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  1. The new red Negro
    the literary left and African American poetry, 1930-1946
    Autor*in: Smethurst, James Edward
    Erschienen: 1999
    Verlag:  Oxford University Press, New York

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 019512054X; 1423759923; 1602566542; 9780195120547; 9781423759928; 9781602566545
    Schriftenreihe: Race and American culture
    Schlagworte: POETRY / American / General; African Americans in literature; African Americans / Intellectual life; African Americans / Politics and government; American poetry; American poetry / African American authors; Communism and literature; Political poetry, American; Race relations; Race relations in literature; Right and left (Political science) in literature; Geschichte; Politik; Schwarze. USA; American poetry; Communism and literature; American poetry; African Americans; Political poetry, American; Right and left (Political science) in literature; African Americans; African Americans in literature; Race relations in literature; Lyrik; Kommunismus; Die Linke; Schwarze
    Umfang: 1 Online-Ressource (xii, 288 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 255-275) and index

    Introduction: Of the coming of the new red negro -- African-American poetry, ideology, and the left during the 1930s and 1940s from the third period to the popular front and beyond -- "The strong men gittin' stronger": Sterling Brown and the respresentation and re-creation of the southern folk voice -- "Adventures of a social poet": Langston Highes in the 1930s -- "I am black and I have seen black hands": The narratorial consciousness and constructions of the folk in 1930s African-American poetry -- Hughes's Shakespeare in Harlem and the rise of popular neomodernism --Hysterical ties: Gwendolyn Brooks and the rise of a "high" neomodernism -- The popular front, World War II, and the rise of neomoderism in African-American poetry of the 1940s -- Conclusion: Sullen bakeries of total recall."

    This text surveys African American poetry between the onset of the Depression and the early days of the Cold War. It considers the relationship between the thematic and formal choices of African American poets, and organized ideology from "proletarian" early 1930s to the "neo-modernist" late 1940s
  2. The new red Negro
    the literary left and African American poetry, 1930-1946
    Autor*in: Smethurst, James Edward
    Erschienen: 1999
    Verlag:  Oxford University Press, New York

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780195120547; 019512054X
    Schriftenreihe: Race and American culture
    Schlagworte: Geschichte; Politik; Schwarze. USA; American poetry; Communism and literature; American poetry; Political poetry, American; Right and left (Political science) in literature; African Americans; African Americans; African Americans in literature; Race relations in literature; Die Linke; Kommunismus; Schwarze; Lyrik
    Umfang: xii, 288 p
    Bemerkung(en):

    Includes bibliographical references (p. 255-275) and index