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  1. Critical aesthetics and postmodernism
    Autor*in: Crowther, Paul
    Erschienen: 1993
    Verlag:  Clarendon Press, Oxford

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0198240376; 9780198240372
    Schlagworte: Postmodernism; Aesthetics; Aesthetics, Modern; Postmoderne; Ästhetik
    Umfang: xiii, 214 p., [4] p. of plates
    Bemerkung(en):

    Includes bibliographical references and index

  2. Critical aesthetics and postmodernism
    Autor*in: Crowther, Paul
    Erschienen: c1993
    Verlag:  Clarendon Press, Oxford

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 019151957X; 0198240376; 9780191519574; 9780198240372
    Schlagworte: PHILOSOPHY / Aesthetics; Esthetica; Postmodernisme; Aesthetics; Aesthetics, Modern; Postmodernism; Postmoderne; Ästhetik; Postmodernism; Aesthetics; Aesthetics, Modern; Postmoderne; Ästhetik
    Umfang: 1 Online-Ressource (xiii, 214 p., [4] p. of plates)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    In recent times considerable controversy has raged around the question of postmodern culture and its products. Paul Crowther attempts to overcome some of the antagonistic viewpoints involved by expounding and developing key themes from the work of Kant and Merleau-Ponty in the context of contemporary culture. His work analyses topics such as the relation between art and politics, the problematics of poststructuralist and feminist approaches to art, the re-emergence and relevance of theories of the sublime, and the continuing possibilities of artistic creativity. The central theme of the book is that there are constants in human experience around which art and philosophy constellate. At the same time, however, due account must be given of the ways in which such constants are historically mediated. By articulating various aspects of this relation, Crowther shows that the postmodern sensibility can be more than that of an alienated consumerism. Understood in the proper theoretical context, it is grounded on experience and artefacts which humanize