The essays in Moving Modernisms open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic...
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The essays in Moving Modernisms open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational. They point to the realities, and fantasies, of movement in modernist culture. Cover -- Moving Modernisms: Motion, Technology, and Modernity -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- 1: Introduction: Modernism as 'a space that is filled with moving' -- NOTES -- TIMES AND PLACES -- 2: Placing Modernism -- MODERNISM AND INTERNATIONALISM -- THREE QUESTIONS FOR TRANSNATIONALISM AND GLOBAL MODERNISM -- CONCLUSION: 'NO SINGLE NATION' -- NOTES -- 3: Micromodernism: Towards a Modernism of Disconnection -- SITES AND OCCASIONS -- TRAJECTORIES : ANTIPODEANS AND THE MODERNISM OF DISCONNECTION -- LEN LYE: FENDING OF SUREALISM -- PATRICK WHITE'S ANATOMY OF MODERNISM -- CONCLUSION: THE THIRTIES AND A MODERNISM OF DISCONNECTION -- NOTES -- 4: Modernism's Missing Modernity -- NOTES -- HORIZONS -- 5: Gibraltar and Beyond: James Joyce, Ezra Pound, Paul Bowles -- NOTES -- 6: Restless Modernisms: D. H. Lawrence Caught in the Shadow of Gramsci -- TAORMINA -- CAGLIARI -- SORGONO -- LIRAS LIRAS LIRAS -- CONVICTS ON THE TRAIN -- NOTES -- ENERGIES AND QUANTITIES -- 7: High-Energy Modernism -- SCIENCES OF HUMAN ENERGY -- HUMAN ENERGY AND MODERNIST CULTURE -- NOTES -- 8: Numbers It Is: The Musemathematics of Modernism -- ZENO -- ALTERNATING CURRENTS -- TELLING -- NOTES -- 9: 'Do Not Call Me a Dancer' (Isadora Duncan, 1929): Dance and Modernist Experimentation -- NOTES -- AVANT-GARDES -- 10: 'A Cessation of Resemblances': Stein/Picasso/Duchamp -- NOTES -- 11: 'A Cage Went in Search of a Bird': How Do Kafka's and Joyce's Aphorisms Move Us? -- NOTES -- DISCOURSES/VOICES -- 12: Literature Knows No Frontiers: Modernism and Free Speech -- PEN AND WORLDLY FRONTIERS 1921-35 -- NOTES -- 13: Moved by Language in Motion: Discourse, Myth, and Public Opinion in the Early Twentieth Century -- NOTES -- 14: Precarious Voices: Moderns, Moods, and Moving Epochs -- NO PERIOD SENSE AT ALL.
