T̀he victor belongs to the spoils.' Fitzgerald's ironic epigraph to The Beautiful and Damned exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its...
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Universitätsbibliothek der Eberhard Karls Universität
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T̀he victor belongs to the spoils.' Fitzgerald's ironic epigraph to The Beautiful and Damned exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its corrosive effect. Gloria and Anthony Patch party until money runs out; then their goal becomes Adam Patch's fortune. Gloria's beauty fades and Anthony's drinking takes its horrible toll. Fitzgerald here once again displays a wariness of the upper classes, àn abiding distrust,an animosity, toward the leisure class - not the conviction of a revolutionist
Verlag:
Oxford University Press, Oxford [u.a.]
;
EBSCO Industries, Inc., Birmingham, AL, USA
T̀he victor belongs to the spoils.' Fitzgerald's ironic epigraph to The Beautiful and Damned exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its...
mehr
T̀he victor belongs to the spoils.' Fitzgerald's ironic epigraph to The Beautiful and Damned exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its corrosive effect. Gloria and Anthony Patch party until money runs out; then their goal becomes Adam Patch's fortune. Gloria's beauty fades and Anthony's drinking takes its horrible toll. Fitzgerald here once again displays a wariness of the upper classes, àn abiding distrust, an animosity, toward the leisure class - not the conviction of a revolutionist.
