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  1. Photo Poetics
    Chinese Lyricism and Modern Media Culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]
    Verlag:  Columbia University Press, New York, NY

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Refashioning the Self -- CHAPTER 1 Multiplying the Self Staging Fantasies and Cultural Personas -- CHAPTER 2 Envoicing the Paper Mirror Autobiographical Moments -- Part II Emotions... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Refashioning the Self -- CHAPTER 1 Multiplying the Self Staging Fantasies and Cultural Personas -- CHAPTER 2 Envoicing the Paper Mirror Autobiographical Moments -- Part II Emotions in Transit -- CHAPTER 3 The Social Life of Emotions Photography and the Singularity of the Gift -- CHAPTER 4 Summoning Zhenzhen Circulation of the Tropes of the Beauty, the Skull, and the Nude -- Part III Worldly and Otherworldly Visions -- CHAPTER 5 In Search of Soul Psychical Studies and Spirit Photography -- CHAPTER 6 The Shadows of Poetry Mediating “Interior Landscapes” -- CHAPTER 7 Inscribing Remembrance Lyrical and Technological Envisioning of the Past -- Epilogue -- Notes -- Index Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world?Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities

     
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    ISBN: 9780231549714
    Weitere Identifier:
    Schriftenreihe: Global Chinese Culture
    Schlagworte: Chinese poetry; Chinese poetry; Literature and photography; Photography in literature; LITERARY CRITICISM / Asian / Chinese
    Umfang: 1 Online-Ressource, 107 b&w photographs
  2. Photo Poetics
    Chinese lyricism and modern media culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]
    Verlag:  Columbia University Press, New York

    Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional... mehr

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    Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Intro -- Table of Contents -- Acknowledgments -- Introduction -- Part I: Refashioning the Self -- 1. Multiplying the Self: Staging Fantasies and Cultural Personas -- 2. Envoicing the Paper Mirror: Autobiographical Moments -- Part II: Emotions in Transit -- 3. The Social Life of Emotions: Photography and the Singularity of the Gift -- 4. Summoning Zhenzhen: Circulation of the Tropes of the Beauty, the Skull, and the Nude -- Part III: Worldly and Otherworldly Visions -- 5. In Search of Soul: Psychical Studies and Spirit Photography -- 6. The Shadows of Poetry: Mediating "Interior Landscapes" -- 7. Inscribing Remembrance: Lyrical and Technological Envisioning of the Past -- Epilogue -- Notes -- Index.

     
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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9780231549714
    Schriftenreihe: Global Chinese Culture
    Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (xiv, 364 Seiten)
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  3. Photo poetics
    Chinese lyricism and modern media culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]; © 2020
    Verlag:  Columbia University Press, New York

    Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered... mehr

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    Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world?Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities

     
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    ISBN: 9780231549714
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    Schriftenreihe: Global Chinese culture
    Schlagworte: LITERARY CRITICISM / Asian / Chinese; Chinese poetry; Chinese poetry; Literature and photography; Photography in literature; Lyrik; Fotografie; Chinesisch
    Umfang: 1 Online-Ressource (XIV, 364 Seiten), Illustrationen
  4. Photo Poetics
    Chinese Lyricism and Modern Media Culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]
    Verlag:  Columbia University Press, New York, NY

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Refashioning the Self -- CHAPTER 1 Multiplying the Self Staging Fantasies and Cultural Personas -- CHAPTER 2 Envoicing the Paper Mirror Autobiographical Moments -- Part II Emotions... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Refashioning the Self -- CHAPTER 1 Multiplying the Self Staging Fantasies and Cultural Personas -- CHAPTER 2 Envoicing the Paper Mirror Autobiographical Moments -- Part II Emotions in Transit -- CHAPTER 3 The Social Life of Emotions Photography and the Singularity of the Gift -- CHAPTER 4 Summoning Zhenzhen Circulation of the Tropes of the Beauty, the Skull, and the Nude -- Part III Worldly and Otherworldly Visions -- CHAPTER 5 In Search of Soul Psychical Studies and Spirit Photography -- CHAPTER 6 The Shadows of Poetry Mediating “Interior Landscapes” -- CHAPTER 7 Inscribing Remembrance Lyrical and Technological Envisioning of the Past -- Epilogue -- Notes -- Index Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world?Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities

     
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    ISBN: 9780231549714
    Weitere Identifier:
    Schriftenreihe: Global Chinese Culture
    Schlagworte: Chinese poetry; Chinese poetry; Literature and photography; Photography in literature; LITERARY CRITICISM / Asian / Chinese
    Umfang: 1 Online-Ressource, 107 b&w photographs
  5. Photo poetics
    Chinese lyricism and modern media culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]; © 2020
    Verlag:  Columbia University Press, New York

    Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered... mehr

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    Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world?Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities

     
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    Format: Online
    ISBN: 9780231549714
    Weitere Identifier:
    RVK Klassifikation: AP 94262 ; EG 9565
    Schriftenreihe: Global Chinese culture
    Schlagworte: LITERARY CRITICISM / Asian / Chinese; Chinese poetry; Chinese poetry; Literature and photography; Photography in literature; Chinesisch; Fotografie; Lyrik
    Umfang: 1 Online-Ressource (XIV, 364 Seiten), Illustrationen
  6. Photo Poetics
    Chinese lyricism and modern media culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]
    Verlag:  Columbia University Press, New York

    Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional... mehr

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    Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Intro -- Table of Contents -- Acknowledgments -- Introduction -- Part I: Refashioning the Self -- 1. Multiplying the Self: Staging Fantasies and Cultural Personas -- 2. Envoicing the Paper Mirror: Autobiographical Moments -- Part II: Emotions in Transit -- 3. The Social Life of Emotions: Photography and the Singularity of the Gift -- 4. Summoning Zhenzhen: Circulation of the Tropes of the Beauty, the Skull, and the Nude -- Part III: Worldly and Otherworldly Visions -- 5. In Search of Soul: Psychical Studies and Spirit Photography -- 6. The Shadows of Poetry: Mediating "Interior Landscapes" -- 7. Inscribing Remembrance: Lyrical and Technological Envisioning of the Past -- Epilogue -- Notes -- Index.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    Format: Online
    ISBN: 9780231549714
    Schriftenreihe: Global Chinese Culture
    Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (xiv, 364 Seiten)
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    Description based on publisher supplied metadata and other sources
  7. Photo Poetics
    Chinese Lyricism and Modern Media Culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]; ©2020
    Verlag:  Columbia University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered... mehr

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    Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world?Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities.

     
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    ISBN: 9780231549714
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    Schriftenreihe: Global Chinese Culture
    Umfang: 1 Online-Ressource, 107 b&w photographs
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021)
  8. Photo poetics
    Chinese lyricism and modern media culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]
    Verlag:  Columbia University Press, New York ; ProQuest, Ann Arbor, Michigan

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  9. Photo poetics
    Chinese lyricism and modern media culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]
    Verlag:  Columbia University Press, New York ; ProQuest, Ann Arbor, Michigan

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