Canterbury.Logan’s criticism stands on the broken ground of poetry, soaked in history and soiled by it. These essays and reviews work in the deep undercurrents of our poetry, judging the weak and the strong but finding in weakness and strength what endures
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