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  1. Art cinema and India's forgotten futures
    film and history in the postcolony
    Autor*in: Majumdar, Rochona
    Erschienen: [2021]; © 2021
    Verlag:  Columbia University Press, New York

    "In the years following Indian independence in 1947, art cinema was seen as central to the development and future of the new nation. Filmmakers like Satyajit Ray came to the fore as did a host of film societies and publications aimed at promoting a... mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In the years following Indian independence in 1947, art cinema was seen as central to the development and future of the new nation. Filmmakers like Satyajit Ray came to the fore as did a host of film societies and publications aimed at promoting a new kind of film culture that would offer a distinct alternative to the popular movies coming out of Bombay. Indian art film would not only bring the new nation international prestige but would create responsible and discerning individuals capable of exercising and combining aesthetic and political judgments. Good films, it was believed, could produce good citizens. However, as Rochona Majumdar argues, the liberal faith of progress championed by Indian elites in the 1950s and early 1960s would soon unravel as the promises of postcolonial development, justice, and prosperity receded, giving rise to civil unrest and political violence. Rather than promoting a progressive view of history, the three leading Indian filmmakers of the period - Mrinal Sen, Ritwik Ghatak, and Satyajit Ray -- communicated a sense of a postcolonial present characterized by multiple contradictory possibilities. Ray, Sen, and Ghatak's disillusionment from their prior commitment to filmmaking as integral to the development of India anticipated a new way of conceiving ideas of postcolonial history and time that anticipated later works by historians and theorists. Ultimately, these three filmmakers stand out for acknowledging that the postcolonial consensus was in disarray, and with it art cinema's previous certainty about its pedagogic, political, and historic purpose"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231201049; 9780231201056
    Schlagworte: New wave films; Postcolonialism in motion pictures; Motion picture producers and directors; Motion pictures
    Weitere Schlagworte: Ghatak, Ritwikkumar (1925-1976); Sen, Mrinal (1923-2018); Ray, Satyajit (1921-1992)
    Umfang: viii, 307 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 281-294

    Part 1: The History of art cinema. Art cinema : the Indian career of a global category -- The "new" Indian cinema : journeys of the art film -- Debating radical cinema : a history of the film society movement -- Part 2: Art films as history. Ritwik Ghatak and the overcoming of history -- "Anger and After" : history, political cinema, and Mrinal Sen -- The untimely filmmaker : Ray's city trilogy and a crisis of historicism -- Epilogue: Art cinema and our present.
  2. Art cinema and India's forgotten futures
    film and history in the postcolony
    Autor*in: Majumdar, Rochona
    Erschienen: [2021]; © 2021
    Verlag:  Columbia University Press, New York

    "In the years following Indian independence in 1947, art cinema was seen as central to the development and future of the new nation. Filmmakers like Satyajit Ray came to the fore as did a host of film societies and publications aimed at promoting a... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In the years following Indian independence in 1947, art cinema was seen as central to the development and future of the new nation. Filmmakers like Satyajit Ray came to the fore as did a host of film societies and publications aimed at promoting a new kind of film culture that would offer a distinct alternative to the popular movies coming out of Bombay. Indian art film would not only bring the new nation international prestige but would create responsible and discerning individuals capable of exercising and combining aesthetic and political judgments. Good films, it was believed, could produce good citizens. However, as Rochona Majumdar argues, the liberal faith of progress championed by Indian elites in the 1950s and early 1960s would soon unravel as the promises of postcolonial development, justice, and prosperity receded, giving rise to civil unrest and political violence. Rather than promoting a progressive view of history, the three leading Indian filmmakers of the period - Mrinal Sen, Ritwik Ghatak, and Satyajit Ray -- communicated a sense of a postcolonial present characterized by multiple contradictory possibilities. Ray, Sen, and Ghatak's disillusionment from their prior commitment to filmmaking as integral to the development of India anticipated a new way of conceiving ideas of postcolonial history and time that anticipated later works by historians and theorists. Ultimately, these three filmmakers stand out for acknowledging that the postcolonial consensus was in disarray, and with it art cinema's previous certainty about its pedagogic, political, and historic purpose"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231201049; 9780231201056
    RVK Klassifikation: AP 44965 ; AP 59465
    Schlagworte: Nouvelle vague; Postkolonialismus
    Weitere Schlagworte: Ghatak, Ritwikkumar / 1925-1976; Sen, Mrinal / 1923-2018; Ray, Satyajit / 1921-1992; New wave films / India / History and criticism; Postcolonialism in motion pictures; Motion picture producers and directors / India; Motion pictures / India / History / 20th century
    Umfang: viii, 307 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 281-294
  3. Art cinema and India's forgotten futures
    film and history in the postcolony
    Autor*in: Majumdar, Rochona
    Erschienen: [2021]; © 2021
    Verlag:  Columbia University Press, New York

