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  1. Diaries real and fictional in twentieth-century French writing
    Autor*in: Ferguson, Sam
    Erschienen: 2018
    Verlag:  Oxford University Press, Oxford

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198814535
    RVK Klassifikation: IH 1546
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford modern languages and literature monographs
    Schlagworte: French literature; Authors, French; Diaries in literature; Diary fiction; 18.25 French literature; Authors, French; Diaries in literature; Diary fiction; French literature
    Umfang: 245 pages, illustrations, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 229-240) and index
  2. Diaries real and fictional in twentieth-century French writing
    Autor*in: Ferguson, Sam
    Erschienen: 2018
    Verlag:  Oxford University Press, Oxford

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 42507
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität des Saarlandes, Fachrichtung Romanistik, Bibliothek
    Signatur:
    F 77 FER 1
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198814535
    RVK Klassifikation: IH 1546
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford modern languages and literature monographs
    Schlagworte: French literature; Authors, French; Diaries in literature; Diary fiction; 18.25 French literature; Authors, French; Diaries in literature; Diary fiction; French literature
    Umfang: 245 pages, illustrations, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 229-240) and index
  3. Diaries real and fictional in twentieth-century French writing
    Autor*in: Ferguson, Sam
    Erschienen: 2018
    Verlag:  Oxford University Press, Oxford

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    W 2018/1610
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitäts- und Landesbibliothek Münster
    Signatur:
    3K 77517
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780198814535
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford modern languages and literature monographs
    Schlagworte: French literature; Authors, French; Diaries in literature; Diary fiction, French; Tagebuch <Motiv>; Französisch; Literatur; Tagebuch
    Weitere Schlagworte: Gide, André (1869-1951)
    Umfang: 245 Seiten, Illustrationen, 24 cm
  4. Diaries real and fictional in twentieth-century French writing
    Autor*in: Ferguson, Sam
    Erschienen: 2018
    Verlag:  Oxford University Press, Oxford

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780198814535; 0198814534
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford modern languages and literature monographs
    Schlagworte: Tagebuch; Französisch; Literatur
    Weitere Schlagworte: French literature / 20th century / History and criticism; Authors, French / 20th century / Diaries; Diaries in literature; Diary fiction; 18.25 French literature
    Umfang: xvii, 245 Seiten, Illustrationen, 24 cm
  5. Diaries real and fictional in twentieth-century French writing
    Autor*in: Ferguson, Sam
    Erschienen: 2018
    Verlag:  Oxford University Press, Oxford

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly... mehr

     

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780198814535; 0198814534
    RVK Klassifikation: IH 45881 ; H 74641 ; IH 39581 ; IH 2170 ; IG 4700 ; IH 94240 ; IH 14481
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford modern languages and literature monographs
    Schlagworte: Französisch; Literatur; Tagebuch; Geschichte 1880-2011; ; Gide, André; Tagebuch; ; Queneau, Raymond; Tagebuch; ; Barthes, Roland; Tagebuch; ; Ernaux, Annie; Tagebuch;
    Weitere Schlagworte: French literature / 20th century / History and criticism; Authors, French / 20th century / Diaries; Diaries in literature; Diary fiction; 18.25 French literature
    Umfang: 245 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Enthält Literaturverzeichnis Seite [229]-240
  6. Diaries real and fictional in twentieth-century french writing
    Autor*in: Ferguson, Sam
    Erschienen: 2018
    Verlag:  Oxford University Press, Oxford, United Kingdom

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780198814535
    Weitere Identifier:
    9780198814535
    RVK Klassifikation: IH 1546
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford modern languages and literature monographs
    Schlagworte: French literature; Authors, French; Diaries in literature; Diary fiction; 18.25 French literature; Authors, French; Diaries in literature; Diary fiction; French literature
    Umfang: 245 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 229-240) and index

    Dissertation, University of Oxford, 2014
  7. Diaries real and fictional in twentieth-century french writing
    Autor*in: Ferguson, Sam
    Erschienen: 2018
    Verlag:  Oxford University Press, Oxford, United Kingdom

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 42507
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2018 A 4353
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität des Saarlandes, Fachrichtung Romanistik, Bibliothek
    Signatur:
    F 77 FER 1
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780198814535
    Weitere Identifier:
    9780198814535
    RVK Klassifikation: IH 1546
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford modern languages and literature monographs
    Schlagworte: French literature; Authors, French; Diaries in literature; Diary fiction; 18.25 French literature; Authors, French; Diaries in literature; Diary fiction; French literature
    Umfang: 245 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 229-240) and index

    Dissertation, University of Oxford, 2014
  8. Diaries real and fictional in twentieth-century French writing
    Autor*in: Ferguson, Sam
    Erschienen: 2018
    Verlag:  Oxford University Press, Oxford

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198814535
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford modern languages and literature monographs
    Schlagworte: French literature; Authors, French; Diaries in literature; Diary fiction, French
    Umfang: 245 Seiten, Illustrationen, 24 cm