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  1. Tristan's shadow
    sexuality and the total work of art after Wagner
    Autor*in: Daub, Adrian
    Erschienen: 2014
    Verlag:  University of Chicago Press, Chicago

    Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas-and created some of the most indelible characters ever to grace the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas-and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk-the "total work of art"-famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226082271
    RVK Klassifikation: LP 66481 ; LP 66484
    Schlagworte: Wagner, Richard, -- 1813-1883 -- Influence; Sex in opera; Opera -- 19th century; Electronic books
    Weitere Schlagworte: Wagner, Richard,, 1813-1883
    Umfang: 1 Online-Ressource (viii, 228 Seiten)
    Bemerkung(en):

    Description based upon print version of record

    Contents; Acknowledgments; Introduction. Tristan's Shadow: The Fate of Sexual Differencein Opera; Chapter 1. Mother Mime: Wagner and the Metaphysics of Sexual Difference; Chapter 2. Mime's Revenge: The Total Work of Art and the Ugly Detail; Chapter 3. Taceat Mulier in Theatro: Richard Strauss's Guntram, Arthur Schopenhauer, and the Exorcism of the Voice; Chapter 4. Erotic Acoustics: The Natural History of the Theater and Der ferne Klang; Chapter 5. Congenital Blindness: Visions of Marriage in the Operas of Eugen d'Albert

    Chapter 6. Occult Legacies: Eroticism and the Dynasty in Siegfried Wagner's OperasChapter 7. The Power of the "Verfluchte Lohe": (Post-) Wagnerian Redheads in Das Rheingold, Fredegundis, and Irrelohe; Coda. "I'm a Stranger Here Myself"; Notes; Index
  2. Tristan's shadow
    sexuality and the total work of art after Wagner
    Autor*in: Daub, Adrian
    Erschienen: [2014]
    Verlag:  The University of Chicago Press, Chicago ; London

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226082271
    Weitere Identifier:
    RVK Klassifikation: LP 66484 ; LP 66484
    Schlagworte: Opera; Sex in opera; Oper; Erotik <Motiv>; Rezeption; Gesamtkunstwerk
    Weitere Schlagworte: Wagner, Richard, (1813-1883); Wagner, Richard (1813-1883)
    Umfang: 1 Online-Ressource (VIII, 228 Seiten)
  3. Tristan's shadow
    sexuality and the total work of art after Wagner
    Autor*in: Daub, Adrian
    Erschienen: 2014
    Verlag:  The University of Chicago Press, Chicago, Illinois ; Oxford University Press, Oxford

    'Tristan's Shadow' is an important, highly intelligent, and ambitious study. Rigorously researched, blissfully unencumbered by canonical narratives, and written with Adrian Daub's signature verve, this book provides a new, and entirely compelling,... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    'Tristan's Shadow' is an important, highly intelligent, and ambitious study. Rigorously researched, blissfully unencumbered by canonical narratives, and written with Adrian Daub's signature verve, this book provides a new, and entirely compelling, account of German opera after Wagner.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226082271
    Weitere Identifier:
    RVK Klassifikation: LP 66484
    Schlagworte: Oper; Gesamtkunstwerk; Erotik <Motiv>; Rezeption; Opera; Sex in opera
    Weitere Schlagworte: Wagner, Richard (1813-1883); Wagner, Richard (1813-1883)
    Umfang: 1 Online-Ressource (viii, 228 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  4. Tristan's shadow
    sexuality and the total work of art after Wagner
    Autor*in: Daub, Adrian
    Erschienen: 2014
    Verlag:  University of Chicago Press, Chicago

    Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas-and created some of the most indelible characters ever to grace the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

     

    Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas-and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk-the "total work of art"-famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226082271
    RVK Klassifikation: LP 66481 ; LP 66484
    Schlagworte: Wagner, Richard, -- 1813-1883 -- Influence; Sex in opera; Opera -- 19th century; Electronic books
    Weitere Schlagworte: Wagner, Richard,, 1813-1883
    Umfang: 1 Online-Ressource (viii, 228 Seiten)
    Bemerkung(en):

    Description based upon print version of record

    Contents; Acknowledgments; Introduction. Tristan's Shadow: The Fate of Sexual Differencein Opera; Chapter 1. Mother Mime: Wagner and the Metaphysics of Sexual Difference; Chapter 2. Mime's Revenge: The Total Work of Art and the Ugly Detail; Chapter 3. Taceat Mulier in Theatro: Richard Strauss's Guntram, Arthur Schopenhauer, and the Exorcism of the Voice; Chapter 4. Erotic Acoustics: The Natural History of the Theater and Der ferne Klang; Chapter 5. Congenital Blindness: Visions of Marriage in the Operas of Eugen d'Albert

    Chapter 6. Occult Legacies: Eroticism and the Dynasty in Siegfried Wagner's OperasChapter 7. The Power of the "Verfluchte Lohe": (Post-) Wagnerian Redheads in Das Rheingold, Fredegundis, and Irrelohe; Coda. "I'm a Stranger Here Myself"; Notes; Index