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  1. Surviving images
    cinema, war, and cultural memory in the Middle East
    Autor*in: Rastegar, Kamran
    Erschienen: 2015
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    Standort:
    Orientalisches Seminar, Seminarbibliothek mit Malaiologischem Apparat, Schiabibliothek und Max Freiherr von Oppenheim Stiftung
    Signatur:
    414/Isl/M56
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199390168; 0199390169; 9780199390175; 0199390177; 9780199390182
    RVK Klassifikation: AP 59766
    Schlagworte: Krieg <Motiv>; Kollektives Gedächtnis; Film
    Umfang: X, 235 S., Ill., 25 cm
    Bemerkung(en):

    Includes bibliographical references (S. 217-227) and index ; Introduction -- Productive traumas: cinema, social conflict, cultural memory -- Colonialism, memory, masculinity: The four feathers and the redemption of empire -- Freedom, then silence: memory and the women of Egyptian and Tunisian independence -- The time that is lost: cinematic aporias of Palestine -- Sacred defenses: treacherous memory in post-war Iran -- Wanting to see: wartime witnessing and post-war haunting in Lebanese cinema -- "Sawwaru waynkum?" human rights and perpetrator traumas in Waltz with Bashir -- Conclusion. Multitudinous memory: revolutions and post-cinematic cultural memory
  2. Surviving images
    cinema, war, and cultural memory in the Middle East
    Autor*in: Rastegar, Kamran
    Erschienen: 2015
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    'Surviving Images' explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    'Surviving Images' explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national independence struggle, and the postcolonial. This work aims both to fill a gap in the critical literature on Middle Eastern cinemas and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199390168; 0199390169; 9780199390175; 0199390177; 9780199390182
    RVK Klassifikation: AP 59766
    Schlagworte: Memory in motion pictures; Psychic trauma in motion pictures; War films / Middle East / History and criticism; Film; Krieg <Motiv>; Kollektives Gedächtnis
    Umfang: X, 235 S., Ill., 25 cm
    Bemerkung(en):

    Includes bibliographical references (S. 217-227) and index ; Introduction -- Productive traumas: cinema, social conflict, cultural memory -- Colonialism, memory, masculinity: The four feathers and the redemption of empire -- Freedom, then silence: memory and the women of Egyptian and Tunisian independence -- The time that is lost: cinematic aporias of Palestine -- Sacred defenses: treacherous memory in post-war Iran -- Wanting to see: wartime witnessing and post-war haunting in Lebanese cinema -- "Sawwaru waynkum?" human rights and perpetrator traumas in Waltz with Bashir -- Conclusion. Multitudinous memory: revolutions and post-cinematic cultural memory
  3. Surviving images
    cinema, war, and cultural memory in the Middle East
    Autor*in: Rastegar, Kamran
    Erschienen: 2015
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    'Surviving Images' explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national... mehr

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    'Surviving Images' explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national independence struggle, and the postcolonial. This work aims both to fill a gap in the critical literature on Middle Eastern cinemas and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199390168; 0199390169; 9780199390175; 0199390177; 9780199390182
    RVK Klassifikation: AP 59766
    Schlagworte: Memory in motion pictures; Psychic trauma in motion pictures; War films / Middle East / History and criticism; Film; Krieg <Motiv>; Kollektives Gedächtnis
    Umfang: X, 235 S., Ill., 25 cm
    Bemerkung(en):

    Includes bibliographical references (S. 217-227) and index ; Introduction -- Productive traumas: cinema, social conflict, cultural memory -- Colonialism, memory, masculinity: The four feathers and the redemption of empire -- Freedom, then silence: memory and the women of Egyptian and Tunisian independence -- The time that is lost: cinematic aporias of Palestine -- Sacred defenses: treacherous memory in post-war Iran -- Wanting to see: wartime witnessing and post-war haunting in Lebanese cinema -- "Sawwaru waynkum?" human rights and perpetrator traumas in Waltz with Bashir -- Conclusion. Multitudinous memory: revolutions and post-cinematic cultural memory
  4. Surviving images
    cinema, war, and cultural memory in the Middle East
    Autor*in: Rastegar, Kamran
    Erschienen: 2015
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199390168; 0199390169; 9780199390175; 0199390177; 9780199390182
    RVK Klassifikation: AP 59766
    Schlagworte: Naher Osten; Nordafrika; Film; Krieg <Motiv>; Kollektives Gedächtnis; Geschichte
    Umfang: X, 235 S., Ill, 25 cm
    Bemerkung(en):

    Includes bibliographical references (S. 217-227) and index ; Introduction -- Productive traumas: cinema, social conflict, cultural memory -- Colonialism, memory, masculinity: The four feathers and the redemption of empire -- Freedom, then silence: memory and the women of Egyptian and Tunisian independence -- The time that is lost: cinematic aporias of Palestine -- Sacred defenses: treacherous memory in post-war Iran -- Wanting to see: wartime witnessing and post-war haunting in Lebanese cinema -- "Sawwaru waynkum?" human rights and perpetrator traumas in Waltz with Bashir -- Conclusion. Multitudinous memory: revolutions and post-cinematic cultural memory