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  1. Inadvertent images
    a history of photographic apparitions
    Autor*in: Geimer, Peter
    Erschienen: [2018]
    Verlag:  The University of Chicago Press, Chicago

    Standort:
    Museum Folkwang, Museumsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signatur:
    KMB/+JDG 2018
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Münster
    Signatur:
    3K 77610
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Jackson, Gerrit (Übersetzer)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226471877
    Schlagworte: Photography; Photography; Photography; Photography, Artistic; Phenomenology; Fotografie; Visuelle Wahrnehmung; Zufall; Ästhetik; Fehler
    Umfang: 234 Seiten, Illustrationen, 26 cm
  2. Inadvertent images
    a history of photographic apparitions
    Autor*in: Geimer, Peter
    Erschienen: [2018]; © 2018
    Verlag:  The University of Chicago Press, Chicago and London

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Deutsches Museum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Jackson, Gerrit
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226471877; 022647187X
    RVK Klassifikation: AP 93550 ; AP 94800
    Schlagworte: Visuelle Wahrnehmung; Turiner Grabtuch; Erscheinung; Fototechnik; Ästhetik; Interpretation; Psiphänomen <Motiv>; Fotografie; Zufall
    Weitere Schlagworte: Luys, Jules (1828-1897); Pia, Secondo (1855-1941); Vignon, Paul (1865-1943); Photography / Psychological aspects; Photography / History; Photography / Philosophy; Phenomenology; Phenomenology; Photography; Photography / Philosophy; Photography / Psychological aspects; 21.42 history of photographic art; History
    Umfang: 234 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 26 cm
    Bemerkung(en):

    History and "prehistory" -- Visibility by destruction/disturbance: incidents of photography -- Case study I: signs of life or "false flames" : Jules Luys and the controversy over "effluviography" -- Case study II: a self-portrait of Christ or the white noise of photography : Paul Vignon and the earliest photograph of the Shroud of Turin -- Visible/invisible : critique of a dichotomy -- The "optical unconscious" of photography
  3. Inadvertent images
    a history of photographic apparitions
    Autor*in: Geimer, Peter
    Erschienen: [2018]
    Verlag:  The University of Chicago Press, Chicago

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how... mehr

     

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  4. Inadvertent images
    a history of photographic apparitions
    Autor*in: Geimer, Peter
    Erschienen: [2018]
    Verlag:  The University of Chicago Press, Chicago

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    AP 94200 G312
    Fernleihe:
    keine Fernleihe

    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780226471877
    RVK Klassifikation: AP 94200
    Schlagworte: Photography; Photography; Photography; Phenomenology; 21.42 history of photographic art; Phenomenology; Phenomenology; Photography; Photography; Photography; Photography; Photography; Photography; History
    Umfang: 234 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    Includes bibliographical references and index
  5. Inadvertent images
    a history of photographic apparitions
    Autor*in: Geimer, Peter
    Erschienen: [2018]
    Verlag:  The University of Chicago Press, Chicago

    Standort:
    Museum Folkwang, Museumsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Jackson, Gerrit (Übersetzer)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780226471877
    Schlagworte: Photography; Photography; Photography; Photography, Artistic; Phenomenology
    Umfang: 234 Seiten, Illustrationen, 26 cm
  6. Inadvertent images
    a history of photographic apparitions
    Autor*in: Geimer, Peter
    Erschienen: [2018]; © 2018
    Verlag:  The University of Chicago Press, Chicago and London

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Jackson, Gerrit
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226471877; 022647187X
    RVK Klassifikation: AP 93550 ; AP 94800
    Schlagworte: Visuelle Wahrnehmung; Turiner Grabtuch; Erscheinung; Fototechnik; Ästhetik; Interpretation; Psiphänomen <Motiv>; Fotografie; Zufall
    Weitere Schlagworte: Luys, Jules (1828-1897); Pia, Secondo (1855-1941); Vignon, Paul (1865-1943); Photography / Psychological aspects; Photography / History; Photography / Philosophy; Phenomenology; Phenomenology; Photography; Photography / Philosophy; Photography / Psychological aspects; 21.42 history of photographic art; History
    Umfang: 234 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 26 cm
    Bemerkung(en):

    History and "prehistory" -- Visibility by destruction/disturbance: incidents of photography -- Case study I: signs of life or "false flames" : Jules Luys and the controversy over "effluviography" -- Case study II: a self-portrait of Christ or the white noise of photography : Paul Vignon and the earliest photograph of the Shroud of Turin -- Visible/invisible : critique of a dichotomy -- The "optical unconscious" of photography
  7. Inadvertent images
    a history of photographic apparitions
    Autor*in: Geimer, Peter
    Erschienen: [2018]
    Verlag:  The University of Chicago Press, Chicago

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how... mehr

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signatur:
    Dienstzimmer: 14/K. e. 7
    Fernleihe:
    keine Fernleihe

     

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Jackson, Gerrit (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780226471877; 022647187X
    DDC Klassifikation: Fotografie, Fotografien, Computerkunst (770)
    Schlagworte: Fotografie; Fehler; Zufall; Visuelle Wahrnehmung; Ästhetik
    Umfang: 234 Seiten, Illustrationen, 27 cm