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  1. The digital banal
    new media in American literature and culture
    Autor*in: Dinnen, Zara
    Erschienen: 2018
    Verlag:  Columbia University Press, New York

    "Contemporary culture is haunted by its media. In its ubiquity digital media have become increasingly banal and in the process its meaning and influence have become less visibly apparent. Contemporary novelists and filmmakers have narrated and... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Contemporary culture is haunted by its media. In its ubiquity digital media have become increasingly banal and in the process its meaning and influence have become less visibly apparent. Contemporary novelists and filmmakers have narrated and depicted everyday life in a way- that represents the emotional, intellectual, and political nature of living in our present-day media environment. The works of these writers and directors, Dinnen argues, also offer ways of resisting the more troubling aspects of the effects of new technologies. Dinnen considers the work of a range of prominent contemporary writers, filmmakers, and artists, including Jennifer Egan, Dave Eggers, Sheila Heti, Jonathan Lethem, Gary Shteyngart, Colson Whitehead, David Fincher, Mark Amerika, and Cory Arcangel. Their works critique and reveal the ways in which digital labor isolates the individual; how the work of programming has become an operation of power; how creative remixing allows the writer or filmmaker the opportunity to expose what often becomes shrouded in the digital banal; self-representation through avatars; and the development of the "California ideology," which has folded the radical into the rote and the imaginary into the mundane"...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231184281
    RVK Klassifikation: HU 1691 ; HU 1520
    Schriftenreihe: Literature now
    Schlagworte: Technology in literature; American literature; Technology in motion pictures; Digital media; Banality (Philosophy); Film; Banalität; Digitalisierung; Literatur
    Umfang: VIII, 223 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. The digital banal
    new media in American literature and culture
    Autor*in: Dinnen, Zara
    Erschienen: 2018
    Verlag:  Columbia University Press, New York

    "Contemporary culture is haunted by its media. In its ubiquity digital media have become increasingly banal and in the process its meaning and influence have become less visibly apparent. Contemporary novelists and filmmakers have narrated and... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Contemporary culture is haunted by its media. In its ubiquity digital media have become increasingly banal and in the process its meaning and influence have become less visibly apparent. Contemporary novelists and filmmakers have narrated and depicted everyday life in a way- that represents the emotional, intellectual, and political nature of living in our present-day media environment. The works of these writers and directors, Dinnen argues, also offer ways of resisting the more troubling aspects of the effects of new technologies. Dinnen considers the work of a range of prominent contemporary writers, filmmakers, and artists, including Jennifer Egan, Dave Eggers, Sheila Heti, Jonathan Lethem, Gary Shteyngart, Colson Whitehead, David Fincher, Mark Amerika, and Cory Arcangel. Their works critique and reveal the ways in which digital labor isolates the individual; how the work of programming has become an operation of power; how creative remixing allows the writer or filmmaker the opportunity to expose what often becomes shrouded in the digital banal; self-representation through avatars; and the development of the "California ideology," which has folded the radical into the rote and the imaginary into the mundane"...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231184281
    RVK Klassifikation: HU 1691 ; HU 1520
    Schriftenreihe: Literature now
    Schlagworte: Technology in literature; American literature; Technology in motion pictures; Digital media; Banality (Philosophy); Film; Banalität; Digitalisierung; Literatur
    Umfang: VIII, 223 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  3. <<The>> digital banal
    new media and American literature and culture
    Autor*in: Dinnen, Zara
    Erschienen: 2022; © 2018
    Verlag:  Columbia University Press, New York

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231184298; 0231184298; 9780231184281
    RVK Klassifikation: HU 1691 ; HU 1520 ; HV 15200
    Schriftenreihe: Literature now
    Schlagworte: Technology in literature; American literature; Technology in motion pictures; Digital media; Banality (Philosophy); Technologie dans la littérature; Littérature américaine; Technologie au cinéma; Banalité (Philosophie); American literature; Banality (Philosophy); Digital media; Technology in literature; Technology in motion pictures
    Umfang: viii, 223 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 199-215
  4. The digital banal
    new media and American literature and culture
    Autor*in: Dinnen, Zara
    Erschienen: 2022
    Verlag:  Columbia University Press, New York

    Standort:
    Universitätsbibliothek Gießen
    Signatur:
    000 HV 15200 D585
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231184298; 0231184298; 9780231184281
    RVK Klassifikation: HU 1691 ; HU 1520 ; HV 15200
    Auflage/Ausgabe: Paperback edition
    Schriftenreihe: Literature now
    Schlagworte: Technology in literature; American literature; Technology in motion pictures; Digital media; Banality (Philosophy); Technologie dans la littérature; Littérature américaine; Technologie au cinéma; Banalité (Philosophie); American literature; Banality (Philosophy); Digital media; Technology in literature; Technology in motion pictures
    Umfang: viii, 223 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 199-215
  5. The digital banal
    new media and American literature and culture
    Autor*in: Dinnen, Zara
    Erschienen: [2018]
    Verlag:  Columbia University Press, New York