    "In the years following Indian independence in 1947, art cinema was seen as central to the development and future of the new nation. Filmmakers like Satyajit Ray came to the fore as did a host of film societies and publications aimed at promoting a... mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Signatur:
    2021/913
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
    Signatur:
    219 kul 2022/75
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Signatur:
    bestellt
    Fernleihe:
    keine Fernleihe

     

    "In the years following Indian independence in 1947, art cinema was seen as central to the development and future of the new nation. Filmmakers like Satyajit Ray came to the fore as did a host of film societies and publications aimed at promoting a new kind of film culture that would offer a distinct alternative to the popular movies coming out of Bombay. Indian art film would not only bring the new nation international prestige but would create responsible and discerning individuals capable of exercising and combining aesthetic and political judgments. Good films, it was believed, could produce good citizens. However, as Rochona Majumdar argues, the liberal faith of progress championed by Indian elites in the 1950s and early 1960s would soon unravel as the promises of postcolonial development, justice, and prosperity receded, giving rise to civil unrest and political violence. Rather than promoting a progressive view of history, the three leading Indian filmmakers of the period - Mrinal Sen, Ritwik Ghatak, and Satyajit Ray -- communicated a sense of a postcolonial present characterized by multiple contradictory possibilities. Ray, Sen, and Ghatak's disillusionment from their prior commitment to filmmaking as integral to the development of India anticipated a new way of conceiving ideas of postcolonial history and time that anticipated later works by historians and theorists. Ultimately, these three filmmakers stand out for acknowledging that the postcolonial consensus was in disarray, and with it art cinema's previous certainty about its pedagogic, political, and historic purpose"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231201049; 9780231201056
    Schlagworte: New wave films; Postcolonialism in motion pictures; Motion picture producers and directors; Motion pictures
    Weitere Schlagworte: Ghatak, Ritwikkumar (1925-1976); Sen, Mrinal (1923-2018); Ray, Satyajit (1921-1992)
    Umfang: viii, 307 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 281-294

    Part 1: The History of art cinema. Art cinema : the Indian career of a global category -- The "new" Indian cinema : journeys of the art film -- Debating radical cinema : a history of the film society movement -- Part 2: Art films as history. Ritwik Ghatak and the overcoming of history -- "Anger and After" : history, political cinema, and Mrinal Sen -- The untimely filmmaker : Ray's city trilogy and a crisis of historicism -- Epilogue: Art cinema and our present.
  4. Art cinema and India's forgotten futures
    film and history in the postcolony
    Autor*in: Majumdar, Rochona
    Erschienen: [2021]; © 2021
    Verlag:  Columbia University Press, New York

    "In the years following Indian independence in 1947, art cinema was seen as central to the development and future of the new nation. Filmmakers like Satyajit Ray came to the fore as did a host of film societies and publications aimed at promoting a... mehr

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signatur:
    14/K.a. 83. 22
    Fernleihe:
    keine Fernleihe

     

    "In the years following Indian independence in 1947, art cinema was seen as central to the development and future of the new nation. Filmmakers like Satyajit Ray came to the fore as did a host of film societies and publications aimed at promoting a new kind of film culture that would offer a distinct alternative to the popular movies coming out of Bombay. Indian art film would not only bring the new nation international prestige but would create responsible and discerning individuals capable of exercising and combining aesthetic and political judgments. Good films, it was believed, could produce good citizens. However, as Rochona Majumdar argues, the liberal faith of progress championed by Indian elites in the 1950s and early 1960s would soon unravel as the promises of postcolonial development, justice, and prosperity receded, giving rise to civil unrest and political violence. Rather than promoting a progressive view of history, the three leading Indian filmmakers of the period - Mrinal Sen, Ritwik Ghatak, and Satyajit Ray -- communicated a sense of a postcolonial present characterized by multiple contradictory possibilities. Ray, Sen, and Ghatak's disillusionment from their prior commitment to filmmaking as integral to the development of India anticipated a new way of conceiving ideas of postcolonial history and time that anticipated later works by historians and theorists. Ultimately, these three filmmakers stand out for acknowledging that the postcolonial consensus was in disarray, and with it art cinema's previous certainty about its pedagogic, political, and historic purpose

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231201049; 9780231201056
    Schlagworte: Nouvelle vague; Postkolonialismus; New wave films; Postcolonialism in motion pictures; Motion picture producers and directors; Motion pictures
    Weitere Schlagworte: Ghatak, Ritwikkumar (1925-1976); Sen, Mrinal (1923-2018); Ray, Satyajit (1921-1992)
    Umfang: viii, 307 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 281-294

    Part 1: The History of art cinema. Art cinema : the Indian career of a global category -- The "new" Indian cinema : journeys of the art film -- Debating radical cinema : a history of the film society movement -- Part 2: Art films as history. Ritwik Ghatak and the overcoming of history -- "Anger and After" : history, political cinema, and Mrinal Sen -- The untimely filmmaker : Ray's city trilogy and a crisis of historicism -- Epilogue: Art cinema and our present