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  1. Making worlds
    affect and collectivity in contemporary European cinema
    Autor*in: Breger, Claudia
    Erschienen: 2020
    Verlag:  Columbia University Press, New York

    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or,... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akın's The Cut and Ari Kaurismäki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World --Epilogue: Reconfiguring Resistance. "The twenty-first century has seen an intensification of racial violence, religious chauvinism, class division, and the politics of hatred in the West. In Making Worlds, Claudia Breger argues that contemporary European arthouse cinema provides ways of thinking about and producing new types of collectivities in response to these political trends. In readings of key contemporary European films such as Michael Haneke's The White Ribbon, Aki Kaurismaki's Le Havre, and Inarritu's Biutiful, Breger examines the ways in which these films produce unexpected and frequently destabilizing affects that invite viewers to imagine new connections among individuals. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with positive alternatives. Instead, they produce new sensibilities, responses, and affects among viewers that allow them to see the world in new ways"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231194181
    Schlagworte: Motion pictures; Motion pictures
    Umfang: 336 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  2. Making worlds
    affect and collectivity in contemporary European cinema
    Autor*in: Breger, Claudia
    Erschienen: 2020
    Verlag:  Columbia University Press, New York

    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or,... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 97188
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akın's The Cut and Ari Kaurismäki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World --Epilogue: Reconfiguring Resistance. "The twenty-first century has seen an intensification of racial violence, religious chauvinism, class division, and the politics of hatred in the West. In Making Worlds, Claudia Breger argues that contemporary European arthouse cinema provides ways of thinking about and producing new types of collectivities in response to these political trends. In readings of key contemporary European films such as Michael Haneke's The White Ribbon, Aki Kaurismaki's Le Havre, and Inarritu's Biutiful, Breger examines the ways in which these films produce unexpected and frequently destabilizing affects that invite viewers to imagine new connections among individuals. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with positive alternatives. Instead, they produce new sensibilities, responses, and affects among viewers that allow them to see the world in new ways"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231194181
    Schlagworte: Motion pictures; Motion pictures
    Umfang: 336 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  3. Making worlds
    affect and collectivity in contemporary European cinema
    Autor*in: Breger, Claudia
    Erschienen: [2020]; © 2020
    Verlag:  Columbia University Press, New York

    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or,... mehr

    Standort:
    Englisches Seminar der Universität, Bibliothek
    Signatur:
    PAA 330:66
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akın's The Cut and Ari Kaurismäki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World --Epilogue: Reconfiguring Resistance. "The twenty-first century has seen an intensification of racial violence, religious chauvinism, class division, and the politics of hatred in the West. In Making Worlds, Claudia Breger argues that contemporary European arthouse cinema provides ways of thinking about and producing new types of collectivities in response to these political trends. In readings of key contemporary European films such as Michael Haneke's The White Ribbon, Aki Kaurismaki's Le Havre, and Inarritu's Biutiful, Breger examines the ways in which these films produce unexpected and frequently destabilizing affects that invite viewers to imagine new connections among individuals. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with positive alternatives. Instead, they produce new sensibilities, responses, and affects among viewers that allow them to see the world in new ways"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231194181; 9780231194198
    Schlagworte: Gesellschaft <Motiv>; Film; Politik <Motiv>
    Weitere Schlagworte: Motion pictures / Social aspects / Europe / History / 21st century; Motion pictures / Political aspects / Europe / History / 21st century
    Umfang: 336 Seiten, Illustrationen
  4. Making worlds
    affect and collectivity in contemporary European cinema
    Autor*in: Breger, Claudia
    Erschienen: 2020
    Verlag:  Columbia University Press, New York

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231194198; 0231194196; 9780231194181
    RVK Klassifikation: AP 46700 ; AP 59706
    Schlagworte: Film; Gesellschaft <Motiv>; Politik <Motiv>
    Umfang: 336 Seiten, Illustrationen
  5. Making worlds
    affect and collectivity in contemporary European cinema
    Autor*in: Breger, Claudia
    Erschienen: 2020
    Verlag:  Columbia University Press, New York

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231194198; 0231194196; 9780231194181
    RVK Klassifikation: AP 46700 ; AP 59706
    Schlagworte: Film; Gesellschaft <Motiv>; Politik <Motiv>
    Umfang: 336 Seiten, Illustrationen
  6. Making worlds
    affect and collectivity in contemporary European cinema
    Autor*in: Breger, Claudia
    Erschienen: [2020]; © 2020
    Verlag:  Columbia University Press, New York

    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or,... mehr

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akın's The Cut and Ari Kaurismäki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World --Epilogue: Reconfiguring Resistance "The twenty-first century has seen an intensification of racial violence, religious chauvinism, class division, and the politics of hatred in the West. In Making Worlds, Claudia Breger argues that contemporary European arthouse cinema provides ways of thinking about and producing new types of collectivities in response to these political trends. In readings of key contemporary European films such as Michael Haneke's The White Ribbon, Aki Kaurismaki's Le Havre, and Inarritu's Biutiful, Breger examines the ways in which these films produce unexpected and frequently destabilizing affects that invite viewers to imagine new connections among individuals. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with positive alternatives. Instead, they produce new sensibilities, responses, and affects among viewers that allow them to see the world in new ways"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231194181; 9780231194198
    Schlagworte: Motion pictures / Social aspects / Europe / History / 21st century; Motion pictures / Political aspects / Europe / History / 21st century
    Umfang: 336 Seiten, Illustrationen