    "Contemporary culture is haunted by its media. In its ubiquity digital media have become increasingly banal and in the process its meaning and influence have become less visibly apparent. Contemporary novelists and filmmakers have narrated and... mehr

    Standort:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signatur:
    809.93356 DIN
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Contemporary culture is haunted by its media. In its ubiquity digital media have become increasingly banal and in the process its meaning and influence have become less visibly apparent. Contemporary novelists and filmmakers have narrated and depicted everyday life in a way- that represents the emotional, intellectual, and political nature of living in our present-day media environment. The works of these writers and directors, Dinnen argues, also offer ways of resisting the more troubling aspects of the effects of new technologies. Dinnen considers the work of a range of prominent contemporary writers, filmmakers, and artists, including Jennifer Egan, Dave Eggers, Sheila Heti, Jonathan Lethem, Gary Shteyngart, Colson Whitehead, David Fincher, Mark Amerika, and Cory Arcangel. Their works critique and reveal the ways in which digital labor isolates the individual; how the work of programming has become an operation of power; how creative remixing allows the writer or filmmaker the opportunity to expose what often becomes shrouded in the digital banal; self-representation through avatars; and the development of the "California ideology," which has folded the radical into the rote and the imaginary into the mundane"-- Introduction: thinking with the digital banal -- David Fincher's grammar of code -- Jonathan Lethem and Mark Amerika's common writing -- Being social in a post-digital world in Catfish and How should a person be? The signs of a social network -- Twenty years of Californian ideology in The Bug and The Circle -- Refresh, update, wait-or living with the digital banal in Chronic city and Refresh refresh -- Speculating on the real estate of the digital banal -- Conclusion: after the digital banal

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231184281
    RVK Klassifikation: HU 1691 ; HU 1520
    Schriftenreihe: Literature now
    Schlagworte: Literatur; Sozialer Wandel <Motiv>; Neue Medien <Motiv>; Film; Digitalisierung; Banalität
    Umfang: VIII, 223 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seie 199-215 und Index
  6. The digital banal
    new media and American literature and culture
    Autor*in: Dinnen, Zara
    Erschienen: [2018]; © 2018
    Verlag:  Columbia University Press, New York

    "Contemporary culture is haunted by its media. In its ubiquity digital media have become increasingly banal and in the process its meaning and influence have become less visibly apparent. Contemporary novelists and filmmakers have narrated and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 18236
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2019 A 9350
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    EV/250/692
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    AMK:MF:544:Din::2018
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    500 HU 1691 D585
    Fernleihe:
    keine Fernleihe

     

    "Contemporary culture is haunted by its media. In its ubiquity digital media have become increasingly banal and in the process its meaning and influence have become less visibly apparent. Contemporary novelists and filmmakers have narrated and depicted everyday life in a way- that represents the emotional, intellectual, and political nature of living in our present-day media environment. The works of these writers and directors, Dinnen argues, also offer ways of resisting the more troubling aspects of the effects of new technologies. Dinnen considers the work of a range of prominent contemporary writers, filmmakers, and artists, including Jennifer Egan, Dave Eggers, Sheila Heti, Jonathan Lethem, Gary Shteyngart, Colson Whitehead, David Fincher, Mark Amerika, and Cory Arcangel. Their works critique and reveal the ways in which digital labor isolates the individual; how the work of programming has become an operation of power; how creative remixing allows the writer or filmmaker the opportunity to expose what often becomes shrouded in the digital banal; self-representation through avatars; and the development of the "California ideology," which has folded the radical into the rote and the imaginary into the mundane"-- Introduction: thinking with the digital banal -- David Fincher's grammar of code -- Jonathan Lethem and Mark Amerika's common writing -- Being social in a post-digital world in Catfish and How should a person be? The signs of a social network -- Twenty years of Californian ideology in The Bug and The Circle -- Refresh, update, wait-or living with the digital banal in Chronic city and Refresh refresh -- Speculating on the real estate of the digital banal -- Conclusion: after the digital banal

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231184281
    RVK Klassifikation: HU 1520 ; HU 1691
    Schriftenreihe: Literature now
    Schlagworte: Technology in literature; American literature; Technology in motion pictures; Digital media; Banality (Philosophy)
    Umfang: VIII, 223 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literatueverzeichnis: Seie 199-215 und Index